Angelitos Athena
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Angelitos Athena
The Angelitos Athena is an ancient marble statue, which was made around 480–470 BC. The figure, the earliest known depiction of the armed Athena, is an example of the severe style, the transitional style between archaic and classical Greek sculpture which developed after the Persian Wars. Today it is located at the Acropolis Museum under the inventory number 140.Dimitrios Pandermalis, Stamatia Eleftheratou, Christina Vlassopoulou, 2014, ''Acropolis Museum: Guide'', p.180 The statue is heavily damaged and has lost its head. Like earlier depictions of Athena she wears the archaic peplos, but she also has the aegis over her shoulders, with a gorgoneion in the centre of her chest. Her upraised right arm survives up to the wrist and once held a spear. Her left arm is entirely missing except for the shoulder and traces of her left hand resting on her waist. The statue is believed, not completely uncontroversially, to have stood atop a preserved Doric column which reads: It was f ...
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Perserschutt
The Perserschutt, a German term meaning "Persian debris" or "Persian rubble", refers to the bulk of architectural and votive sculptures that were damaged by the invading Persian army of Xerxes I on the Acropolis of Athens in 480 BC, in the Destruction of Athens during the Second Persian invasion of Greece. History The Athenians had fled the city, returning only upon the departure of the Persians. The city had been sacked and burned and most of the temples had been looted, vandalized, or razed to the ground. The desecrated items were buried ceremoniously by the Athenians. Later, the citizens of Athens cleared the top of their acropolis, rebuilt their temples, and created new works of sculpture to be dedicated for the new temples. The remains were preserved by the respectful action and sculptures from the burial were first excavated in 1863–66 by the French archaeologist Charles Ernest Beulé. The remainder was discovered in 1885–1890 by archaeologist Panagiotis Kavvadias and ...
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Akropolis
An acropolis was the settlement of an upper part of an ancient Greek city, especially a citadel, and frequently a hill with precipitous sides, mainly chosen for purposes of defense. The term is typically used to refer to the Acropolis of Athens, yet every Greek city had an acropolis of its own. Acropoloi were used as religious centers and places of worship, forts, and places in which the royal and high-status resided. Acropolises became the nuclei of large cities of classical ancient times, and served as important centers of a community. Some well-known acropoloi have become the centers of tourism in present-day, and, especially, the Acropolis of Athens has been a revolutionary center for the studies of ancient Greece since the Mycenaean period. Many of them have become a source of revenue for Greece, and represent some great technology during the period. Origin An acropolis is defined by the Greek definition of ἀκρόπολις, akropolis; from akros (άκρος) or (άκ ...
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5th-century BC Greek Sculptures
The 5th century is the time period from 401 ( CDI) through 500 ( D) ''Anno Domini'' (AD) or Common Era (CE) in the Julian calendar. The 5th century is noted for being a period of migration and political instability throughout Eurasia. It saw the collapse of the Western Roman Empire, which came to an end in 476 AD. This empire had been ruled by a succession of weak emperors, with the real political might being increasingly concentrated among military leaders. Internal instability allowed a Visigoth army to reach and ransack Rome in 410. Some recovery took place during the following decades, but the Western Empire received another serious blow when a second foreign group, the Vandals, occupied Carthage, capital of an extremely important province in Africa. Attempts to retake the province were interrupted by the invasion of the Huns under Attila. After Attila's defeat, both Eastern and Western empires joined forces for a final assault on Vandal North Africa, but this campaign was ...
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Marble Sculptures In Greece
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Marble is typically not foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. Marble is commonly used for sculpture and as a building material. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shining stone", perhaps from the verb (), "to flash, sparkle, gleam"; R. S. P. Beekes has suggested that a "Pre-Greek origin is probable". This stem is also the ancestor of the English word "marmoreal," meaning "marble-like." While the English term "marble" resembles the French , most other European languages (with words like "marmoreal") more closely resemble the original Ancient Greek. Physical origins Marble is a rock resulting from metamorphism of sedimentary carbonate rocks, mo ...
