Aniconism In Judaism
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Aniconism In Judaism
Aniconism in Judaism covers a number of areas. The portrayal of God in any kind of human or concrete form is strictly prohibited. Hebrew Bible A number of verses in the Hebrew Bible (Tanakh) refer to prohibitions against the creation of various forms of images, invariably linked directly with idolatry. The strongest source is based on what Judaism counts as the second of the Ten Commandments: Leviticus 26:1 reads: Similar injunctions appear in Numbers 33:52, Deuteronomy 4:16, and 27:15; in all cases, the creation of the image is associated with idolatry, and indeed, the words commonly translated as 'image' or some variant thereof ( , ) are generally used interchangeably with words typically translated as 'idol' (e.g. ). (An important exception is , used in such verses as Genesis 1:26: "let us make man in our image", where this word for 'image' was not associated with idols.) Based on these prohibitions, the Hebrew prophets, such as Isaiah, Jeremiah, Amos, and others, p ...
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Aniconism
Aniconism is the absence of artistic representations (''icons'') of the natural and supernatural worlds, or it is the absence of representations of certain figures in religions. It is a feature of various cultures, particularly of cultures which are based on monotheistic Abrahamic religions. The prohibition of material representations may only extend from God and other supernatural beings to saint-like characters, or it may extend to material representations of all living beings, and material representations of everything that exists. The phenomenon is generally codified by religious traditions and as such, it becomes a taboo. When it is enforced by the physical destruction of images, aniconism becomes iconoclasm. Aniconism has been a historical phase in both Buddhism and Christianity, and even though it is much less of an issue today, the attitudes towards religious imagery show considerable variability between different traditions, denominations, and strands within each religio ...
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Humanoid
A humanoid (; from English ''human'' and ''-oid'' "resembling") is a non-human entity with human form or characteristics. The earliest recorded use of the term, in 1870, referred to indigenous peoples in areas colonized by Europeans. By the 20th century, the term came to describe fossils which were morphologically similar, but not identical, to those of the human skeleton. Although this usage was common in the sciences for much of the 20th century, it is now considered rare. More generally, the term can refer to anything with distinctly human characteristics or adaptations, such as possessing opposable anterior forelimb- appendages (i.e. thumbs), visible spectrum-binocular vision (i.e. having two eyes), or biomechanic plantigrade-bipedalism (i.e. the ability to walk on heels and metatarsals in an upright position). Science fiction media frequently present sentient extraterrestrial lifeforms as humanoid as a byproduct of convergent evolution. In theoretical convergent evolu ...
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Tzvi Ashkenazi
Tzvi Hirsch ben Yaakov Ashkenazi ( he, צבי אשכנזי; 1656 – May 2, 1718), known as the Chacham Tzvi after his responsa by the same title, served for some time as rabbi of Amsterdam. He was a resolute opponent of the followers of the false messiah, Sabbatai Zevi. He had a chequered career owing to his independence of character. He visited many lands, including England, where he wielded much influence. His responsa are held in high esteem. Early life and education Ashkenazi was born in 1656 in Moravia, most likely in Gross Meseritsch where his father Jacob Wilner was active. He was descended from a well-known family of scholars, a grandson of Ephraim ha-Kohen who in turn was the son-in-law of a grandchild of Elijah Ba'al Shem of Chelm. He spent most his childhood in Alt-Ofen (now Budapest) where his grandfather served as rabbi. Tutored by his father and grandfather, he later went to Salonica where he attended the school of Eliyahu Kovo and devoted himself to an investigat ...
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Kabbalah
Kabbalah ( he, קַבָּלָה ''Qabbālā'', literally "reception, tradition") is an esoteric method, discipline and Jewish theology, school of thought in Jewish mysticism. A traditional Kabbalist is called a Mekubbal ( ''Məqūbbāl'' "receiver"). The definition of Kabbalah varies according to the tradition and aims of those following it, from its origin in medieval Judaism to its later adaptations in Western esotericism (Christian Kabbalah and Hermetic Qabalah). Jewish Kabbalah is a set of esoteric teachings meant to explain the relationship between the unchanging, eternal God in Judaism, God—the mysterious ''Ein Sof'' (, ''"The Infinite"'')—and the mortal, finite universe (God's Genesis creation narrative, creation). It forms the foundation of Mysticism, mystical religious interpretations within Judaism. List of Jewish Kabbalists, Jewish Kabbalists originally developed their own transmission of Primary texts of Kabbalah, sacred texts within the realm of Jewish traditio ...
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Talmud
The Talmud (; he, , Talmūḏ) is the central text of Rabbinic Judaism and the primary source of Jewish religious law (''halakha'') and Jewish theology. Until the advent of modernity, in nearly all Jewish communities, the Talmud was the centerpiece of Jewish cultural life and was foundational to "all Jewish thought and aspirations", serving also as "the guide for the daily life" of Jews. The term ''Talmud'' normally refers to the collection of writings named specifically the Babylonian Talmud (), although there is also an earlier collection known as the Jerusalem Talmud (). It may also traditionally be called (), a Hebrew abbreviation of , or the "six orders" of the Mishnah. The Talmud has two components: the Mishnah (, 200 CE), a written compendium of the Oral Torah; and the Gemara (, 500 CE), an elucidation of the Mishnah and related Tannaitic writings that often ventures onto other subjects and expounds broadly on the Hebrew Bible. The term "Talmud" may refer to eith ...
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Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ...
