Agostino Masucci
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Agostino Masucci
Agostino Masucci (; c. 1691 – 19 October 1758) was an Italian painter of the late-Baroque or Rococo period. Biography Born in Rome, he initially apprenticed with Andrea Procaccino, and then became a member of the studio of Carlo Maratta. He joined the Accademia di San Luca in 1724, and from 1736 to 1738, he was director or ''Principe''. Masucci worked for the House of Savoy, and also obtained commissions from John V of Portugal due to his friendship with Filippo Juvarra and Luigi Vanvitelli. For example, for the latter he painted the main altarpiece of the Cathedral of Évora. Masucci also made the models for the three main mosaic panels in the Chapel of St. John the Baptist, designed by Luigi Vanvitelli (along with Nicola Salvi) for King John V of Portugal. It was built in Rome starting in 1742, disassembled in 1747, and shipped to Lisbon, where it was reassembled in the Church of St. Roch (Igreja de São Roque (Lisbon), Igreja de São Roque). It was completed in 1750, althoug ...
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Agostino Masucci – Portrait Of Pope Clement XII, Seated
Agostino may refer to: *Agostino (name) *Agostino (film), ''Agostino'' (film), an Italian film directed by Mauro Bolognini *Agostino (novel), ''Agostino'' (novel), a short novel by Alberto Moravia *, an Italian coaster See also

*Agostini (other) *D'Agostino (other) *Augustino (other) {{disambiguation ...
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Santa Maria In Via Lata
Santa Maria in Via Lata is a church on the Via del Corso (the ancient Via Lata), in Rome, Italy. It stands diagonal from the church of San Marcello al Corso. It is the Station days for Tuesday, the fifth week of lent. History The first Christian place of worship here was a 5th-century oratory (chapel with welfare centre) in the Roman building beneath the present church. This was constructed within the remains of a large Roman warehouse, some long, which has also been excavated. Murals were added to the lower level between the 7th and 9th centuries (these have been detached for conservation reasons). Due to the frequent flooding of the Tiber, in 1049 the church was rebuilt with an upper level added. Architecture The Arcus Novus (an arch erected by emperor Diocletian in 303–304), which stood on this site were destroyed during reconstruction of the church in 1491. Antonio Tebaldeo, poet and friend of Raphael, was buried at the end of the north aisle in 1537, though his tomb ...
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18th-century Italian People
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ...
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1758 Deaths
Events January–March * January 1 – Swedish biologist Carl Linnaeus (Carl von Linné) publishes in Stockholm the first volume (''Animalia'') of the 10th edition of ''Systema Naturae'', the starting point of modern zoological nomenclature, introducing binomial nomenclature for animals to his established system of Linnaean taxonomy. Among the first examples of his system of identifying an organism by genus and then species, Linnaeus identifies the lamprey with the name ''Petromyzon marinus''. He introduces the term ''Homo sapiens''. (Date of January 1 assigned retrospectively.) * January 20 – At Cap-Haïtien in Haiti, former slave turned rebel François Mackandal is executed by the French colonial government by being burned at the stake. * January 22 – Russian troops under the command of William Fermor invade East Prussia and capture Königsberg with 34,000 soldiers; although the city is later abandoned by Russia after the Seven Years' War ends, the ...
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1690s Births
Year 169 ( CLXIX) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Senecio and Apollinaris (or, less frequently, year 922 ''Ab urbe condita''). The denomination 169 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcomannic Wars: Germanic tribes invade the frontiers of the Roman Empire, specifically the provinces of Raetia and Moesia. * Northern African Moors invade what is now Spain. * Marcus Aurelius becomes sole Roman Emperor upon the death of Lucius Verus. * Marcus Aurelius forces his daughter Lucilla into marriage with Claudius Pompeianus. * Galen moves back to Rome for good. China * Confucian scholars who had denounced the court eunuchs are arrested, killed or banished from the capital of Luoyang and official life duri ...
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Pompeo Batoni
Pompeo Girolamo Batoni (25 January 1708 – 4 February 1787) was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to specialize in portraits. Batoni won international fame largely thanks to his customers, mostly British of noble origin, whom he portrayed, often with famous Italian landscapes in the background. Such Grand Tour portraits by Batoni were in British private collections, thus ensuring the genre's popularity in Great Britain. One generation later, Sir Joshua Reynolds would take up this tradition and become the leading English portrait painter. Although Batoni was considered the best Italian painter of his time, contemporary chronicles mention his rivalry with Anton Raphael Mengs. In addition to art-loving nobility, Batoni's subjects included the kings and qu ...
