Anna Karenina (Carlson)
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Anna Karenina (Carlson)
''Anna Karenina'' is an opera in two acts by American composer David Carlson, based on the 1877 novel ''Anna Karenina'' by Leo Tolstoy, commissioned by Florida Grand Opera to celebrate the 2007 opening of the Ziff Ballet Opera House at the Adrienne Arsht Center for the Performing Arts, co-commissioned by Opera Theatre of Saint Louis. The libretto is by British director Colin Graham, originally contemplated for Benjamin Britten's opera commissioned by the Bolshoi Theatre (the project was cancelled by the British after the Warsaw Pact invasion of Czechoslovakia). Graham was to have directed the original production; after his death only weeks before the opera's opening night, the direction was taken over by Mark Streshinsky. The opera is in two acts with a prologue and an epilogue, lasting just over two hours. The composer added a new scene to the score for the West Coast premiere at the Opera San José in 2010. Orchestration The opera exists in two orchestral versions. The original ...
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David Carlson
David Carlson (born 13 March 1952) is an American composer. Early life Carlson studied theory and composition at the Los Angeles High School of the Arts and with Leonard Stein at the California Institute of the Arts. From 1988 to 1992 he was coordinator of the San Francisco Symphony's ''New and Unusual Music'' series. Career David Carlson's symphonic works have been performed by the Philadelphia Orchestra, the National Symphony Orchestra (United States), the San Francisco Symphony, the BBC Symphony, the Atlanta Symphony Orchestra, St. Louis Symphony Orchestra, Tanglewood Festival, and others. He has composed several chamber pieces, including a Cello Sonata, a large work for cello and male chorus called ''Nocturno,'' and two cello concertos, as well as a large work for viola and piano called ''True Divided Light,'' premiered in 2005. Carlson is the recipient of an Academy Award in Music from the American Academy of Arts and Letters, two commissions from Meet the Composer, C ...
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Neil Patel (designer)
Neil Patel is an American designer for film and television, as well as for opera and the theater. For his work in theater he has twice been honored with the Obie Award for "sustained excellence". Career Neil Patel is a graduate of Yale College and the University of California, San Diego and has designed for the theater throughout the world. His work in theater includes those for Warren Leight’s Tony Award-winning play ''Side Man'' on Broadway, London's West End, and the Kennedy Center; '' 'night, Mother'', Oleanna, '' (title of show)'' and ''Time and the Conways'' on Broadway; ''Mughal E Azam'' at the National Centre for the Performing Arts (India) Mumbai and Delhi; the Pulitzer Prize-winning ''Dinner With Friends'' off-Broadway and on national US tour; and productions for the Guthrie Theater, the Steppenwolf Theater, the Royal Shakespeare Company, the Royal Court Theatre, Tokyo's Parco Theater, the Gate Theatre, the Edinburgh International Festival, the Brooklyn Academy of M ...
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Rosalind Elias
Rosalind Elias (March 13, 1930 – May 3, 2020) was an American mezzo-soprano who enjoyed a long and distinguished career at the Metropolitan Opera. She was best known for creating the role of Erika in Samuel Barber's ''Vanessa in'' 1958. Early life Rosalind Elias was born in Lowell, Massachusetts, the 13th and youngest child of a Lebanese-American family. Her parents, Shelaby Namay and Salem Elias, immigrated from Beirut and her father worked as a real estate agent for some time. Elias grew up listening to Saturday broadcasts of the Metropolitan Opera while doing chores. Her father was initially opposed to her performing, but she pleaded for lessons. She received her first singing lessons in Lowell from Miss Lillian Sullivan. She studied at the New England Conservatory. She appeared with the New England Opera from 1948 to 1952. She then left for Italy to complete her vocal studies at the Accademia Nazionale di Santa Cecilia in Rome, with Luigi Ricci and Nazzareno De Angelis. A ...
