Annette Markert
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Annette Markert
Annette Markert (born in Kaltensundheim, Thuringia) is a German classical mezzo-soprano and alto. Career Annette Markert studied voice at the Leipzig School of Music and was engaged at the Halle Opera House in Halle, Saxony-Anhalt from 1983 to 1990, then at the opera house in Leipzig. From 1996 she has worked as a free-lance artist in concert and opera, with the New York Philharmonic under Kurt Masur, the Vienna Philharmonic under Philippe Herreweghe, and the Internationale Bachakademie Stuttgart under Helmuth Rilling, among others. She sang Bach's '' Mass in B minor'' in London, conducted by Sir Roger Norrington, in memory of the 250th anniversary of the composer's death. She has performed annually with the Thomanerchor and the Dresdner Kreuzchor and took part in the project of Ton Koopman to record the complete vocal works of Bach with the Amsterdam Baroque Orchestra & Choir. In 2004, she appeared at the Rheingau Musik Festival in a recorded performance of Handel's ''Messiah ...
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Thuringia
Thuringia (; german: Thüringen ), officially the Free State of Thuringia ( ), is a state of central Germany, covering , the sixth smallest of the sixteen German states. It has a population of about 2.1 million. Erfurt is the capital and largest city. Other cities are Jena, Gera and Weimar. Thuringia is bordered by Bavaria, Hesse, Lower Saxony, Saxony-Anhalt, and Saxony. It has been known as "the green heart of Germany" () from the late 19th century due to its broad, dense forest. Most of Thuringia is in the Saale drainage basin, a left-bank tributary of the Elbe. Thuringia is home to the Rennsteig, Germany's best-known hiking trail. Its winter resort of Oberhof makes it a well-equipped winter sports destination – half of Germany's 136 Winter Olympic gold medals had been won by Thuringian athletes as of 2014. Thuringia was favoured by or was the birthplace of three key intellectuals and leaders in the arts: Johann Sebastian Bach, Johann Wolfgang von Goethe, and Fried ...
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Amsterdam Baroque Orchestra & Choir
The Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam. The Amsterdam Baroque Orchestra & Choir was created in two stages by the conductor, organist and harpsichordist Ton Koopman. He founded the Amsterdam Baroque Orchestra in 1979 and the Amsterdam Baroque Choir in 1992.Amsterdam Baroque Orchestra & Choir
on Bach Cantatas, 2001
They have performed in concert halls such as the Amsterdam, London,

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Ludwig Güttler
Ludwig Güttler (born 13 June 1943) is an internationally known German virtuoso on the Baroque trumpet, the piccolo trumpet and the corno da caccia. As a conductor, he founded several ensembles including the chamber orchestra Virtuosi Saxoniae. His name is sometimes written in English as Ludwig Guttler. He received a number of awards including ''Discovery of the Year'' in 1983, and Frankfurt’s Musikpreis for extraordinary achievements in 1989. He was a founding member of the Rheingau Musik Festival and has appeared regularly since the first season in 1988. As head of the society of the Dresdner Frauenkirche, Ludwig Güttler promoted the reconstruction of this famous Baroque church, which was destroyed during World War II and was rebuilt in 1994–2004. In recognition of these contributions, Queen Elizabeth II appointed him Officer of the Order of the British Empire (OBE) in November 2007. Biography Güttler was born in 1943 in Sosa, in the Ore Mountain region of Sax ...
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Virtuosi Saxoniae
A virtuoso (from Italian ''virtuoso'' or , "virtuous", Late Latin ''virtuosus'', Latin ''virtus'', "virtue", "excellence" or "skill") is an individual who possesses outstanding talent and technical ability in a particular art or field such as fine arts, music, singing, playing a musical instrument, or composition. Meaning This word also refers to a person who has cultivated appreciation of artistic excellence, either as a connoisseur or collector. The plural form of ''virtuoso'' is either ''virtuosi'' or the Anglicisation ''virtuosos'', and the feminine forms are ''virtuosa'' and ''virtuose''. According to ''Music in the Western civilization'' by Piero Weiss and Richard Taruskin: ...a virtuoso was, originally, a highly accomplished musician, but by the nineteenth century the term had become restricted to performers, both vocal and instrumental, whose technical accomplishments were so pronounced as to dazzle the public. The defining element of virtuosity is the performance abi ...
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Tobias Berndt
Tobias is the transliteration of the Greek which is a translation of the Hebrew biblical name he, טוֹבִיה, Toviyah, JahGod is good, label=none. With the biblical Book of Tobias being present in the Deuterocanon/Apocrypha of the Bible, Tobias is a popular male given name for both Christians and Jews in English-speaking countries, German-speaking countries, the Low Countries, and Scandinavian countries. In English-speaking countries, it is often shortened to Toby. In German, this name appears as Tobias or Tobi; in French as Tobie; and in Swedish as Tobias or Tobbe. Tobias has also been a surname. In other languages * Danish, Norwegian, German, Dutch, Swedish, Portuguese: Tobias * Amharic: ጦቢያ (T’obīya) * Catalan: Tobies * Czech: Tobiáš, Tobias * Croatian: Tobijaš * Finnish: Topias, Topi * French: Tobie * Greek: Τωβίας ''(Tobías)'' * Hebrew: Tovia, Tuvya * Hungarian: Tóbiás * Italian: Tobia (name) * Lithuanian: Tobijas * Polish: Tobiasz * Russian: ...