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Gavin Hamilton (artist)
Gavin Hamilton (1723, Lanarkshire – 4 January 1798, Rome) was a Scottish neoclassical history painter, who is more widely remembered for his searches for antiquities in the neighbourhood of Rome. These roles in combination made him an arbiter of neoclassical taste. Biography Born in Lanarkshire, Scotland, in 1723, by 1744 he was in Italy, and probably studied in Rome in the studio of Agostino Masucci. From 1748 to 1750 he shared an apartment with James Stuart, Matthew Brettingham and Nicholas Revett, and with them visited Naples and Venice. On returning to Britain, he spent several years portrait-painting in London (1751–1756). At the end of that period, he returned to Rome. He lived there for the next four decades, until his death in 1798. Aside from a few portraits of friends, the Hamilton family, and British people on the Grand Tour, most of his paintings, many of which are very large, were of classical Greek and Roman subjects. His most famous is a cycle of six pain ...
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Johann Zoffany
Johan Joseph Zoffany (born Johannes Josephus Zaufallij; 13 March 1733 – 11 November 1810) was a German neoclassical painter who was active mainly in England, Italy and India. His works appear in many prominent British collections, including the National Gallery, the Tate Gallery and the Royal Collection, as well as institutions in continental Europe, India, the United States and Australia. His name is sometimes spelled Zoffani or Zauffelij (on his grave, it is spelled Zoffanij). Life and career Of noble Hungarian and Bohemian origin, Johan Zoffany was born near Frankfurt on 13 March 1733, the son of a cabinet maker and architect in the court of Alexander Ferdinand, 3rd Prince of Thurn and Taxis. He undertook an initial period of study in a sculptor's workshop in Ellwangen during the 1740s, possibly the shop of Melchior Paulus, and later at Regensburg with the artist . In 1750, he travelled to Rome, entering the studio of Agostino Masucci. In the autumn of 1760, he arrived ...
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Stefano Pozzi
Stefano Pozzi (9 November 1699 — 11 June 1768) was an Italian painter, designer, draughtsman and decorator whose career was spent largely in Rome. Born in Rome, he was one of four artist sons of his father, an innkeeper: Rocco (1701–74) was an engraver, with whom Stefano worked on occasion; Andrea (1718–69), a carver in ivory; Giuseppe (1723–65) was also a painter. Stefano Pozzi studied in the ateliers of the two best followers of Carlo Maratta, that of Andrea Procaccini, who departed for Spain in 1720, and then Agostino Masucci. In 1732 Stefano was admitted to the Pontifical Academy of Fine Arts and Letters of the Virtuosi al Pantheon and became its Regent in 1739. In 1736, he was admitted to the Accademia di San Luca, the artist guild in Rome. Pozzi worked primarily for Roman churches; for example, he painted a ''Blessed Niccolò Albergati'' for a chapel of the Basilica of Santa Maria Maggiore; eight ovals between the windows (c. 1736) for the church of San Silve ...
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Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentati ...
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Santa Maria Maggiore
The Basilica of Saint Mary Major ( it, Basilica di Santa Maria Maggiore, ; la, Basilica Sanctae Mariae Maioris), or church of Santa Maria Maggiore, is a Major papal basilica as well as one of the Seven Pilgrim Churches of Rome and the largest Catholic Marian church in Rome, Italy. The basilica enshrines the venerated image of ''Salus Populi Romani'', depicting the Blessed Virgin Mary as the health and protectress of the Roman people, which was granted a Canonical coronation by Pope Gregory XVI on 15 August 1838 accompanied by his Papal bull ''Cælestis Regina''. Pursuant to the Lateran Treaty of 1929 between the Holy See and Italy, the Basilica is within Italian territory and not the territory of the Vatican City State.Lateran Treaty of 1929, Article 15 However, the Holy See fully owns the Basilica, and Italy is legally obligated to recognize its full ownership thereof and to concede to it "the immunity granted by International Law to the headquarters of the diplomatic age ...
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Santissimo Nome Di Maria In Via Latina
''Santissimo Nome di Maria a Via Latina'' is a modern parish and titular church at Via Centirupe 18/22 in the Appio Latino quarter, just to the east of the Parco della Caffarella in Rome, Italy. The dedication is to the Holy Name of Mary. The parish is administered by the Marianists; Gaudencio Borbon Rosales is the Cardinal-Priest. Design The church was built in 1980 and was designed by Aldo Ortolani. The plan is based on a square with the major axis on the diagonal. The corners of the square at the entrance and behind the altar are truncated. From entrance to altar a high rectangular concrete frame supports a flat roof. On either side the building descends in four horizontal steps, each step supports a vertical concrete vane. These steps are replicated vertically along the side frontages. At the side angles of the square are two semi-circular chapels, one dedicated to St Anthony of Padua and the other to Our Lady of the Pillar (a Spanish devotion). The entrance façade and the ...
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