Ajantrik
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Ajantrik
''Ajantrik'' (known internationally as ''The Unmechanical'', ''The Mechanical Man'' or ''The Pathetic Fallacy'') is a 1958 Indian Bengali film written and directed by revered parallel filmmaker Ritwik Ghatak. The film is adapted from a Bengali short story of the same name written by Subodh Ghosh. A comedy-drama film, ''Ajantrik'' is one of the earliest Indian films to portray an inanimate object, in this case an automobile, as a character in the story. It achieves this through the use of sounds recorded post-production to emphasize the car's bodily functions and movements. The film was considered for a special entry in the Venice Film Festival in 1959. Plot Bimal is a taxi-driver in a small provincial town. He lives alone. His taxi (an old 1920 Chevrolet jalopy which he named ''Jagaddal'') is his only companion and, although very battered, it is the apple of Bimal's eye. The film shows episodes from his life in the industrial wasteland, delivering people from one place to ...
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Kajal Gupta
Kajal Gupta ( bn, কাজল গুপ্ত, born as Sandhya Chattopadhyay , 8 January 1936 – 22 October 1996) was an Indian Bengali film actress known for ''Basanta Bilap'' (1973), '' Sansarer Itikatha'' (1983) and ''Agnishwar'' (1975). Biography Kajal Gupta was born on 8 January 1936 in Calcutta, Bengal Presidency, British India (now India) as Sandhya Chattopadhyay. She was married to director Dinen Gupta, who directed her in Basanta Bilap. She died in Kolkata, West Bengal, India in 22 October 1996. Filmography * ''Nati Binodini'' (1994) * '' Antaranga'' (1988) * '' Hirer Shikal'' (1988) * '' Abir'' (1987) * '' Mahamilan'' (1987) * '' Abhimaan'' (1986) * '' Amar Kantak (film)'' (1986) * '' Rashifal'' (1984) * ''Agami Kal'' (1983) * ''Indira'' (1983) * '' Arpita'' (1983) * '' Sansarer Itikatha'' (1983) * ''Priyatama'' (1980) * '' Bandhan'' (1980) * ''Tilottama'' (1978) * ''Charmurti'' (1978) * ''Sanai'' (1977) * '' Dampati'' (1976) * ''Harmonium'' (1976 ...
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Kali Banerjee
Kali Banerjee (20 November 1920 – 5 July 1993) was an Indian actor, who worked in the 1950s–1970s in Bengali cinema. He is best known for his work with film directors like Satyajit Ray in ''Parash Pathar'' (1958) and Ritwik Ghatak in ''Nagarik'' (1952) and ''Ajantrik'' (1958). Career Starring in many commercial ventures in the 1960s, his association with the serious film-makers is what has given the actor an imperishable place in the history of Bengali cinema. He starred first in the movie named '''Tatinir Bichar''' and Barmar Pathe''' (On the way to Burma). Further he brought out a convincing portrayal of a young Chinese vendor Lu Wang in the street of Kolkata in time of India's freedom struggle in Mrinal Sen's ''Neel Akasher Neechey'' (1959).Kali Banerjee - the legend of real ...
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Cinema Of West Bengal
Tollywood, also known as Cinema of West Bengal, is an Cinema of India, Indian film industry of Bengali language, Bengali-language motion pictures. It is based in the Tollygunge region of Kolkata, West Bengal, India. The origins of the nickname Tollywood, a portmanteau of the words Tollygunge and Cinema of the United States, Hollywood, dates back to 1932. It was a historically important film industry, at one time the centre of Indian film production. The Bengali film industry is known for producing many of Cinema of India, Indian cinema's most critically acclaimed global Parallel Cinema and art films, with several of its filmmakers gaining prominence at the National Film Awards, Indian National Film Awards as well as international acclaim. Ever since Satyajit Ray's ''Pather Panchali (film), Pather Panchali'' (1955) was awarded Best Human Document at the 1956 Cannes Film Festival, Bengali films frequently appeared in international fora and film festivals for the next several dec ...
