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Parallel Cinema
Parallel cinema, or New Indian Cinema, is a film movement in Indian cinema that originated in the state of West Bengal in the 1950s as an alternative to the mainstream commercial Indian cinema. Inspired by Italian Neorealism, Parallel Cinema began just before the French New Wave and Japanese New Wave, and was a precursor to the Indian New Wave of the 1960s. The movement was initially led by Bengali cinema and produced internationally acclaimed filmmakers such as Satyajit Ray, Mrinal Sen, Ritwik Ghatak, Tapan Sinha and others. It later gained prominence in other film industries of India. It is known for its serious content, Realism (arts), realism and Naturalism (philosophy), naturalism, symbolic elements with a keen eye on the sociopolitical climate of the times, and for the general rejection of an inserted dance-and-song routines that are typical of mainstream Indian films. History Origins Realism in Indian cinema dates back to the 1920s and 1930s. One of the earliest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyajit Ray
Satyajit Ray (; 2 May 1921 – 23 April 1992) was an Indian director, screenwriter, documentary filmmaker, author, essayist, lyricist, magazine editor, illustrator, calligrapher, and music composer. One of the greatest auteurs of film-making, Ray is celebrated for works including ''The Apu Trilogy'' (1955–1959), ''The Music Room'' (1958), ''The Big City'' (1963) and ''Charulata'' (1964). Ray was born in Calcutta to nonsense rhyme author Sukumar Ray. Starting his career as a commercial artist, Ray was drawn into independent film-making after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealist film ''Bicycle Thieves'' (1948) during a visit to London. Ray directed 36 films, including feature films, documentaries and shorts. Ray's first film, ''Pather Panchali'' (1955) won eleven international prizes, including the inaugural Best Human Document award at the 1956 Cannes Film Festival. This film, along with ''Aparajito'' (1956) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashim Ahluwalia
Ashim Ahluwalia (born 1972 in Mumbai, India) is a film director and screenwriter. He made his directorial debut with the feature-length documentary ''John & Jane'' (2005), which had a world premiere at the Toronto International Film Festival and a European premiere at the Berlin International Film Festival, and won him the 2005 National Film Award for Best First Non-Feature Film of a Director. This was followed by his first narrative feature film ''Miss Lovely'', premiered at the 2012 Cannes Film Festival. which won him India's National Film Award – Special Jury Award (Feature film), and Best Production Design at the 61st National Film Awards. Working outside the mainstream Bollywood film system, Ashim Ahluwalia is part of a new generation of Indian directors. His unconventional films blur the lines between documentary and fiction. His short films have shown at the Tate Modern, the Centre Pompidou and at the Venice Architecture Biennale. Early life Ashim Ahluwalia grew up i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
India
India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago., "Y-Chromosome and Mt-DNA data support the colonization of South Asia by modern humans originating in Africa. ... Coalescence dates for most non-European populations average to between 73–55 ka.", "Modern human beings—''Homo sapiens''—originated in Africa. Then, int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of West Bengal
Tollywood, also known as Cinema of West Bengal, is an Cinema of India, Indian film industry of Bengali language, Bengali-language motion pictures. It is based in the Tollygunge region of Kolkata, West Bengal, India. The origins of the nickname Tollywood, a portmanteau of the words Tollygunge and Cinema of the United States, Hollywood, dates back to 1932. It was a historically important film industry, at one time the centre of Indian film production. The Bengali film industry is known for producing many of Cinema of India, Indian cinema's most critically acclaimed global Parallel Cinema and art films, with several of its filmmakers gaining prominence at the National Film Awards, Indian National Film Awards as well as international acclaim. Ever since Satyajit Ray's ''Pather Panchali (film), Pather Panchali'' (1955) was awarded Best Human Document at the 1956 Cannes Film Festival, Bengali films frequently appeared in international fora and film festivals for the next several dec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese New Wave
The is a group of loosely-connected Japanese filmmakers during the late 1950s and into the 1970s. Although they did not make up a coherent movement, these artists shared a rejection of traditions and conventions of classical Japanese cinema in favor of more challenging works, both thematically and formally. Coming to the fore in a time of national social change and unrest, the films made in this wave dealt with taboo subject matter, including sexual violence, radicalism, youth culture and delinquency, Korean discrimination, queerness, and the aftermath of World War II. They also adopted more unorthodox and experimental approaches to composition, editing and narrative. The trend borrows its name from the French ''Nouvelle vague'', a concurrent movement that similarly scrapped the established traditions of their national cinema. Unlike the French counterpart, Japanese New Wave originated within the film studio establishment in an attempt to invigorate local cinema (which was b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French New Wave
