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Santa Maria In Via Lata
Santa Maria in Via Lata is a church on the Via del Corso (the ancient Via Lata), in Rome, Italy. It stands diagonal from the church of San Marcello al Corso. It is the Station days for Tuesday, the fifth week of lent. History The first Christian place of worship here was a 5th-century oratory (chapel with welfare centre) in the Roman building beneath the present church. This was constructed within the remains of a large Roman warehouse, some long, which has also been excavated. Murals were added to the lower level between the 7th and 9th centuries (these have been detached for conservation reasons). Due to the frequent flooding of the Tiber, in 1049 the church was rebuilt with an upper level added. Architecture The Arcus Novus (an arch erected by emperor Diocletian in 303–304), which stood on this site were destroyed during reconstruction of the church in 1491. Antonio Tebaldeo, poet and friend of Raphael, was buried at the end of the north aisle in 1537, though his tomb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Da Cortona
Pietro da Cortona (; 1 November 1596 or 159716 May 1669) was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations. He was born Pietro Berrettini, but is primarily known by the name of his native town of Cortona in Tuscany. He worked mainly in Rome and Florence. He is best known for his frescoed ceilings such as the vault of the ''salone'' or main salon of the Palazzo Barberini in Rome and carried out extensive painting and decorative schemes for the Medici family in Florence and for the Oratorian fathers at the church of Santa Maria in Vallicella in Rome. He also painted numerous canvases. Only a limited number of his architectural projects were built but nonetheless they are as distinctive and as inventive as those of his rivals. Biography Early career Berrettini was bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Tebaldeo
Antonio Tebaldeo (1463–1537) was an Italian poet. He figured among the writers of the time who engaged in the discussion concerning the nature of literary Italian. Life Tebaldeo was born at Ferrara. He changed his family name (Tebaldi) to Tebaldeo, in consonance with the practice of the Humanists, who sought to Latinize the form of their appellation as much as possible. After serving as tutor to Isabella d'Este and secretary to Lucrezia Borgia, he came to the court of Pope Leo X at Rome, enjoying the favour of the pope and the companionship of many erudite men and artists. He lost all his means in the sack of Rome (1527), and spent the remainder of his life in very narrow circumstances. Works He wrote verse in both Latin and Italian. His Italian verse is remarkable for diction and style rather than for any poetical excellence. With his artificial manner, his abuse of metaphor, and his studied imagery he was a forerunner of those extravagant versifiers who, in the seventee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Ghezzi
Giuseppe Ghezzi (November 6, 1634–1721) was an Italian painter of the Baroque period, active mainly in Rome. Biography Born in Comunanza, in the Marche (then part of the Papal States), he was the son of the painter Sebastiano Ghezzi, a painter and architect for the papacy of Pope Urban VIII. Sebastiano died when Giuseppe was only 11 years old, and he was sent to Fermo to study philosophy an letters, but took also painting instruction under Lorenzino da Fermo. He then moved to Rome where he chose painting over law studies. He painted in many Roman churches. He painted in the style of Pietro da Cortona. Giuseppe Ghezzi was the first ''secretary in perpetuity'' for the Accademia di San Luca in Rome. He was the father of the more prominent caricaturist Pier Leone Ghezzi (born June 28, 1674). Another son, Placido, was Apostolic Protonotary. Giuseppe was also a mentor to Pietro da Pietri (1634–1721). On December 10, 1676, he borrowed a number of privately owned works by Venetian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacinto Brandi
Giacinto Brandi (1621 – 19 January 1691) was an Italian painter from the Baroque era, active mainly in Rome and Naples. left, 250px, ''Christ in Gesthemane'', Pinacoteca Vaticana left, 250px, Dome of the church of San Carlo al Corso Biography Born in Rome, he was part of the studio of Alessandro Algardi, a noted sculptor who noted that Brandi was more suited to painting. He joined the studio of Giovanni Giacomo Sementi. He traveled to Naples from 1638, and by 1647 had returned to Rome to work under Giovanni Lanfranco, where Brandi befriended Mattia Preti. The two artists would later on, often collaborate. His works are well distributed among baroque Churches of Rome including San Carlo al Corso ceiling frescoes (1670–1671), San Silvestro in Capite, Sant'Andrea al Quirinale, a canvas of ''Sant'Andrea'' (1650) in Santa Maria in Via Lata, a painting of ''Martyrdom of the Forty'' (1660) for the Chiesa delle Santissima Stimmate di San Francesco, a ''Coronation of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Head
Sir George Head (1782–1855) was an English commissariat officer and deputy Knight Marshal, also known for the publication 'A Home Tour through the Manufacturing Districts of England in the Summer of 1835', and other literary works. Biography Head, elder brother of Sir Francis Bond Head, was born at the Hermitage in the parish of Higham, Kent, in 1782, but there is no entry of his baptism in Higham parish register. He was educated at the Charterhouse. In 1808 he became a captain in the West Kent militia, then at Woodbridge, Suffolk, but in the following year joined the British Army at Lisbon as a clerk in the commissariat. He served during the remainder of the Peninsular War, following the army to the fields of Vitoria, Nivelle, and Toulouse, and to the actions in the Pyrenees. He was promoted to be deputy-assistant commissary-general in 1811, and assistant commissary-general on 25 December 1814. From May 1813 he was in charge of the commissariat of the 3rd division of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lapis-lazuli