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Parallel Cinema
Parallel cinema, or New Indian Cinema, is a film movement in Indian cinema that originated in the state of West Bengal in the 1950s as an alternative to the mainstream commercial Indian cinema. Inspired by Italian Neorealism, Parallel Cinema began just before the French New Wave and Japanese New Wave, and was a precursor to the Indian New Wave of the 1960s. The movement was initially led by Bengali cinema and produced internationally acclaimed filmmakers such as Satyajit Ray, Mrinal Sen, Ritwik Ghatak, Tapan Sinha and others. It later gained prominence in other film industries of India. It is known for its serious content, Realism (arts), realism and Naturalism (philosophy), naturalism, symbolic elements with a keen eye on the sociopolitical climate of the times, and for the general rejection of an inserted dance-and-song routines that are typical of mainstream Indian films. History Origins Realism in Indian cinema dates back to the 1920s and 1930s. One of the earliest ...
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Anil Chatterjee
Anil Chatterjee (Chattopadhyay) bn, অনিল চ্যাটার্জী (চট্টোপাধ্যায়) (25 October 1929 – 17 March 1996) was an Indian actor in the Bengali cinema during the early fifties through the mid-nineties and is mostly remembered as a character actor. He acted or performed in about 150 movies, including a few in Hindi. He played different shades, though mostly as a character actor, as well as in leading roles and at times as an antagonist, despite the limited opportunities he received. Irrespective of the roles, he left an indelible impression on the viewers and the critics. He also acted in the leading role in a tele-serial named ''Naqab'' in the national network of Doordarshan. He is one of the very few selected actors who worked with Satyajit Ray, Ritwik Ghatak, Tapan Sinha and Mrinal Sen; with the first three directors, he performed with on more than a number of occasions. His performance in the title role of the film ''Deshbandhu ...
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Tulsi Chakraborty
Tulsi Chakraborty (also Tulsi Chakrabarti, bn, তুলসী চক্রবর্তী; 3 March 1899 – 11 December 1961) was an Indian actor and comedian who worked in Bengali cinema in the 1940s and 50s. His most notable role could be the lead role in ''Parash Pathar'', directed by Satyajit Ray. Childhood Tulsi Chakraborty was born on 3 March 1899 in the small village called Goari. His father, Ashutosh Chakraborty, was an employee of the Indian Railways and the family had to move around various places in undivided Bengal. So, young Tulsi had to spend a lot of time in Calcutta staying with his paternal uncle Prasad Chakraborty, the elder brother of Asutosh Chakraborty. Prasadbabu was a talented tabla and harmonium player who was an employee of the renowned Star Theatre, the legendary Bengali commercial theatre stage and production company. He had a small group of musicians who used to play live background music during theatrical performances. It was through his uncle's ...
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Gangapada Basu
Gangapada Basu (as known as Gangapada Bose) (12 March 1910- 23 May 1971) was a Bengali film and theatre actor. He was an actor in the Gananatya Sangha and Bohurupee theatre groups. Films * ''Tothapi (1950) * '' Chinnamul'' (1950) * ''Nagarik'' (1952) * ''Aaj Sandhyay'' (1953) * ''Naba Bidhan'' (1954) * ''Debatra'' (1955) * ''Nishiddha Phal'' (1955) * ''Shreebatsa Chinta'' (1955) * ''Asha'' (1956) * ''Data Karna'' (1957) * '' Prithibi Amare Chaay'' (1957) * '' Ajantrik'' (1958) * ''Jalsaghar'' (1958) * ''Parash Pathar'' (1958) as Businessman Kachalu * ''Kuhak'' (1960) * '' Manik'' * '' Surya Sikha'' (1963) * ''Birieswar Vivekananda'' (1964) * '' Nishi Padma'' (1970) * ''Bibaha Bibhrat'' (1971) * Ekhane Pinjar (1971) See also *Ritwik Ghatak Ritwik Kumar Ghatak (; 4 November 19256 February 1976) was a noted Indian film director, screenwriter, and playwright. Along with prominent contemporary Bengali filmmakers Satyajit Ray, Tapan Sinha and Mrinal Sen, his cinema is primar ...
