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Art Collection Of Fondazione Cassa Di Risparmio Di Cesena
The Galleria dei dipinti antichi or the ''Gallery of Antique Art'' is a small, but publicly exhibited collection of artists mainly from Emilia-Romagna, amassed by Fondazione Cassa di Risparmio di Cesena, the owner of Cesena's saving bank Cassa di Risparmio di Cesena. The collection spans works from the 15th century to the 19th century, and was accumulated mostly over the last 2-3 decades. Since 1991, it has been displayed in the former monastery of the Celestines The Celestines were a Roman Catholic monastic order, a branch of the Benedictines, founded in 1244. At the foundation of the new rule, they were called Hermits of St Damiano, or Moronites (or Murronites), and did not assume the appellation of ..., now also the central offices of the bank. Collection Gallery External links Official Website [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesena
Cesena (; rgn, Cisêna) is a city and ''comune'' in the Emilia-Romagna region of Italy, served by Autostrada A14 (Italy), Autostrada A14, and located near the Apennine Mountains, about from the Adriatic Sea. The total population is 97,137. History Cesena was originally an Umbrian or Etruscan civilization, Etruscan town, later known as Caesena. After a brief spell under Gaulish rule, it was taken over by Roman Republic, Romans in the 3rd century BC. It was a garrison town of strategic importance which was destroyed in the wars between Gaius Marius and Lucius Cornelius Sulla, Sulla. Pliny the Elder, Pliny mentions the wines of Cesena as among the best. Cesena was on the border that the Exarchate of Ravenna shared with the Lombards. It was presented to the Papacy by its Frankish conqueror in 754 (Donation of Pepin) and passed back and forth between the popes and the archbishops of Ravenna; it was also briefly a communal republic (1183–1198). It was then long contested bet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donato Creti
Donato Creti (24 February 1671 – 31 January 1749) was an Italian painter of the Rococo period, active mostly in Bologna. Born in Cremona, he moved to Bologna, where he was a pupil of Lorenzo Pasinelli. He is described by Wittkower as the "Bolognese Marco Benefial", in that his style was less decorative and edged into a more formal neoclassical style. It is an academicized grand style, that crystallizes into a manneristic neoclassicism, with crisp and frigid modeling of the figures. Among his followers were Aureliano Milani, Francesco Monti, and Ercole Graziani the Younger. Two other pupils were Domenico Maria Fratta and Giuseppe Peroni. Astronomical canvases One memorable conceit in Creti's output is a series of small canvases depicting celestial bodies, disproportionately sized and illuminated, above nocturnal landscapes. The paintings, commissioned in 1711 by the Bolognese count Luigi Marsili and intended as a gift to Pope Clement XI, were meant to accentuate the need fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Palmieri (painter)
Giuseppe Palmieri (1674 - May 18, 1740) was an Italian painter of the late Baroque period. Palmieri was born in Genoa. Orphaned as a baby, he came into the care of an uncle. As a boy, after his uncle died, he was apprenticed to an unidentified Tuscan painter, with whom he travelled through Italy, including a long stay in Sicily. Returning to Genoa, he joined the large studio of Domenico Piola, where he first gained independent commissions. He was very religious, and completed without pay some of his works for the monasteries of the Capuchin Friars (now mostly preserved in the church of the Holy Conception in Genoa). Some pictures depicting hunting scenes were painted for King John V of Portugal. In this style of painting, he was influenced by Castiglione. He fathered many children. He died in Genoa and was buried in the church of St. James of Carignano in Genoa. Works During his career Giuseppe Palmieri produced many works. Below is a list of some of his paintings: * '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Palmezzano
