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Alberto Naranjo
Alberto Naranjo ah-rahn'-ho(September 14, 1941 – January 27, 2020) was a Venezuelan musician. His mother, the singer Graciela Naranjo, was a radio, film and television pioneer in her homeland. Largely self-taught, Naranjo embarked on a similar musical course, becoming – like his mother – one of Venezuela's icons of contemporary popular music.''Enciclopedia de la Música en Venezuela'' / Directores José Peñín y Walter Guido, Tomo 1, pag. 706–710. Publisher: Caracas, Fundación Bigott, 1998. Career In his early years, Naranjo was influenced by diverse music genres such as jazz and classical, from Louis Armstrong to Duke Ellington and Oliver Nelson; from Bud Powell to Thad Jones and Mel Lewis; from Béla Bartók to Claude Debussy, and specially, the music created by Tito Puente, one of the greatest all-time Latin jazz leaders. Puente revolutionised the role of the drums in stage performance, when he moved the drum kit and timbales from the back to the front of stage, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Trabuco Venezolano
Alberto Naranjo ah-rahn'-ho(September 14, 1941 – January 27, 2020) was a Venezuelan musician. His mother, the singer Graciela Naranjo, was a radio, film and television pioneer in her homeland. Largely self-taught, Naranjo embarked on a similar musical course, becoming – like his mother – one of Venezuela's icons of contemporary popular music.''Enciclopedia de la Música en Venezuela'' / Directores José Peñín y Walter Guido, Tomo 1, pag. 706–710. Publisher: Caracas, Fundación Bigott, 1998. Career In his early years, Naranjo was influenced by diverse music genres such as jazz and classical, from Louis Armstrong to Duke Ellington and Oliver Nelson; from Bud Powell to Thad Jones and Mel Lewis; from Béla Bartók to Claude Debussy, and specially, the music created by Tito Puente, one of the greatest all-time Latin jazz leaders. Puente revolutionised the role of the drums in stage performance, when he moved the drum kit and timbales from the back to the front of stage, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caracas
Caracas (, ), officially Santiago de León de Caracas, abbreviated as CCS, is the capital and largest city of Venezuela, and the center of the Metropolitan Region of Caracas (or Greater Caracas). Caracas is located along the Guaire River in the northern part of the country, within the Caracas Valley of the Venezuelan coastal mountain range (Cordillera de la Costa). The valley is close to the Caribbean Sea, separated from the coast by a steep 2,200-meter-high (7,200 ft) mountain range, Cerro El Ávila; to the south there are more hills and mountains. The Metropolitan Region of Caracas has an estimated population of almost 5 million inhabitants. The center of the city is still ''Catedral'', located near Bolívar Square, though some consider the center to be Plaza Venezuela, located in the Los Caobos area. Businesses in the city include service companies, banks, and malls. Caracas has a largely service-based economy, apart from some industrial activity in its metropolitan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tito Puente
Ernest Anthony Puente Jr. (April 20, 1923 – June 1, 2000), commonly known as Tito Puente, was an American musician, songwriter, bandleader, and record producer of Puerto Rican descent. He is best known for dance-oriented mambo and Latin jazz compositions from his 50-year career. His most famous song is "Oye Como Va". Puente and his music have appeared in films including '' The Mambo Kings'' and Fernando Trueba's ''Calle 54''. He guest-starred on television shows, including ''Sesame Street'' and ''The Simpsons'' two-part episode " Who Shot Mr. Burns?". Early life Tito Puente was born on April 20, 1923, at Harlem Hospital Center in the New York borough of Manhattan, the son of Ernest and Felicia Puente, Puerto Ricans living in New York City's Spanish Harlem. His family moved frequently, but he spent the majority of his childhood in Spanish Harlem. Puente's father was the foreman at a razorblade factory. As a child, he was described as hyperactive, and after neighbors compla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Powell
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist and composer. Along with Charlie Parker, Thelonious Monk, Kenny Clarke and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and many jazz critics credit his works and his playing as having "greatly extended the range of jazz harmony".Grove Life and career Early life He was born in Harlem, New York, United States. Powell's father was a stride pianist.Gitler, p. 112. Powell started classical piano lessons at the age of five. His teacher, hired by his father, was a West Indian man named Rawlins. At 10 years of age, Powell showed interest in the swing music that could be heard all over the neighborhood. He first appeared in public at a rent party,Crawford, p. 12. where he mimicked Fats Waller's playing style. The first jazz composition that he mastered was Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oliver Nelson