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Archaeological Discoveries In Greece
Archaeology or archeology is the scientific study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, architecture, biofacts or ecofacts, sites, and cultural landscapes. Archaeology can be considered both a social science and a branch of the humanities. It is usually considered an independent academic discipline, but may also be classified as part of anthropology (in North America – the four-field approach), history or geography. Archaeologists study human prehistory and history, from the development of the first stone tools at Lomekwi in East Africa 3.3 million years ago up until recent decades. Archaeology is distinct from palaeontology, which is the study of fossil remains. Archaeology is particularly important for learning about prehistoric societies, for which, by definition, there are no written records. Prehistory includes over 99% of the human past, from the Paleolithic until the advent o ...
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Moschophoros
Moschophoros (Greek: μοσχοφόρος "calf-bearer") is an ancient Greek statue of the Archaic period, also known in English as ''The Calf Bearer''. It was excavated in fragments in the Perserschutt in the Acropolis of Athens in 1864. The statue, dated c. 560 BC and estimated to have originally measured 1.65 meters (5.4 ft) in height, is now in the Acropolis Museum in Athens, Greece. Condition The condition of the Moschophoros is poor and broken in some areas. The legs are missing below the knees on both sides. The hands are broken off. The genitals and the left thigh have separated from the whole sculpture. The lower half of the face (the chin area) is chipped off. The foot with a plinth is connected to base. The calf is well preserved, while Moschophoros's eyes are absent. The rest of the sculpture is in a fine state. History The sculpture was found on the Athenian Acropolis in 1864. In 1887, the base was discovered. It is made of permeable limestone, and its plinth wa ...
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Kritios Boy
The marble ''Kritios Boy'' or ''Kritian Boy'' belongs to the Early Classical period of ancient Greek sculpture. It is the first statue from classical antiquity known to use contrapposto; Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 139. Kenneth Clark called it "the first beautiful nude in art" Clark, Kenneth. (2010) ''The Nude: A study in ideal form''. New edition. London: The Folio Society, pp. 24-25. It is possible, even likely, that earlier bronze statues had used the technique, but if they did, they have not survived and Susan Woodford has speculated that the statue is a copy of a bronze original.Woodford, Susan. (1982) ''The Art of Greece and Rome''. Cambridge: Cambridge University Press, pp. 13-14. The ''Kritios Boy'' is thus named because it is attributed, on slender evidence, to Kritios, who worked together with Nesiotes (sculptors of ''Harmodius and Aristogeiton'') or their school, from around 480 ...
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Athens
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates and is the capital of the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence beginning somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political influence on the European continent—particularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Gre ...
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Euenor (sculptor)
Evenor ( Ancient Greek: or Εὐήνορα ''Euenor'' means 'joy of men') is the name of a character from the myth of Atlantis and of several historical figures. ''Mythological'' * Evenor, father of Cleito by Leucippe. *Evenor, the "brazen-tasleted" Achaean warrior who participated in the Trojan War. He was from Dulichium and was slain by Paris during the siege of Troy. *Evenor, a Trojan soldier who was killed by Neoptolemus during the Trojan War. The latter smote Evenor above the flank and drove the spear into his liver which resulted to his swift anguished death. *Evenor, father of Leocritus and possibly, of Evenorides, both were Suitors of Penelope. ''Historical'' * Evenor, a Greek painter who flourished around 420 BC, the father and teacher of the better-known painter Parrhasius of Ephesus. * Evenor, a Greek surgeon and medical author who lived in or before the 3rd century BC and apparently wrote about fractures and joint dislocations; if he is the same as an ...
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Athena
Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from ''polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous other temples and monuments. As the patron of craft and weav ...
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Doric Column
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Do ...
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Gorgoneion
In Ancient Greece, the Gorgoneion (Greek: Γοργόνειον) was a special apotropaic amulet showing the Gorgon head, used by the Olympian deities Athena and Zeus: both are said to have worn the gorgoneion as a protective pendant,. and often are depicted wearing it. It established their descent from earlier deities considered to remain powerful. Among other attributes, it was assumed by rulers of the Hellenistic age as a royal aegis to imply divine birth or protection, as shown, for instance, on the Alexander Mosaic and the Gonzaga Cameo. Origin According to Marija Gimbutas, ''gorgoneia'' represent certain aspects of the Mother Goddess cult associated with "dynamic life energy" and asserts that the images may be related to a cultural continuity persisting since the Neolithic period defining the ''gorgoneion'' as a quintessentially European image. Jane Ellen Harrison, on the other hand, claims that many primitive cultures use similar ritual masks in order to scare the owner fr ...
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