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Alfred Cellier
Alfred Cellier (1 December 184428 December 1891) was an English composer, orchestrator and conductor. In addition to conducting and music directing the original productions of several of the most famous Gilbert and Sullivan works and writing the overtures to some of them, Cellier conducted at many theatres in London, New York and on tour in Britain, America and Australia. He composed over a dozen operas and other works for the theatre, as well as for orchestra, but his 1886 comic opera, ''Dorothy'', was by far his most successful work. It became the longest-running piece of musical theatre in the nineteenth century. Biography Cellier was born in South Hackney, London, the second child and eldest son of Arsène Cellier, a language teacher from France, and his wife Mary Ann Peterine, formerly Peacock, ''née'' Thomsett. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Court Theatre
The Royal Court Theatre, at different times known as the Court Theatre, the New Chelsea Theatre, and the Belgravia Theatre, is a non-commercial West End theatre in Sloane Square, in the Royal Borough of Kensington and Chelsea, London, England. In 1956 it was acquired by and remains the home of the English Stage Company, which is known for its contributions to contemporary theatre and won the Europe Prize Theatrical Realities in 1999. History The first theatre The first theatre on Lower George Street, off Sloane Square, was the converted Nonconformist Ranelagh Chapel, opened as a theatre in 1870 under the name The New Chelsea Theatre. Marie Litton became its manager in 1871, hiring Walter Emden to remodel the interior, and it was renamed the Court Theatre. Several of W. S. Gilbert's early plays were staged here, including ''Randall's Thumb'', ''Creatures of Impulse'' (with music by Alberto Randegger), ''Great Expectations'' (adapted from the Dickens novel), and ''On Gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sorcerer
''The Sorcerer'' is a two-act comic opera, with a libretto by W. S. Gilbert and music by Arthur Sullivan. It was the British duo's third operatic collaboration. The plot of ''The Sorcerer'' is based on a Christmas story, ''An Elixir of Love'', that Gilbert wrote for ''The Graphic'' magazine in 1876. A young man, Alexis, is obsessed with the idea of love levelling all ranks and social distinctions. To promote his beliefs, he invites the proprietor of J. W. Wells & Co., Family Sorcerers, to brew a love potion. This causes everyone in the village to fall in love with the first person they see and results in the pairing of comically mismatched couples. In the end, Wells must sacrifice his life to break the spell. The opera opened on 17 November 1877 at the Opera Comique in London, where it ran for 178 performances. It was considered a success by the standards of that time and encouraged the collaborators to write their next opera, ''H.M.S. Pinafore''. ''The Sorcerer'' was r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Comique
The Opera Comique was a 19th-century theatre constructed in Westminster, London, between Wych Street, Holywell Street and the Strand. It opened in 1870 and was demolished in 1902, to make way for the construction of the Aldwych and Kingsway. The theatre was built cheaply as a speculative venture, and was known as one of the "rickety twins" along with the adjacent Globe Theatre. Numerous managements presented plays in English, French and German, and the house was also used for extravaganzas and English versions of French opéras bouffes. It is best remembered as the theatre where several early Gilbert and Sullivan operas had their first runs, between 1877 and 1881. History Background and early years In the 16th century Lyon's Inn, one of the Inns of Chancery attached to London's Inner Temple, stood on the site. By the 1860s the area had deteriorated greatly, and the old inn had been converted into what the historians Mander and Mitchenson describe as "dwellings of a dubious n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D'Oyly Carte Opera Company
The D'Oyly Carte Opera Company is a professional British light opera company that, from the 1870s until 1982, staged Gilbert and Sullivan's Savoy operas nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere. The company was revived for short seasons and tours from 1988 to 2003, and since 2013 it has co-produced four of the operas with Scottish Opera. In 1875 Richard D'Oyly Carte asked the dramatist W. S. Gilbert and the composer Arthur Sullivan to collaborate on a short comic opera to round out an evening's entertainment. When that work, ''Trial by Jury'', became a success, Carte put together a syndicate to produce a full-length Gilbert and Sullivan work, ''The Sorcerer'' (1877), followed by ''H.M.S. Pinafore'' (1878). After ''Pinafore'' became an international sensation, Carte jettisoned his difficult investors and formed a new partnership with Gilbert and Sullivan that became the D'Oyly Carte Opera Company. The company produced the succeeding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilbert Arthur à Beckett
Gilbert Arthur à Beckett (April 7, 1837 – October 15, 1891) was an English writer. Biography Beckett was born at Portland House Hammersmith, on 7 April 1837, the eldest son of the civil servant and humorist Gilbert Abbott à Beckett and the composer Mary Anne à Beckett, daughter of Joseph Glossop, clerk of the cheque to the hon. corps of gentlemen-at-arms. His brother was Arthur William à Beckett. He graduated from Christ Church, Oxford, as a Westminster scholar in 1860. He was entered at Lincoln's Inn on 15 October 1857, but gave his attention chiefly to drama, producing ''Diamonds and Hearts'' at the Haymarket Theatre in 1867; this was followed by other light comedies. His adaptation of a French operetta by Émile Jonas called ''The Two Harlequins'' opened the new Gaiety Theatre, London in 1868, together with his distant cousin, W. S. Gilbert's, ''Robert the Devil'' and another piece. Beckett's pieces include numerous burlesques and pantomimes, the libretti of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Topsyturveydom