Marco Palmezzano (1460–1539) was an Italian painter and architect, belonging to the Forlì painting school, who painted in a style recalling earlier Northern Renaissance models. He was mostly active near Forlì. Biography Palmezzano was born and died in Forlì, Romagna. After his initial training with the painter Melozzo da Forlì — who had collaborated with Piero della Francesca and was widely esteemed as a master of perspective and foreshortening techniques— Palmezzano went to Rome in the early 1490s. It is rumored that Palmezzano may have then traveled to Jerusalem to join the team painting frescoes at the Holy Cross church there, but no documentary evidence exists. He is, however, noted in property records as residing in Venice in 1495. Shortly thereafter, Palmezzano returned to Forlì, where he spent the rest of his long life—apparently with only brief excursions connected with commissions in other places in the region—until his death in 1539. Among h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Marchesi
Girolamo Marchesi (c. 1471 – 1550) was an Italian painter of the Renaissance period. Born in Cotignola, whence his nickname of ''Girolamo da Cotignola'', he trained early on with Francesco Francia in Bologna, then in Rome under Raphael. He then traveled to Naples where he was patronized by the Florentine merchant Tommaso Cambi. According to Giorgio Vasari, he married a woman of ill repute there. In Ferrara he left an ''Adoration of the Magi'', and in the church of Santa Maria in Vado, a painting of two saints (1518). He painted with Biagio Pappini in San Michele in Bosco in Bologna. In Rimini, he painted with Benedetto Coda and Lattanzio della Marca, but the location and fate of those paintings can is unknown. He also painted in Forlì and Pesaro. In the Pinacoteca Civica di Forlì The Pinacoteca Civica of Forlì, one of the civic museums of Forlì and currently based in the Musei di San Domenico, is an Italian art gallery. Artists whose work the gallery exhibits ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Longhi
Luca Longhi (14 January 1507 – August 12, 1580) was an Italian painter of the late-Renaissance or Mannerist period, active in and near Ravenna, where he mainly produced religious paintings and portraits. Biography It is unclear who his master was. Among his portraits, he painted a portrait of Giovanni Guidiccione, bishop of Fossombrone; of Giulio dalla Rovere, Cardinal of Urbino, who died 1577; as well as Alessandro Sforza, Cardinal Legate of Romagna; Cristoforo Boncòmpagni, archbishop of Ravenna; and Giovanni Battista Rossi, Generale del Carmine, who died in Rome in 1577. His works include ''The Marriage of Saint Catherine'' (1529), ''Lady and the Unicorn'', ''Adoration by the Shepherds'', ''Virgin and Child with Saints Sebastian and Rocco'', ''Martyrdom of Saint Ursicinus'' (oil on canvas) and '' Cesare Hercolani''. He trained two of his children, Francesco Longhi (1544–1618) and Barbara Longhi (1552–1638). Barbara collaborated with him on several of his later wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Lanfranco
Giovanni Lanfranco (26 January 1582 – 30 November 1647) was an Italian painter of the Baroque period. Biography Giovanni Gaspare Lanfranco was born in Parma, the third son of Stefano and Cornelia Lanfranchi, and was placed as a page in the household of Count Orazio Scotti. His talent for drawing allowed him to begin an apprenticeship with the Bolognese artist Agostino Carracci, brother of Annibale Carracci, working alongside fellow Parmese Sisto Badalocchio in the local Farnese palaces. When Agostino died in 1602, both young artists moved to Annibale's large and prominent Roman workshop, which was then involved in working on the Galleria Farnese in the Palazzo Farnese gallery ceiling.Williamson, George. "Giovanni Lanfranco." The Catholic Encyclopedia Vol. 8. New York: Robert Appleton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benedetto Gennari II
Benedetto Gennari II (October 19, 1633 – December 9, 1715) was an Italian painter active during the Baroque period. Biography Belonging to a dynasty of painters, Gennari was a student of Guercino, the grandson of Benedetto Gennari, and older brother of Cesare Gennari. His father was Ercole Gennari and mother Lucia Barbieri. He trained at the workshop of the celebrated master, Guercino, hence his style was always very close to that of his teacher. Upon Guercino's death, Gennari inherited his studio which he ran with his brother Cesare. With a restless spirit, Gennari traveled to Paris in March 1672 to work for the court of King Louis XIV. The French nobility received him with open arms, and the multitude of commissions encouraged him to prolong his stay. In September 1674, he moved to London where he became court painter to King Charles II of England and his successor James II. He painted allegorical and mythological scenes, and above all portraits. Catherine of Bragan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Gandolfi