Lapis lazuli (; ), or lapis for short, is a deep-blue metamorphic rock used as a semi-precious stone that has been prized since antiquity for its intense color. As early as the 7th millennium BC, lapis lazuli was mined in the Sar-i Sang mines,David Bomford and Ashok Roy, ''A Closer Look- Colour'' (2009), National Gallery Company, London, () in Shortugai, and in other mines in Badakhshan province in northeast Afghanistan. Lapis lazuli artifacts, dated to 7570 BC, have been found at Bhirrana, which is the oldest site of Indus Valley civilisation. Lapis was highly valued by the Indus Valley Civilisation (7570–1900 BC). Lapis beads have been found at Neolithic burials in Mehrgarh, the Caucasus, and as far away as Mauritania. It was used in the funeral mask of Tutankhamun (1341–1323 BC). By the end of the Middle Ages, lapis lazuli began to be exported to Europe, where it was ground into powder and made into ultramarine, the finest and most expensive of all blue pigments. Ultr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alabaster
Alabaster is a mineral or rock that is soft, often used for carving, and is processed for plaster powder. Archaeologists and the stone processing industry use the word differently from geologists. The former use it in a wider sense that includes varieties of two different minerals: the fine-grained massive type of gypsum and the fine-grained banded type of calcite.''More about alabaster and travertine'', brief guide explaining the different use of these words by geologists, archaeologists, and those in the stone trade. Oxford University Museum of Natural History, 2012/ref> Geologists define alabaster only as the gypsum type. Chemically, gypsum is a Water of crystallization, hydrous sulfur, sulfate of calcium, while calcite is a carbonate of calcium. The two types of alabaster have similar properties. They are usually lightly colored, translucent, and soft stones. They have been used throughout history primarily for carving decorative artifacts."Grove": R. W. Sanderson and Francis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ciborium (architecture)
In ecclesiastical architecture, a ciborium ("ciborion": in Greek) is a canopy or covering supported by columns, freestanding in the sanctuary, that stands over and covers the altar in a basilica or other church. It may also be known by the more general term of baldachin, though ''ciborium'' is often considered more correct for examples in churches. Really a baldachin (originally an exotic type of silk from Baghdad) should have a textile covering, or at least, as at Saint Peter's in Rome, imitate one. There are exceptions; Bernini's structure in Saint Peter's, Rome is always called the baldachin. Early ciboria had curtains hanging from rods between the columns, so that the altar could be concealed from the congregation at points in the liturgy. Smaller examples may cover other objects in a church. In a very large church, a ciborium is an effective way of visually highlighting the altar, and emphasizing its importance. The altar and ciborium are often set upon a dais to raise i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgin Advocate
The Panagia Agiosoritissa or Hagiosoritissa (Greek: Ἁγιοσορίτισσα) is the name for a type of Marian icon, showing Mary without child, slightly from the side with both hands raised in prayer. The type is known in Latin as Maria Advocata. Names The names used for the icon, ''Hagiosoritissa'' and, in Russian, ''Khalkopratiskaya'' (Халкопратийская), derive from the church of the Holy Urn (Greek: Ἁγία Σορός, in reference to the urn containing the Cincture of the Theotokos) in Constantinople's Chalkoprateia (Χαλκοπρατεῖα, "copper market") district. In English, the type is also known as ''Madonna Advocate'' (the prayer gesture interpreted as an act of intercession on behalf of the faithful). History The appellation Ἁγιοσορίτισσα is first recorded in Byzantine seals of the 11th century, and it appears minted on coins made under Manuel I Komnenos (). The type was widespread in the Byzantine empire and in the Balkans, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icon
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most common subjects include Christ, Mary, saints and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal, carved in stone, embroidered on cloth, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity can be classified as "icons", although "iconic" may also be used to describe a static style of devotional image. In the Greek language, the term for icon paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Travertine
Travertine ( ) is a form of terrestrial limestone deposited around mineral springs, especially hot springs. It often has a fibrous or concentric appearance and exists in white, tan, cream-colored, and even rusty varieties. It is formed by a process of rapid precipitation of calcium carbonate, often at the mouth of a hot spring or in a limestone cave. In the latter, it can form stalactites, stalagmites, and other speleothems. It is frequently used in Italy and elsewhere as a building material. Similar (but softer and extremely porous) deposits formed from ambient-temperature water are known as tufa. Definition Travertine is a sedimentary rock formed by the chemical precipitation of calcium carbonate minerals from fresh water, typically in springs, rivers, and lakes; that is, from surface and ground waters. In the broadest sense, travertine includes deposits in both hot and cold springs, including the porous, spongy rock known as tufa, and also the cave features known as speleot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corinthian Columns
The Corinthian order (Greek: Κορινθιακός ρυθμός, Latin: ''Ordo Corinthius'') is the last developed of the three principal classical orders of Ancient Greek architecture and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects other than the capitals of the columns. When classical architecture was revived during the Renaissance, two more orders were added to the canon: the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders. This architectural style is characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and scrolls. There are many variations. The name ''Corinthian'' is derived from the ancient Greek city of Corinth, although the style had its own model in Roman practice, following precedents set by the Templ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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