Ars Nova (treatise)
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Ars Nova (treatise)
''Ars nova'' (Latin for new art)Fallows, David. (2001). "Ars nova". ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan. refers to a musical style which flourished in the Kingdom of France and its surroundings during the Late Middle Ages. More particularly, it refers to the period between the preparation of the ''Roman de Fauvel'' (1310s) and the death of composer Guillaume de Machaut in 1377. The term is sometimes used more generally to refer to all European polyphonic music of the fourteenth century. For instance, the term "Italian " is sometimes used to denote the music of Francesco Landini and his compatriots, although Trecento music is the more common term for the contemporary 14th-century music in Italy. The "ars" in "ars nova" can be read as "technique", or "style". The term was first used in two musical treatises, titled ''Ars novae musicae'' (New Technique of Music) (c. 1320) by Johannes de ...
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Roman De Fauvel
The ''Roman de Fauvel'' is a 14th-century French allegorical verse romance of satirical bent, generally attributed to , a clerk at the French royal chancery. The original narrative of 3,280 octosyllabics is divided into two books, dated to 1310 and 1314 respectively, during the reigns of Philip IV and Louis X. In 1316–7 Chaillou de Pesstain produced a greatly expanded version. The romance features Fauvel, a fallow-colored horse who rises to prominence in the French royal court, and through him satirizes the self-serving hedonism and hypocrisy of men, and the excesses of the ruling estates, both secular and ecclesiastical. The antihero's name can be broken down to mean "false veil", and also forms an acrostic ''F-A-V-V-E-L'' with the letters standing for the human vices: Flattery, Avarice, Vileness, Variability (Fickleness), Envy, and Laxity. The romance also gave birth to the English expression "curry fauvel", the obsolete original form of " curry favor". The work is re ...
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John Dunstaple
John Dunstaple (or Dunstable, – 24 December 1453) was an English composer whose music helped inaugurate the transition from the Medieval music, medieval to the Renaissance music, Renaissance periods. The central proponent of the ''Contenance angloise'' style (), Dunstaple was the leading English composer of his time, and is often coupled with William Byrd and Henry Purcell as England's most important early music composers. His surviving music is exclusively vocal, and frequently uses isorhythms, while pioneering the prominent use of harmonies with thirds and sixths. His style would have an immense influence on the subsequent music of continental Europe, inspiring composers such as Guillaume Du Fay, Du Fay, Gilles Binchois, Binchois, Johannes Ockeghem, Ockeghem and Antoine Busnois, Busnois. Information on Dunstaple's life is largely non-existent or speculative, with the only certain date of his activity being his death on Christmas Eve of 1453. Probably born in Dunstable, Bedf ...
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Cyprus
Cyprus ; tr, Kıbrıs (), officially the Republic of Cyprus,, , lit: Republic of Cyprus is an island country located south of the Anatolian Peninsula in the eastern Mediterranean Sea. Its continental position is disputed; while it is geographically in Western Asia, its cultural ties and geopolitics are overwhelmingly Southern European. Cyprus is the third-largest and third-most populous island in the Mediterranean. It is located north of Egypt, east of Greece, south of Turkey, and west of Lebanon and Syria. Its capital and largest city is Nicosia. The northeast portion of the island is ''de facto'' governed by the self-declared Turkish Republic of Northern Cyprus, which was established after the 1974 invasion and which is recognised as a country only by Turkey. The earliest known human activity on the island dates to around the 10th millennium BC. Archaeological remains include the well-preserved ruins from the Hellenistic period such as Salamis and Kourion, and Cypr ...
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Aragon
Aragon ( , ; Spanish and an, Aragón ; ca, Aragó ) is an autonomous community in Spain, coextensive with the medieval Kingdom of Aragon. In northeastern Spain, the Aragonese autonomous community comprises three provinces (from north to south): Huesca, Zaragoza, and Teruel. Its capital is Zaragoza. The current Statute of Autonomy declares Aragon a '' historic nationality'' of Spain. Covering an area of , the region's terrain ranges diversely from permanent glaciers to verdant valleys, rich pasture lands and orchards, through to the arid steppe plains of the central lowlands. Aragon is home to many rivers—most notably, the river Ebro, Spain's largest river in volume, which runs west–east across the entire region through the province of Zaragoza. It is also home to the highest mountains of the Pyrenees. , the population of Aragon was , with slightly over half of it living in its capital city, Zaragoza. In 2020, the economy of Aragon generated a GDP of million, which re ...