Gaetano Gandolfi (31 August 1734 – 20 June 1802) was an Italian painter of the late Baroque and early Neoclassic period, active in Bologna. Career Gaetano was born in San Matteo della Decima, near Bologna, to a family of artists. Ubaldo Gandolfi was his brother, Mauro Gandolfi was his son, and Democrito Gandolfi was his grandson. Gaetano became a "student" at the Accademia Clementina in Bologna, where he was taught by Felice Torelli and Ercole Lelli. In the academy, he was the recipient of several prizes for both figure drawing and sculpture. Later, in an autobiography, Gaetano claimed Felice Torelli (1667–1748) as his master. Other sources mention Ercole Graziani the Younger (1688–1765) and Ercole Lelli. He traveled to England, and became strongly influenced by Tiepolo. Among his pupils was Serafino Viani from Reggio. Gaetano died in Bologna, Italy. Collections Today, Gaetano's work is held in the permanent collections of several museums worldwide, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcantonio Franceschini
Marcantonio Franceschini (; 1648 – 24 December 1729) was an Italian painter of the Baroque period, active mostly in his native Bologna. He was the father and teacher of Giacomo Franceschini.''The picture collector's manual'' by James R. Hobbes London T&W Boone 1845 page 15/ref> Biography He was a pupil of Carlo Cignani, with whom he worked on the frescoes in the Palazzo del Giardino in Parma (1678–81). He worked closely for many years with his brother-in-law, Luigi Quaini, who also was the cousin of Cignani. Franceschini had a long career painting canvases on religious and mythological subjects for patrons throughout Europe. Franceschini decorated some ceilings in the Palazzo Ranuzzi (1680) and the Palazzo Marescotti Brazzetti (1682) in Bologna. He helped paint in the tribune at church of San Bartolomeo Porta Ravegnana (1690). Franceschini frescoed the ceiling of the ''Sala d'Onore'' ("Hall of Honor") in the Ducal Palace of Modena, commissioned in 1696 for the mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prospero Fontana
Prospero Fontana (1512–1597) was a Bolognese painter of late Renaissance and Mannerist art. He is perhaps best known for his frescoes and architectural detailing. The speed in which he completed paintings earned him commissions where he worked with other prominent artists of the period. He was a prominent figure in the city of Bologna, serving as official arbitrator in the business disputes of local artists. In his later career Fontana trained younger painters, including his own daughter Lavinia. Professional life Prospero Fontana was likely taught by Innocenzo da Imola, but there is a degree of uncertainty surrounding the relationship between the two men. As a teenager, Fontana was an assistant on Perino del Vaga's Palazzo Doria in Genoa. However, art historians cannot definitively identity Fontana's contributions to the decorations. In the 1550s, Fontana painted Pope Julius III's portrait and was pensioned at the pontifical court. He also decorated the Palazzo di Firenze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lavinia Fontana
Lavinia Fontana (August 24, 1552 – August 11, 1614) was a Bolognese Mannerist painter active in Bologna and Rome. She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting. She was trained by her father Prospero Fontana who was a teacher at the School of Bologna. She is regarded as the first female career artist in Western Europe as she relied on commissions for her income. Her family relied on her career as a painter, and her husband served as her agent and raised their 11 children. She was perhaps the first woman artist to paint female nudes, but this is a topic of controversy among art historians. Biography Lavinia Fontana was born in Bologna in 1552 to Prospero Fontana and Antonia de' Bonardis. She was baptized on August 24, 1552 at the cathedral of San Pietro. Her elder sister Emilia died in 1568 when Lavinia was sixteen. Prospero was a prominent painter of the School of Bologna at the time and served as her teache ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