French New Wave (french: La Nouvelle Vague) is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema. The term was first used by a group of French film critics and cinephiles associated with the magazine '' Cahiers du cinéma'' in the late 1950s and 1960s. These critics rejected the ''Tradition de qualité'' ("Tradition of Quality") of mainstream French cinema, which emphasized craft over innovation and old works over experimentation. This was apparent in a manifesto-like 1954 essay by François Truffaut, ''Une certaine tenda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Neorealism
Italian neorealism ( it, Neorealismo), also known as the Golden Age, is a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation. History Italian neorealism came about as World War II ended and Benito Mussolini's government fell, causing the Italian film industry to lose its centre. Neorealism was a sign of cultural and social change in Italy. Its films presented contemporary stories and ideas and were often shot on location as the Cinecittà film studios had been damaged significantly during the war. The neorealist style was developed by a circle of film critics that revolved around the magazine ''Cinema'', including: * Luchino Visconti * Gia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Bengal
West Bengal (, Bengali: ''Poshchim Bongo'', , abbr. WB) is a state in the eastern portion of India. It is situated along the Bay of Bengal, along with a population of over 91 million inhabitants within an area of . West Bengal is the fourth-most populous and thirteenth-largest state by area in India, as well as the eighth-most populous country subdivision of the world. As a part of the Bengal region of the Indian subcontinent, it borders Bangladesh in the east, and Nepal and Bhutan in the north. It also borders the Indian states of Odisha, Jharkhand, Bihar, Sikkim and Assam. The state capital is Kolkata, the third-largest metropolis, and seventh largest city by population in India. West Bengal includes the Darjeeling Himalayan hill region, the Ganges delta, the Rarh region, the coastal Sundarbans and the Bay of Bengal. The state's main ethnic group are the Bengalis, with the Bengali Hindus forming the demographic majority. The area's early history featured a succession ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of India
The Cinema of India consists of motion pictures produced in India, which had a large effect on world cinema since the late 20th century. Major centers of film production across the country include Mumbai, Chennai, Hyderabad, Visakhapatnam, Kochi, Kolkata, Bangalore, Bhubaneswar-Cuttack and Guwahati. For a number of years the Indian film industry has ranked first in the world in terms of annual film output. In terms of box office it ranked third in 2019, with total gross of around (US$2.7 billion). Indian cinema is composed of Multilingualism, multilingual and Multiculturalism, multi-ethnic film art. In 2019, Hindi cinema represented 44% of box office revenue, followed by Telugu cinema, Telugu and Tamil cinema, Tamil film industries, each representing 13%, Malayalam cinema, Malayalam and Kannada cinema, Kannada film industries, each representing 5%.Other prominent languages in the Indian film industry include Cinema of West Bengal, Bengali, Marathi cinema, Marathi, Cinema of O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Neorealism
Italian neorealism ( it, Neorealismo), also known as the Golden Age, is a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation. History Italian neorealism came about as World War II ended and Benito Mussolini's government fell, causing the Italian film industry to lose its centre. Neorealism was a sign of cultural and social change in Italy. Its films presented contemporary stories and ideas and were often shot on location as the Cinecittà film studios had been damaged significantly during the war. The neorealist style was developed by a circle of film critics that revolved around the magazine ''Cinema'', including: * Luchino Visconti * Gia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Realism
Poetic realism was a film movement in France of the 1930s. More a tendency than a movement, poetic realism is not strongly unified like Soviet montage or French Impressionism but were individuals who created this lyrical style. Its leading filmmakers were Pierre Chenal, Jean Vigo, Julien Duvivier, Marcel Carné, and, perhaps the movement's most significant director, Jean Renoir. Renoir made a wide variety of films some influenced by the leftist Popular Front group and even a lyrical short feature film. Frequent stars of these films were Jean Gabin, Michel Simon, Simone Signoret, and Michèle Morgan. Characteristics Poetic realism films are "recreated realism", stylised and studio-bound, rather than approaching the "socio-realism of the documentary". They usually have a fatalistic view of life with their characters living on the margins of society, either as unemployed members of the working class or as criminals. After a life of disappointment, the characters get a last chance at l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