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Subodh Ghosh
Subodh Ghosh (14 September 1909 – 10 March 1980) was a noted Indian author of Bengali literature and a journalist with the Kolkata-based daily newspaper ''Ananda Bazar Patrika''. Born at Hazaribagh on 14 September 1909, now in Jharkhand, he studied in St. Columba's College as well as privately with scholar Mahesh Chandra Ghosh. At the beginning of his career, he worked as a bus conductor to support himself while writing on the side. His best known work, ''Bharat Premkatha'', is about the romances of epic Indian characters and has remained very popular in the Bengali literary world. Many of his stories have been adapted for Indian films, most notably Ritwik Ghatak's ''Ajantrik'' (1958) and Bimal Roy's '' Sujata'' (1959). He won the Filmfare Award for Best Story twice, for Bimal Roy's '' Sujata'' (1960) and for Gulzar's ''Ijaazat ''Ijaazat'' () is an 1987 Indian Hindi-language musical romance film directed by Gulzar, based on a Bengali story, ''Jatugriha'' by Subodh Ghosh. ...
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Ritwik Ghatak
Ritwik Kumar Ghatak (; 4 November 19256 February 1976) was a noted Indian film director, screenwriter, and playwright. Along with prominent contemporary Bengali filmmakers Satyajit Ray, Tapan Sinha and Mrinal Sen, his cinema is primarily remembered for its meticulous depiction of social reality, partition and feminism. He won the National Film Award's Rajat Kamal Award for Best Story in 1974 for his ''Jukti Takko Aar Gappo'' and Best Director's Award from Bangladesh Cine Journalist's Association for ''Titash Ekti Nadir Naam''. The Government of India honoured him with the Padma Shri for Arts in 1970. Family Ritaban Ghatak, his son, is also a filmmaker and is involved in the Ritwik Memorial Trust. He has restored Ritwik's ''Bagalar Banga Darshan'', ''Ronger Golam'' and completed his unfinished documentary on Ramkinkar. He made a film titled ''Unfinished Ritwik''. He is working on adapting Bibhutibhushan Bandopadhyay's novel ''Ichhamati''. Ghatak's elder daughter Samhita, made ...
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Cinema Of India
The Cinema of India consists of motion pictures produced in India, which had a large effect on world cinema since the late 20th century. Major centers of film production across the country include Mumbai, Chennai, Hyderabad, Visakhapatnam, Kochi, Kolkata, Bangalore, Bhubaneswar-Cuttack and Guwahati. For a number of years the Indian film industry has ranked first in the world in terms of annual film output. In terms of box office it ranked third in 2019, with total gross of around (US$2.7 billion). Indian cinema is composed of Multilingualism, multilingual and Multiculturalism, multi-ethnic film art. In 2019, Hindi cinema represented 44% of box office revenue, followed by Telugu cinema, Telugu and Tamil cinema, Tamil film industries, each representing 13%, Malayalam cinema, Malayalam and Kannada cinema, Kannada film industries, each representing 5%.Other prominent languages in the Indian film industry include Cinema of West Bengal, Bengali, Marathi cinema, Marathi, Cinema of O ...
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Decrepit Car
A decrepit car is a car that is often old and damaged and is in a barely functional state. There are many slang terms used to describe such cars, the more popular including junk car, beater, clunker, hooptie, jalopy, shitbox, junker, and banger. Age, neglect, and damage tend to increase the expense of maintaining a vehicle. The vehicle may reach a point where this expense would be considered to outweigh the value of keeping it. Such vehicles are generally stripped for parts or abandoned. However, abandoning a vehicle on the road as a parked car is illegal in many jurisdictions and if a vehicle remains parked, the local authority commonly tows it to the scrapyard. Some owners choose to keep the vehicle. These old, neglected, and oftentimes barely functional cars have been used not only for transport, but also as racing vehicles. Their use has earned them a place in popular culture. History During the 1930s, particularly in the wake of the Great Depression, the market for used c ...
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Ali Akbar Khan
Ali Akbar Khan (14 April 192218 June 2009) was a Indian Hindustani classical musician of the Maihar gharana, known for his virtuosity in playing the sarod. Trained as a classical musician and instrumentalist by his father, Allauddin Khan, he also composed numerous classical ''ragas'' and film scores. He established a music school in Calcutta in 1956, and the Ali Akbar College of Music in 1967, which moved with him to the United States and is now based in San Rafael, California, with a branch in Basel, Switzerland. Khan was instrumental in popularizing Indian classical music in the West, both as a performer and as a teacher. He first came to America in 1955 on the invitation of violinist Yehudi Menuhin and later settled in California. He was a Distinguished Adjunct Professor of Music at the University of California, Santa Cruz. Khan was accorded India's second highest civilian honour, the Padma Vibhushan, in 1989. Nominated five times for the Grammy Award, Khan was also a re ...
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