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Anandabhairavi
Anandabhairavi or Ananda Bhairavi (pronounced ānandabhairavi) is a very old melodious rāgam (musical scale) of Carnatic music (South Indian classical music). This rāgam also used in Indian traditional and regional musics. ''Ānandam'' (Sanskrit) means happiness and the rāgam brings a happy mood to the listener. It is a ''janya'' rāgam (derived scale) of the 20th ''Melakarta'' rāgam '' Natabhairavi'' Structure and Lakshana Its structure is as follows (see swaras in Carnatic music for details on the notations used): * : * : (''chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, Chatusruthi dhaivatham, kaishiki nishadham'') It is a ''sampoorna'' rāgam – rāgam having all 7 ''swarams'', but it is not a ''melakarta'' rāgam, as it has (zig-zag notes in scale) and uses (external note) in comparison with its parent rāgam. The ''anya swaram'' is the usage of ''shuddha dhaivatham'' ''(D1)'' in some phrases of the rāgam.''Ragas in Carnatic music'' by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AnandaBhairavi
Anandabhairavi or Ananda Bhairavi (pronounced ānandabhairavi) is a very old melodious rāgam (musical scale) of Carnatic music (South Indian classical music). This rāgam also used in Indian traditional and regional musics. ''Ānandam'' (Sanskrit) means happiness and the rāgam brings a happy mood to the listener. It is a ''janya'' rāgam (derived scale) of the 20th ''Melakarta'' rāgam '' Natabhairavi'' Structure and Lakshana Its structure is as follows (see swaras in Carnatic music for details on the notations used): * : * : (''chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, Chatusruthi dhaivatham, kaishiki nishadham'') It is a ''sampoorna'' rāgam – rāgam having all 7 ''swarams'', but it is not a ''melakarta'' rāgam, as it has (zig-zag notes in scale) and uses (external note) in comparison with its parent rāgam. The ''anya swaram'' is the usage of ''shuddha dhaivatham'' ''(D1)'' in some phrases of the rāgam.''Ragas in Carnatic music'' by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ananda Bhairavi
Anandabhairavi or Ananda Bhairavi (pronounced ānandabhairavi) is a very old melodious rāgam (musical scale) of Carnatic music (South Indian classical music). This rāgam also used in Indian traditional and regional musics. ''Ānandam'' (Sanskrit) means happiness and the rāgam brings a happy mood to the listener. It is a ''janya'' rāgam (derived scale) of the 20th ''Melakarta'' rāgam ''Natabhairavi'' Structure and Lakshana Its structure is as follows (see swaras in Carnatic music for details on the notations used): * : * : (''chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, Chatusruthi dhaivatham, kaishiki nishadham'') It is a ''sampoorna'' rāgam – rāgam having all 7 ''swarams'', but it is not a ''melakarta'' rāgam, as it has (zig-zag notes in scale) and uses (external note) in comparison with its parent rāgam. The ''anya swaram'' is the usage of ''shuddha dhaivatham'' ''(D1)'' in some phrases of the rāgam.''Ragas in Carnatic music'' by D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syama Sastri
Shyama Shastri (; 26 April 1762 – 1827) or Syama Sastri was a musician and composer of Carnatic music. He was the oldest among the Trinity of Carnatic music, Tyagaraja and Muthuswami Dikshitar being the other two. Early life and career Shyama Shastri, whose birth name was Venkata Subrahmanya, was born on 26 April 1762 in a Telugu Brahmin family. He was also known as one of the trinity of carnatic music. To later generations, he is better known by his adopted name Shyama Shastri or by his musical mudra (signature) Shyama Krishna. He was born in Tiruvarur, in what is now the state of Tamil Nadu. He received his instruction in the vedas, astrology, and other traditional subjects early on and learned music from his maternal uncle. He was later trained in music by Adiappayya, a noted durbar musician of Thanjavur. Although Śyāma Śastri did not compose as many ''kritis'' as his two prolific contemporaries, his compositions are still well known due to the literary, melodic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natabhairavi
Naṭabhairavi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 20th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system. It corresponds to the Natural minor scale of western music system. Natabhairavi corresponds to the ''Asavari thaat'' of Hindustani music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras In the Muthuswami Dikshitar school this melakarta is instead known as Nārīrītigowla.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai ''Natabhairavi'' is known to be a rāgam that incites feelings of grandeur and devotion in the listeners. Structure and Lakshana It is the 2nd rāgam in the 4th ''chakra Veda''. The mnemonic name is ''Veda-Sri''. The mnemonic phrase is ''sa ri gi ma pa dha ni''. Its ' structure is as follows (see ''swaras'' in Carnatic music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natabhairavi Scale
Naṭabhairavi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 20th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system. It corresponds to the Natural minor scale of western music system. Natabhairavi corresponds to the ''Asavari thaat'' of Hindustani music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras In the Muthuswami Dikshitar school this melakarta is instead known as Nārīrītigowla.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai ''Natabhairavi'' is known to be a rāgam that incites feelings of grandeur and devotion in the listeners. Structure and Lakshana It is the 2nd rāgam in the 4th ''chakra Veda''. The mnemonic name is ''Veda-Sri''. The mnemonic phrase is ''sa ri gi ma pa dha ni''. Its ' structure is as follows (see ''swaras'' in Carnatic music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalpanaswaram
{{Use dmy dates, date=October 2011 In Carnatic Music, Kalpanaswaram (also called swarakalpana (spelt alternatively as svarakalpana), manodharmaswara or simply swaras), is melo-rhythmic raga improvisation in a specific tala. As part of swarakalpana, the musician delivers increasingly complex, improvised sequences in the Indian music solfege (sa, ri, ga, ma, pa, da, ni) within or towards the end of a composition. Swarakalpana is integral to the Pallavi portion of a Ragam Thanam Pallavi and typically follows the neraval. It is also common for seasoned artists to perform swarakalpana during recitals of various other kritis. Facts The ''kalpanaswaram'' may start at any place in the tala, but invariably the artist must end their improvisation at the first note of the first phrase of the composition, at the place in the rhythm cycle, where that note is. To arrive at that note, one has to approach it from the closest note below. There are, however, instances when ''kalpana swaras'' are rend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony Meets Classical Tamil
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section ( violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
