Andō Hiroshige
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Andō Hiroshige
Utagawa Hiroshige (, also ; ja, 歌川 広重 ), born Andō Tokutarō (; 1797 – 12 October 1858), was a Japanese ''ukiyo-e'' artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series ''The Fifty-three Stations of the Tōkaidō'' and for his vertical-format landscape series ''One Hundred Famous Views of Edo''. The subjects of his work were atypical of the ''ukiyo-e'' genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series '' Thirty-six Views of Mount Fuji'' by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of '' bokashi'' (color gradation), ...
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Kunisada
Utagawa Kunisada ( ja, 歌川 国貞; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (, ), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock printing in Japan, woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Utagawa Kuniyoshi, Kuniyoshi. Evaluation of Kunisada in art history At the end of the Edo period (1603–1867), Hiroshige, Kuniyoshi and Kunisada were the three best representatives of the Japanese color woodcut in Edo (capital city of Japan, now Tokyo). However, among European and American collectors of Japanese prints, beginning in the late 19th and early 20th century, all three of these artists were actually regarded as rather inferior to the greats of classical ukiyo-e, and therefore as having contributed considerably to the downfall of their art. For this reason, some referred to t ...
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Japonism
''Japonisme'' is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japonisme was first described by French art critic and collector Philippe Burty in 1872. While the effects of the trend were likely most pronounced in the visual arts, they extended to architecture, landscaping and gardening, and clothing. Even the performing arts were affected; Gilbert & Sullivan's ''The Mikado'' is perhaps the best example. From the 1860s, ''ukiyo-e,'' Japanese woodblock prints, became a source of inspiration for many Western artists. These prints were created for the commercial market in Japan. Although a percentage of prints were brought to the West through Dutch trade merchants, it was not until the 1860s that ukiyo-e prints gained popularity in Europe. Western artists were intrigued by the original use of color and com ...
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Japanese Adult Adoption
Japanese adult adoption is the practice in Japan of legally and socially accepting a nonconsanguineal adult into an offspring role of a family. The centuries-old practice was developed as a mechanism for families to extend their family name, estate and ancestry without an unwieldy reliance on blood lines. Still common today, adult adoption is a dynamic tool for social and economic mobility. There is evidence that this practice began as early as sometime in the 13th century within the sect of Buddhism known as Pure Land Buddhism, but only really became widely used in the Tokugawa shogunate (or Edo period), which began around 1600 and lasted until 1868.Gordon, Andrew. A Modern History of Japan: From Tokugawa Times to the Present During the Tokugawa period, much of the Samurai class would adopt sons for the purpose of creating a strong, fixed position in society through the assumption of positions such as the head of household and the head of the business. It also was a way for househo ...
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Mutsu Province
was an old province of Japan in the area of Fukushima, Miyagi, Iwate and Aomori Prefectures and the municipalities of Kazuno and Kosaka in Akita Prefecture. Mutsu Province is also known as or . The term is often used to refer to the combined area of Mutsu and the neighboring province Dewa, which together make up the entire Tōhoku region. History Invasion by the Kinai government Mutsu, on northern Honshū, was one of the last provinces to be formed as land was taken from the indigenous Emishi, and became the largest as it expanded northward. The ancient regional capital of the Kinai government was Tagajō in present-day Miyagi Prefecture. * 709 ('' Wadō 2, 3rd month''), an uprising against governmental authority took place in Mutsu and in nearby Echigo Province. Troops were dispatched to subdue the revolt. * 712 (''Wadō 5''), Mutsu was separated from Dewa Province. Empress Genmei's ''Daijō-kan'' made cadastral changes in the provincial map of the Nara period ...
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Tsugaru Clan
The was a Japanese samurai clan who ruled the northwestern half of what is now Aomori Prefecture in the Tōhoku region of Japan under the Edo period Tokugawa shogunate. The Tsugaru were ''daimyō'' of Hirosaki Domain and its semi-subsidiary, Kuroishi Domain. The Tsugaru were in constant conflict with their former overlords, the Nanbu clan of adjoining Morioka Domain. During the Boshin War of 1868-69, the Tsugaru clan fought mostly on the pro-imperial side, although it did briefly join the Ōuetsu Reppan Dōmei. In the Meiji period, the former ''daimyō'' became part of the ''kazoku'' peerage, with Tsugaru Tsuguakira receiving the title of ''hakushaku'' (Count). The main Tsugaru line is now extinct. Origins Much about the ancestry of the Tsugaru clan is uncertain. Ōura Tamenobu was born in 1550, as the adopted son and heir of Ōura Tamenori, a retainer of the Nanbu clan, based at Sannohe Castle. He succeeded his father in 1567 or 1568 as castellan of Ōura Castle, located in wha ...
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Samurai
were the hereditary military nobility and officer caste of medieval and early-modern Japan from the late 12th century until their abolition in 1876. They were the well-paid retainers of the '' daimyo'' (the great feudal landholders). They had high prestige and special privileges such as wearing two swords and ''Kiri-sute gomen'' (right to kill anyone of a lower class in certain situations). They cultivated the '' bushido'' codes of martial virtues, indifference to pain, and unflinching loyalty, engaging in many local battles. Though they had predecessors in earlier military and administrative officers, the samurai truly emerged during the Kamakura shogunate, ruling from 1185 to 1333. They became the ruling political class, with significant power but also significant responsibility. During the 13th century, the samurai proved themselves as adept warriors against the invading Mongols. During the peaceful Edo period (1603 to 1868), they became the stewards and chamberlains of ...