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Avignon
Avignon (, ; ; oc, Avinhon, label=Provençal dialect, Provençal or , ; la, Avenio) is the Prefectures in France, prefecture of the Vaucluse Departments of France, department in the Provence-Alpes-Côte d'Azur Regions of France, region of Southeastern France. Located on the left bank of the river Rhône, the Communes of France, commune had a population of 93,671 as of the census results of 2017, with about 16,000 (estimate from Avignon's municipal services) living in the ancient town centre enclosed by its Walls of Avignon, medieval walls. It is Functional area (France), France's 35th largest metropolitan area according to Institut national de la statistique et des études économiques, INSEE with 336,135 inhabitants (2019), and France's 13th largest urban unit with 458,828 inhabitants (2019). Its urban area was the fastest-growing in France from 1999 until 2010 with an increase of 76% of its population and an area increase of 136%. The Communauté d'agglomération du Grand Av ...
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Ballade (forme Fixe)
The ''ballade'' (; ; not to be confused with the ballad) is a form of medieval and Renaissance French poetry as well as the corresponding musical chanson form. It was one of the three ''formes fixes'' (the other two were the rondeau and the virelai) and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. The formes fixes were standard forms in French-texted song of the fourteenth and fifteenth centuries. The ballade is usually in three stanzas, each ending with a refrain (a repeated segment of text and music). The ballade as a verse form typically consists of three eight-line stanzas, each with a consistent metre and a particular rhyme scheme. The last line in the stanza is a refrain. The stanzas are often followed by a four-line concluding stanza (an ''envoi'') usually addressed to a prince. The rhyme scheme is therefore usually , where the capital "C" is a refrain. The many different rhyming words that are needed (the ' ...
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Rondeau (forme Fixe)
A ''rondeau'' (; plural: ''rondeaux'') is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of the three ''formes fixes'', and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of material involving a refrain. The rondeau is believed to have originated in dance songs involving alternating singing of the refrain elements by a group and of the other lines by a soloist. The term "Rondeau" is today used both in a wider sense, covering several older variants of the form – which are sometimes distinguished as the triolet and rondel – and in a narrower sense referring to a 15-line variant which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated with the much later instrumental dance form that shares the same name in French baroqu ...
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Virelai
A ''virelai'' is a form of medieval French verse used often in poetry and music. It is one of the three ''formes fixes'' (the others were the ballade and the rondeau) and was one of the most common verse forms set to music in Europe from the late thirteenth to the fifteenth centuries. One of the most famous composers of virelai is Guillaume de Machaut (c. 1300–1377), who also wrote his own verse; 33 separate compositions in the form survive by him. Other composers of virelai include Jehannot de l'Escurel, one of the earliest (d. 1304), and Guillaume Dufay (c. 1400–1474), one of the latest. By the mid-15th century, the form had become largely divorced from music, and numerous examples of this form (including the ballade and the rondeau) were written, which were either not intended to be set to music, or for which the music has not survived. A virelai with only a single stanza is also known as a bergerette. Musical virelai The virelai as a song form of the 14t ...
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Lai (poetic Form)
A ''lai'' (or ''lay lyrique'', "lyric lay", to distinguish it from a ''lai breton'') is a lyrical, narrative poem written in octosyllabic couplets that often deals with tales of adventure and romance. ''Lais'' were mainly composed in France and Germany, during the 13th and 14th centuries. The English term ''lay'' is a 13th-century loan from Old French ''lai''. The origin of the French term itself is unclear; perhaps it is itself a loan from German '' Leich'' (reflected in archaic or dialectal English ''lake'', "sport, play" and in modern Swedish (leker = to play). The terms ''note'', ''nota'' and ''notula'' (as used by Johannes de Grocheio) appear to have been synonyms for ''lai''. The poetic form of the ''lai'' usually has several stanzas, none of which have the same form. As a result, the accompanying music consists of sections which do not repeat. This distinguishes the lai from other common types of musically important verse of the period (for example, the rondeau and the ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Perspective (graphical)
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of 3D projection, graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Fran ...
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Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ...
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