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Chacham Tzvi
Tzvi Hirsch ben Yaakov Ashkenazi ( he, צבי אשכנזי; 1656 – May 2, 1718), known as the Chacham Tzvi after his responsa by the same title, served for some time as rabbi of Amsterdam. He was a resolute opponent of the followers of the false messiah, Sabbatai Zevi. He had a chequered career owing to his independence of character. He visited many lands, including England, where he wielded much influence. His responsa are held in high esteem. Early life and education Ashkenazi was born in 1656 in Moravia, most likely in Gross Meseritsch where his father Jacob Wilner was active. He was descended from a well-known family of scholars, a grandson of Ephraim ha-Kohen who in turn was the son-in-law of a grandchild of Elijah Ba'al Shem of Chelm. He spent most his childhood in Alt-Ofen (now Budapest) where his grandfather served as rabbi. Tutored by his father and grandfather, he later went to Salonica where he attended the school of Eliyahu Kovo and devoted himself to an investig ...
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Kitzur Shulchan Aruch (book)
The ''Kitzur Shulchan Aruch'' (קיצור שולחן ערוך), first published in 1864, is a work of halacha written by Rabbi Shlomo Ganzfried. The work was written in simple Hebrew which made it easy for the lay person to understand and contributed to its great popularity. Contents The work is a summary of the Shulchan Aruch of Rabbi Joseph Caro, with references to later rabbinical commentaries. It focuses on the Orach Chaim and Yoreh Deah sections of the Shulchan Aruch, and includes laws of daily life, Shabbat, holidays, and so on. It is divided into 221 chapters (called ''simanim''). This work was explicitly written as a popular text and as such is not at the level of detail of the ''Shulchan Aruch'' itself, while generally following the Shulchan Aruch's structure. Rabbi Ganzfried expressed his intentions in his introduction: Ganzfried based his decisions on the opinions of three Ashkenazi rabbinic authorities: Rabbis Yaakov Lorberbaum (author of ''Nesivos HaMishpat'' ...
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Book Of Ezekiel
The Book of Ezekiel is the third of the Latter Prophets in the Tanakh and one of the major prophetic books, following Isaiah and Jeremiah. According to the book itself, it records six visions of the prophet Ezekiel, exiled in Babylon, during the 22 years from 593 to 571 BCE, although it is the product of a long and complex history and does not necessarily preserve the very words of the prophet. The visions, and the book, are structured around three themes: (1) Judgment on Israel (chapters 1–24); (2) Judgment on the nations (chapters 25–32); and (3) Future blessings for Israel (chapters 33–48). Its themes include the concepts of the presence of God, purity, Israel as a divine community, and individual responsibility to God. Its later influence has included the development of mystical and apocalyptic traditions in Second Temple and Judaism and Christianity. Structure Ezekiel has the broad three-fold structure found in a number of the prophetic books: oracles of wo ...
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Phoenix (mythology)
The phoenix is an immortal bird associated with Greek mythology (with analogs in many cultures) that cyclically regenerates or is otherwise born again. Associated with the sun, a phoenix obtains new life by rising from the ashes of its predecessor. Some legends say it dies in a show of flames and combustion, others that it simply dies and decomposes before being born again. In the ''Motif-Index of Folk-Literature'', a tool used by folklore studies, folklorists, the phoenix is classified as motif B32.Thompson. (2001: 581). The origin of the phoenix has been attributed to Ancient Egypt by Herodotus and later 19th-century scholars, but other scholars think the Egyptian texts may have been influenced by classical folklore. Over time the phoenix motif spread and gained a variety of new associations; Herodotus, Lucan, Pliny the Elder, Pope Clement I, Lactantius, Ovid, and Isidore of Seville are among those who have contributed to the retelling and transmission of the phoenix motif. Ov ...
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Sphinx
A sphinx ( , grc, σφίγξ , Boeotian: , plural sphinxes or sphinges) is a mythical creature with the head of a human, the body of a lion, and the wings of a falcon. In Greek tradition, the sphinx has the head of a woman, the haunches of a lion, and the wings of a bird. She is mythicized as treacherous and merciless, and will kill and eat those who cannot answer her riddle. This deadly version of a sphinx appears in the myth and drama of Oedipus. Unlike the Greek sphinx, which was a woman, the Egyptian sphinx is typically shown as a man (an androsphinx ( grc, ανδρόσφιγξ)). In addition, the Egyptian sphinx was viewed as benevolent but having a ferocious strength similar to the malevolent Greek version. Both were thought of as guardians and often flank the entrances to temples. In European decorative art, the sphinx enjoyed a major revival during the Renaissance. Later, the sphinx image, initially very similar to the original Ancient Egyptian concept, was exported ...
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Harpy
In Greek mythology and Roman mythology, a harpy (plural harpies, , ; lat, harpȳia) is a half-human and half-bird personification of storm winds. They feature in Homeric poems. Descriptions They were generally depicted as birds with the heads of maidens, faces pale with hunger and long claws on their hands. Roman and Byzantine writers detailed their ugliness. Pottery art depicting the harpies featured beautiful women with wings. Ovid described them as human-vultures. Hesiod To Hesiod, they were imagined as fair-locked and winged maidens, who flew as fast as the wind. Aeschylus But even as early as the time of Aeschylus, they are described as ugly creatures with wings, and later writers carry their notions of the harpies so far as to represent them as most disgusting monsters. The Pythian priestess of Apollo recounted the appearance of the harpies in the following lines: Virgil Hyginus Functions and abodes The harpies seem originally to have been wind spirits (perso ...
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