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Christine Abraham
Christine Abraham is an American mezzo-soprano. She earned her Master of Music degree at Manhattan School of Music under the tutelage of Patricia McCaffrey and Cynthia Hoffmann. Notable roles include Valencienne in ''The Merry Widow'' with Utah Opera, Despina in ''Così fan tutte'' with the Toledo Opera, Blanche in ''Dialogues of the Carmelites'' with the Palm Beach Opera and Susanna in ''Le nozze di Figaro'' with the Tulsa Opera. As a soprano she has portrayed Countess in ''Le nozze di Figaro'', Mimi in ''La bohème'' and Female Chorus in ''The Rape of Lucretia''. Abraham sang Bach's '' St. Matthew Passion'' (BWV 244) and ''Herr Gott, dich loben alle wir, BWV 130'' with the Baldwin-Wallace College Bach Festival, his ''Christmas Oratorio'' (BWV 248) at the Bethlehem Bach Festival, and his ''St John Passion'' (BWV 245) with the Phoenix Symphony Orchestra. She has performed with the New York City Opera, Metropolitan Opera, Philadelphia Orchestra, Saint Louis Symphony and Boston Ba ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Brandon Jovanovich
Brandon Jovanovich (born 5 October 1970) is an American operatic tenor whose repertoire encompasses Wagner, Puccini, Strauss, Britten, and from early Baroque to world premiere operas. He is most known for his passionate portrayals of Slavic, French and German operas. His signature roles include Don José in Bizet's '' Carmen'', B. F. Pinkerton in Puccini's '' Madama Butterfly'', Cavaradossi in Puccini's ''Tosca'', and the title role in Wagner's ''Lohengrin''. The 2007 Richard Tucker Award winner keeps a demanding schedule that sees him performing in both concerts and operas through the world. Early life and education Brandon Jovanovich is a native of Billings, Montana. He began singing in church choir at a young age. Jovanovich excelled in sports and was awarded a football scholarship to the University of Mary in Bismarck, North Dakota.
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Sarah Coburn
Sarah (born Sarai) is a biblical matriarch and prophetess, a major figure in Abrahamic religions. While different Abrahamic faiths portray her differently, Judaism, Christianity, and Islam all depict her character similarly, as that of a pious woman, renowned for her hospitality and beauty, the wife and half-sister of Abraham, and the mother of Isaac. Sarah has her feast day on 1 September in the Catholic Church, 19 August in the Coptic Orthodox Church, 20 January in the LCMS, and 12 and 20 December in the Eastern Orthodox Church. In the Hebrew Bible Family According to Book of Genesis 20:12, in conversation with the Philistine king Abimelech of Gerar, Abraham reveals Sarah to be both his wife and his half-sister, stating that the two share a father but not a mother. Such unions were later explicitly banned in the Book of Leviticus (). This would make Sarah the daughter of Terah and the half-sister of not only Abraham but Haran and Nahor. She would also have been the aunt ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ...
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Kelly Kaduce
Kelly Kaduce (born 1974) is an American soprano. She was born in Winnebago, Minnesota, United States of America. A graduate of St. Olaf College and Boston University (where she studied under Penelope Bitzas), Kaduce won the 1999 Metropolitan Opera National Council Auditions. Career Since her debut in 2000, she has appeared in national and international opera houses (e.g., New York City Opera, Boston Lyric Opera, Opera Theater of St. Louis). Kaduce sang the title role of Anna Karenina in the world premiere of the David Carlson opera in 2007 (Florida Grand Opera and Opera Theater of St. Louis), directed by Colin Graham. She also starred in the world premiere production of Ian Gordon's ''The Grapes of Wrath'' (Minnesota Opera), Bright Sheng's '' Madame Mao'' (Santa Fe Opera debut in 2003), and the American premieres of Tan Dun's ''Tea: A Mirror of Soul'' (Santa Fe Opera) and Michael Berkeley's ''Jane Eyre'' (Opera Theater of St. Louis). She created the role of ''Caroline Gaines'' ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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