|
Brandon Jovanovich
Brandon Jovanovich (born 5 October 1970) is an American operatic tenor whose repertoire encompasses Wagner, Puccini, Strauss, Britten, and from early Baroque to world premiere operas. He is most known for his passionate portrayals of Slavic, French and German operas. His signature roles include Don José in Bizet's '' Carmen'', B. F. Pinkerton in Puccini's '' Madama Butterfly'', Cavaradossi in Puccini's ''Tosca'', and the title role in Wagner's ''Lohengrin''. The 2007 Richard Tucker Award winner keeps a demanding schedule that sees him performing in both concerts and operas through the world. Early life and education Brandon Jovanovich is a native of Billings, Montana. He began singing in church choir at a young age. Jovanovich excelled in sports and was awarded a football scholarship to the University of Mary in Bismarck, North Dakota. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhattan School Of Music
The Manhattan School of Music (MSM) is a private music conservatory in New York City. The school offers bachelor's, master's, and doctoral degrees in the areas of classical and jazz performance and composition, as well as a bachelor's in musical theatre. Founded in 1917, the school is located on Claremont Avenue in the Morningside Heights neighborhood of New York City, adjacent to Broadway and West 122nd Street (Seminary Row). The MSM campus was originally the home to The Institute of Musical Art (which later became Juilliard) until Juilliard migrated to the Lincoln Center area of Midtown Manhattan. The property was originally owned by the Bloomingdale Insane Asylum until The Institute of Musical Art purchased it in 1910. The campus of Columbia University is close by, where it has been since 1895. Many of the students live in the school's residence hall, Andersen Hall. History Manhattan School of Music was founded between 1917 and 1918 by the pianist and philanthropist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Káťa Kabanová
''Káťa Kabanová'' (also known in various spellings including ''Katia'', ''Katja'', ''Katya'', and ''Kabanowa'') is an opera in three acts, with music by Leoš Janáček to a libretto by the composer based on '' The Storm'', a play by Alexander Ostrovsky, translated by . The opera was also largely inspired by Janáček's love for Kamila Stösslová. Although he was 67 when it was premiered, ''Káťa Kabanová'' is a clear response to Janáček's feelings for Kamila, and the work is dedicated to her. The first performance was at the National Theatre Brno on 23 November 1921. The opera has had a complex publication history. František Neumann, the conductor of the opera's first performance, made changes that were incorporated into the first publication of the score in 1922 by Universal Edition. Conductor Václav Talich later produced a "re-orchestrated" version of the score. In 1992, Sir Charles Mackerras published a critical edition of the opera.Wingfield, Paul, "Reviews of Music" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Tabarro
''Il tabarro'' (''The Cloak'') is an opera in one act by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on 's play ''La houppelande''. It is the first of the trio of operas known as ''Il trittico''. The first performance was given on December 14, 1918 at the Metropolitan Opera in New York City. Roles Synopsis :Place: A barge on the Seine in Paris. :Time: 1910. It is close to sunset in Paris, and the stevedores work unloading Michele's barge. Giorgetta, Michele's wife, asks her husband if she can bring wine to the workers. He agrees but does not join them because she refuses his kiss. The stevedores start dancing to the music of a nearby organ grinder and one of them steps on Giorgetta's foot. Luigi, a stevedore, dances with her, and it is evident that there is something between them. Upon hearing of Michele's return the stevedores' gathering breaks up. Work is getting scarce and Giorgetta and Michele discuss which of the stevedores should be dismissed; she pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalleria Rusticana
''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic ''verismo'' operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called ''Cav/Pag'' double-bill with ''Pagliacci'' by Ruggero Leoncavallo. Composition history In July 1888 the Milanese music publisher Edoardo Sonzogno announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense. Mascagni heard about the competition only two months before the closing date and asked his friend Giovanni Targioni-Tozze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and ''auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra ( Paris Opera) and given its premiere at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play ''Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the conv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tales Of Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four months before the opening. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chautauqua Opera
The Chautauqua Opera is the resident summer opera company of the Chautauqua Institution. It is one of the oldest continuously active summer opera companies in the U.S, having been founded in 1929 as the Chautauqua Opera Association, and it has produced several operas during the Institution's nine-week summer season every year since. Generally opera productions are performed in English in Norton Memorial Hall, usually on specific Monday and Friday evenings throughout the season. Recently, however, Chautauqua opera has increasingly been performed in concert productions at the Chautauqua Amphitheater. The first production director of the company was Alfredo Valenti, who began Chautauqua's rich opera tradition with Flotow's "Martha" on July 19, 1929. Henry Ford and Mrs. Thomas A. Edison were in the audience. Valenti, who served as director for twenty-eight years, championed young American singers such as Rose Bampton, who performed that season and in 1930 and who, like many other sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Two Widows
''The Two Widows'' ( cz, Dvĕ vdovy) is a two-act Czech opera by Bedřich Smetana based on the libretto of Emanuel Züngel. The libretto is based on Jean Pierre Felicien Mallefille's one-act play ''Les deux veuves''. The opera was composed between June 1873 and January 1874, and its premiere took place on 27 March 1874 at the Prague Czech Theatre under the direction of Smetana. However, this premiere was not successful and the opera was rewritten in 1874. The spoken dialogue was replaced by through-composed recitativesHolden p. 860 and some of the music and characters were reworked. The second premiere on 20 October 1874 was very successful. A further revised version was premiered on 17 March 1878, under Adolf Čech. For a later performance in Hamburg in 1882 "Smetena reluctan y added a trio in act 1 and an alternative ending to Agnes' aria in act 2, and consented to a redivision of the opera into three acts". Performance history The US premiere took place in New York on 23 Oc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