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Marcus Ullmann
Marcus Ullmann (born 1967) is a German classical tenor. Professional career Born in Dresden, Marcus Ullmann received his first musical training as a choir boy in the Dresdner Kreuzchor. He studied at the Dresden Music Academy and graduated with honours in ''Lieder'', ''Choral Work'' and ''Opera''. He continued his studies in master classes with Dietrich Fischer-Dieskau, Elisabeth Schwarzkopf and Theo Adam, among others. He recorded several Bach cantatas and Bach's ''Christmas Oratorio'' with Helmuth Rilling and the Gächinger Kantorei. He appeared with them in Bach's ''St Matthew Passion'' in Washington, D.C., and in Handel's Messiah in Salzburg. Peter Schreier was the conductor of Bach's ''St John Passion'' with the Leipzig Gewandhaus Orchestra. With the Thomanerchor he recorded the work also conducted by Georg Christoph Biller. In 2002 he sang the Evangelist on a recording of the ''St Matthew Passion'' with Enoch zu Guttenberg, Klaus Mertens representing Jesus. In 2004 he sa ...
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Christiane Kohl
Christiane Kohl is a German soprano in opera and concert. Career Christiane Kohl was born in Frankfurt and grew up in Idstein. After her Abitur at the Pestalozzi-Gymnasium, she studied at the Mozarteum in Salzburg with Lilian Sukis and Elisabeth Wilke. She received her diploma with distinction in 2003. In 2000, she made her debut at the Salzburg Festival as First Priestess in Gluck's '' Iphigénie en Tauride''. In 2001, she appeared at the Wiener Kammeroper for the 90th birthday of Gian Carlo Menotti in his presence as Laetitia in his opera '' Die alte Jungfer und der Dieb''. She was a member of the Zurich Opera from 2002 to 2009, performing such roles as Angèle Didier in '' Der Graf von Luxemburg'', Elvira in Rossini's ''L'italiana in Algeri'', the First Lady in Mozart's ''Die Zauberflöte'', Gretel in Humperdinck's '' Hänsel und Gretel'', Helmwige in ''Die Walküre'', Iris in ''Semele'', Lisa in Bellini's ''La sonnambula'', and Musetta in Puccini's ''La bohème''. In ...
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Gottfried August Homilius
Gottfried August Homilius (2 February 1714 – 2 June 1785) was a German composer, cantor and organist.Dennis Shrock ''Choral Repertoire'' 2009 -- Page 303 "1714–1785 Homilius was born near Dresden, where he was educated and where he served as substitute organist at the ..." He is considered one of the most important church composers of the generation following Bach's, and was the main representative of the '' empfindsamer'' style. Life Homilius was born in Rosenthal, Saxony, the son of a Lutheran pastor, and was educated at the Annenschule in Dresden. He then studied law at Leipzig University and the organ under Johann Sebastian Bach. From 1742 he was organist at the Dresden Frauenkirche, and from 1755 until his death cantor at the Kreuzkirche in Dresden with the associated responsibility of music director at the Kreuzkirche, the Sophienkirche, and the Frauenkirche. After the destruction of the Kreuzkirche during the Seven Years' War he worked mainly at the Frauenkir ...
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Frauenkirche Dresden
The Dresden Frauenkirche (german: Dresdner Frauenkirche, , ''Church of Our Lady'') is a Lutheran church in Dresden, the capital of the German state of Saxony. Destroyed during the Allied firebombing of Dresden towards the end of World War II, the church was reconstructed between 1994 and 2005. An earlier church building was Catholic until it became Protestant during the Reformation. The old church was replaced in the 18th century by a larger Baroque Lutheran building. It is considered an outstanding example of Protestant sacred architecture, featuring one of the largest domes in Europe. It was originally built as a sign of the will of the citizens of Dresden to remain Protestant after their ruler had converted to Catholicism. It now also serves as a symbol of reconciliation between former warring enemies. After the destruction of the church in 1945, the remaining ruins were left for 50 years as a war memorial, following decisions of local East German leaders. The church was ...
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Giulio Cesare
''Giulio Cesare in Egitto'' (; , HWV 17), commonly known as ''Giulio Cesare'', is a dramma per musica ('' opera seria'') in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676). The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons and is now one of the most often performed Baroque operas. The opera's plot is loosely based on historic events during the Roman Civil War of 49–45 BC. Composition history ''Giulio Cesare in Egitto'' was first performed at the King's Theatre in the Haymarket, London on 20 February 1724. The opera was an immediate success. A contemporary wrote in a letter on 10 March 1724: ...the opera is in full swing also, since Hendell's new one, called Jules César – in which Cenesino and Cozzun ...
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Oreste
''Oreste'' ("Orestes", HWV A11, HG 48/102) is an opera by George Frideric Handel in three acts. The libretto was anonymously adapted from Giangualberto Barlocci’s ''L’Oreste'' (1723, Rome), which was in turn adapted from Euripides' ''Iphigeneia in Tauris''.Hicks The opera is a ''pasticcio'' (pastiche), meaning that the music of the arias was assembled from earlier works, mainly other operas and cantatas also by Handel. The recitatives and parts of the dances are the only parts composed specifically for this work. Handel had put together similar works before, fitting the music of pre-existent arias to new words, but this was the first time he had made an opera in this way using entirely his own music. He assembled a collection of his arias from the previous years, ranging from '' Agrippina'' of 1709 to ''Sosarme'' of 1732, binding the pre-existent music seamlessly together with the newly-written recitatives to create a new musical drama. The opera is in Italian, although it ...
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Rinaldo (opera)
''Rinaldo'' ( HWV 7) is an opera by George Frideric Handel, composed in 1711, and was the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill, and the work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, war and redemption, set at the time of the First Crusade, is loosely based on Torquato Tasso's epic poem ''Gerusalemme liberata'' ("Jerusalem Delivered"), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the contemporary trend towards Italian entertainment in English theatres. Handel composed ''Rinaldo'' quickly, borrowing and adapting music from operas and other works that he had composed during a long stay in Italy in the years 1706–10, during which he established a considerable reputation. In the years followi ...
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