''Topsyturveydom'' (sometimes spelled ''Topsyturvydom'' or ''Topseyturveydom'') is a one-act operetta by W. S. Gilbert with music by Alfred Cellier. Styled "an entirely original musical extravaganza", it is based on one of Gilbert's Bab Ballads, "My Dream". It opened on 21 March 1874 at the Criterion Theatre in London and ran until 17 April, for about 25 performances. This was the first work shown at the newly built Criterion, and it was played together with ''An American Lady'', written and performed by Gilbert's friend, the dramatist and ''Fun'' magazine founder, Henry J. Byron. The musical score to ''Topsyturveydom'' does not survive, but amateur productions in recent decades have used newly composed scores or performed the work as a non-musical play. Advertisements for the work spelled the title "Topsyturveydom", whereas the license copy of the libretto, filed with the Lord Chamberlain's office, and now held in the British Library, spells it "Topsyturvydom". ''Topsyturveyd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dora's Dream
''Dora's Dream'' is a one-act operetta, with music composed by Alfred Cellier and a libretto by Arthur Cecil. The piece was first performed at the Royal Gallery of Illustration on 3 July 1873, with Fanny Holland and Arthur Cecil starring in the two roles. It was performed again with the same cast on 5 May 1876 at the Princess's Theatre in London for Pauline Rita's benefit. The opera was revived on 17 November 1877 at the Opera Comique as a curtain raiser to ''The Sorcerer'', which opened on the same night. It then ran until 7 or 8 February 1878, starring Giulia Warwick and Richard Temple. The curtain raiser debuted to a warm review from ''The Times'', which wrote, "This pleasant and sparkling ''bagatelle'' at once put the house in good humour." No printed libretto or vocal score is found in the British Library, but the license copy of the libretto resides in the Lord Chamberlain's collection, Add. MS. 53194, play no. A, NovDec 1877. Only dialogue is given, not the lyrics o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sultan Of Mocha
''The Sultan of Mocha'' is a three act comic opera of 1874 with a libretto by Albert Jarrett and a score by Alfred Cellier. It was first produced at the Prince's Theatre, Manchester in 1874 and revived in London in 1876 and 1887 (with a new libretto by William Lestocq) and in New York in 1880, among others. Productions The musical theatre writer Kurt Gänzl describes ''The Sultan of Mocha'' as "one of the earliest British musicals of the modern era both to have a significant career at home and to win overseas productions". Gänzl, Kurt. ''The British Musical Theatre'', Oxford University Press (1987) pp. 74–80 It was first produced in 1874 at the Prince's Theatre, Manchester by the actor-manager Charles Alexander Calvert, who "accepted a text supplied by a local gentleman of some literary attainment", Albert Jarrett (1834–1916), which was then set to music by Alfred Cellier, the musical director at Alexander's theatre.Albert Jarrett was a schoolmaster with literary aspir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mountebanks
''The Mountebanks'' is a comic opera in two acts with music by Alfred Cellier and Ivan Caryll and a libretto by W. S. Gilbert. The story concerns a magic potion that causes the person to whom it is administered to become what he or she has pretended to be. It is similar to several "magic lozenge" plots that Gilbert had proposed to the composer Arthur Sullivan, but that Sullivan had rejected, earlier in their careers. To set his libretto to music, Gilbert turned to Cellier, who had previously been a musical director for Gilbert and Sullivan and had since become a successful composer. During the composition of the piece Cellier died, and the score was finished by the original production's musical director, Ivan Caryll, who became a successful composer of Edwardian Musical Comedy. The opera was first produced at the Lyric Theatre, London, on 4 January 1892, for a run of 229 performances. It also toured extensively, had a short Broadway run, in 1893, American tours and Australian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gallery Of Illustration
The Royal Gallery of Illustration was a 19th-century performance venue located at 14 Regent Street in London. It was in use between 1850 and 1873. The gallery was built in the 1820s by the architect John Nash (architect), John Nash as part of his own house, to display his considerable collection of paintings. In 1850 the building was named the Gallery of Illustration, and between then and 1855 it housed a diorama created and run by the theatrical scene-painters Thomas Grieve (painter), Thomas Grieve and William Telbin. From 1856 to 1873 the gallery was in the hands of the singer and actress Priscilla Horton and her husband Thomas German Reed, German Reed. Their entertainments developed from songs and comedy with piano accompaniment to programmes of short plays and operettas. In deference to respectable Victorian era, mid-Victorian doubts about the propriety of theatres, the Reeds called their productions German Reed Entertainments, "entertainments", and avoided the use of the wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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