Oliver Edward Nelson (June 4, 1932 – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader. His 1961 Impulse! album ''The Blues and the Abstract Truth'' (1961) is regarded as one of the most significant recordings of its era. The centerpiece of the album is the definitive version of Nelson's composition, " Stolen Moments". Other important recordings from the early 1960s are ''More Blues and the Abstract Truth'' and '' Sound Pieces'', both also on Impulse!. Biography Early life and career Oliver Nelson was born into a musical family in St. Louis, Missouri, United States. His brother was a saxophonist who played with Cootie Williams in the 1940s, and his sister sang and played piano. Nelson began learning to play the piano when he was six and started on the saxophone at eleven. Beginning in 1947 he played in "territory" bands in and around Saint Louis before joining the Louis Jordan band where he stayed from 1950 to 1951, playing alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and Singing, vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, King Oliver, Joe "King" Oliver, to Chicago to play in the . In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin Armstrong, Lil Hardin. He earned a reputation at "cutting contests", and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Genre
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from '' musical form'' and musical style, although in practice these terms are sometimes used interchangeably. Music can be divided into genres in varying ways, such as popular music and art music, or religious music and secular music. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. Definitions In 1965, Douglass M. Green distinguishes between genre and form in his book ''Form in Tonal Music''. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of ''genre'', Green writes "Beethoven's Op. 61" and "Mendelssohn's Op. 64 ". He explains that both are identical in genre and are violin concertos that have different form. However, Mozart's Rondo for Piano, K. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bigott Foundation
Bigott Foundation ( es, link=no, Fundación Bigott) is a private institution in Caracas, Venezuela; it is dedicated to "preserving and making known the values of traditional culture". See also * British American Tobacco British American Tobacco plc (BAT) is a British multinational company that manufactures and sells cigarettes, tobacco and other nicotine products. The company, established in 1902, is headquartered in London, England. As of 2019, it is the lar ... References {{Authority control Venezuelan culture Foundations based in Venezuela Organizations established in 1963 1963 establishments in Venezuela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graciela Naranjo
Graciela Naranjo (December 25, 1916 – April 11, 2001) was a Venezuelan singer and actress. A radio, cinema and television pioneer in her homeland, she made her professional debut as a bolero singer in 1931. From the thirties onward her fame as a singer grew, she appeared in films and had her own TV show in an incredibly long career that extended from 1931 through 2000. She is the mother of Alberto Naranjo, a Venezuelan musician. Career Graciela Naranjo was born in Maiquetía, Vargas. Orphaned at seven, she was moved to Caracas to be raised by her aunt. She started to sing Christmas music in a church choral group at age nine, then made her professional debut at Broadcasting Caracas when she was only 15. Largely self-taught, she had a warm contralto voice as her innovative behind-the-beat phrasing and emotional intensity that she put into the words she sang, served to turn novelty tunes and light songs into definitive, bolero-based treatments. From the mid-1930s through the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedro Vargas
Pedro Vargas Mata (San Miguel de Allende, 29 April 1906 – Mexico City, 30 October 1989) was a Mexican tenor and actor, from the golden age of Mexican cinema, participating in more than 70 films. He was known as the "Nightingale of the Americas", "Song Samurai" or "Continental Tenor". Despite his training in opera, he dedicated his career to popular song, reaching international recognition and becoming one of the main interpreters of Agustín Lara. Biography Early life Vargas was born in San Miguel de Allende, Guanajuato on 29 April 1906 and died on 30 October 1989, in Mexico City. He was the second of twelve children that José Cruz Vargas and Rita Mata had. Born into a family of modest means, Pedro Vargas sang in the church choir in his hometown from the age of seven. In 1920, when he was only 14 years old, he came to Mexico City and immediately began singing in the choirs of several churches and giving serenades. It was in ''Colegio Francés de La Salle'' where he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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