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Tokyo
Tokyo (; ja, 東京, , ), officially the Tokyo Metropolis ( ja, 東京都, label=none, ), is the capital and largest city of Japan. Formerly known as Edo, its metropolitan area () is the most populous in the world, with an estimated 37.468 million residents ; the city proper has a population of 13.99 million people. Located at the head of Tokyo Bay, the prefecture forms part of the Kantō region on the central coast of Honshu, Japan's largest island. Tokyo serves as Japan's economic center and is the seat of both the Japanese government and the Emperor of Japan. Originally a fishing village named Edo, the city became politically prominent in 1603, when it became the seat of the Tokugawa shogunate. By the mid-18th century, Edo was one of the most populous cities in the world with a population of over one million people. Following the Meiji Restoration of 1868, the imperial capital in Kyoto was moved to Edo, which was renamed "Tokyo" (). Tokyo was devastate ...
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Yaesu
is a district in Chūō, Tokyo, Japan, located north of Ginza, west of Nihonbashi and Kyōbashi, and adjacent to the east side of Tokyo Station. The Yaesu exit of this station, which faces Nihonbashi, is recent and primarily provides access to the Shinkansen platforms. History The area was named after the 17th century Dutch adventurer Jan Joosten van Lodensteijn, or simply Jan Joosten. For his services to Tokugawa Ieyasu he was granted a house in Edo (now Tokyo) in an area that came to be called "Yayosu Quay" after him — his name was pronounced ''yan yōsuten'' in Japanese (short version: Yayōsu (耶楊子)) — the Yaesu side of Tokyo Station is also named for him. Yaesu Avenue has a monument dedicated to Jan Joosten and his life after his arrival in Japan on ''De Liefde'' with his shipmate William Adams. Ukiyo-e artist Andō Hiroshige was born in the Yayosu barracks in the Yaesu area in 1797. Places in Yaesu *Tokyo Station and highway bus platforms * Yaesu underground ...
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Brooklyn Museum - Returning Sails At Tsukuda From Eight Views Of Edo - Utagawa Toyohiro
Brooklyn () is a borough of New York City, coextensive with Kings County, in the U.S. state of New York. Kings County is the most populous county in the State of New York, and the second-most densely populated county in the United States, behind New York County (Manhattan). Brooklyn is also New York City's most populous borough,2010 Gazetteer for New York State
. Retrieved September 18, 2016.
with 2,736,074 residents in 2020. Named after the Dutch village of , ...
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Brooklyn Museum - Wind Blown Grass Across The Moon - Utagawa Hiroshige (Ando)
Brooklyn () is a borough of New York City, coextensive with Kings County, in the U.S. state of New York. Kings County is the most populous county in the State of New York, and the second-most densely populated county in the United States, behind New York County (Manhattan). Brooklyn is also New York City's most populous borough,2010 Gazetteer for New York State
. Retrieved September 18, 2016.
with 2,736,074 residents in 2020. Named after the Dutch village of , ...
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Sudden Shower Over Shin-Ōhashi Bridge And Atake
is a woodblock print in the ukiyo-e genre by the Japanese artist Hiroshige. It was published in 1857 as part of the series ''One Hundred Famous Views of Edo'' and is one his best known prints. ''One Hundred Famous Views of Edo'' The picture is part of the series ''One Hundred Famous Views of Edo'' which actually features 119 views of 'named places' or 'celebrated spots' in the area that is today Tokyo. The series was unique in being the first to feature this many separate landscape views. The series was produced between 1856 and 1859 with Hiroshige II finishing the series after the death of Hiroshige in 1858. This print was published in the ninth month of 1857. The series was commissioned shortly after the 1855 Edo earthquake and subsequent fires and featured many of the newly rebuilt or repaired buildings. The prints may have commemorated or helped draw Edo's citizens attention to the progress of the rebuilding. Description The print shows a small part of the wooden ''Shin- ...
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Plum Park In Kameido
''Plum Park in Kameido'' (亀戸梅屋舗, ''Kameido Umeyashiki'') is a woodblock print in the ukiyo-e genre by the Japanese artist Hiroshige. It was published in 1857 as the thirtieth print in the ''One Hundred Famous Views of Edo'' series and depicts ''Prunus mume'' trees in bloom. Vincent van Gogh, who was influenced by Japanese prints, reproduced the image in his 1887 painting ''Flowering Plum Tree (after Hiroshige)''. ''One Hundred Famous Views of Edo'' The picture is part of the series ''One Hundred Famous Views of Edo'' which actually features 119 views of named places or celebrated spots in the city of Edo (modern Tokyo). The series was the first to feature this many separate landscape views. The series was produced between 1856 and 1859, with Hiroshige II finishing the series after the death of Hiroshige in 1858. This print is the 30th in the series, within its spring section, and was published in the eleventh month of 1857. The series was commissioned shortl ...
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