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After School (album)
is the second studio album by Japanese entertainer Miho Nakayama. Released through King Records on December 18, 1985, the album features the single " Namaiki". The album peaked at No. 13 on Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ...'s albums chart and sold over 95,000 copies. Track listing Charts References External links * * * {{Authority control 1985 albums Miho Nakayama albums Japanese-language albums King Records (Japan) albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miho Nakayama
is a Japanese singer and actress. She is affiliated with Big Apple Co., Ltd. Nakayama is nicknamed , and sometimes uses the pseudonyms or when she writes the lyrics. Biography History Nakayama was born in Saku, Nagano, Japan. Following her mother's remarriage, her family moved to Koganei, Tokyo. There, Nakayama attended Koganei Municipal Junior High School. Idol career After being discovered by a talent scout while shopping in Harajuku, she made her debut on 21 June 1985 with her single " C", as well as a starring role in the film '' Be-Bop High School''. Throughout her career as a singer and actress, Nakayama recorded 22 studio albums and scored eight No. 1 singles on Oricon's charts; two of them selling over a million copies each. She also starred in a Famicom Disk System dating sim made by Nintendo titled ''Nakayama Miho no Tokimeki High School'', in which she played a high school student trying to mask her true identity. Acting career In 1995, director Shunji Iwai cast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kayōkyoku
is a Japanese pop music genre, which became a base of modern J-pop. ''The Japan Times'' described ''kayōkyoku'' as "standard Japanese pop" or " Shōwa-era pop". ''Kayōkyoku'' represents a blend of Western and Japanese musical scales. Music in this genre is extremely varied as a result. ''Kayōkyoku'' in the narrower and more practical sense, however, excludes J-pop and ''enka''. Unlike "J-pop" singers such as Southern All Stars' Keisuke Kuwata, the singers of the ''kayōkyoku'' genre do not use stylized pronunciations based on the English language, but prefer traditional Japanese. There are exceptions, such as in singer Momoe Yamaguchi's song "Rock 'n' Roll Widow". Unlike ''enka'', ''kayōkyoku'' is also not based on emotional displays of effort while singing. Famous ''kayōkyoku'' artists include Kyu Sakamoto, The Peanuts, The Tigers, Candies, Pink Lady, Seiko Matsuda, Junko Sakurada, The Checkers and Onyanko Club. Characteristics Kayokyoku music has simple melodies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teen Pop
Teen pop is a subgenre of pop music that is created, marketed and oriented towards preteens and teenagers.Lamb, Bill"Teen Pop" About.com. Retrieved January 28, 2007. Teen pop incorporates different subgenres of pop music, as well as elements of R&B, dance, electronic, hip hop and rock, while the music of girl groups, boy bands, and acts like Britney Spears, is sometimes referred to as pure pop. Typical characteristics of teen pop music include Auto-Tuned or pitch-corrected vocals, choreographed dances, emphasis on visual appeal (photogenic faces, unique body physiques, immaculate hair styles and fashion clothes), lyrics focused on love, relationships, dancing, partying, friendship, puppy love (also known as a "crush") and repeated chorus lines. Its lyrics also incorporate sexual innuendo. Teen pop singers often cultivate an image of a girl next door/boy next door. According to AllMusic, teen pop "is essentially dance-pop, pop, and urban ballads" that are marketed to teens, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Records (Japan)
, commonly known as King Records, is a Japanese record company founded in January 1931 as a division of the Japanese publisher Kodansha. It initially began operating as an independent entity in the 1950s. It later became part of the Otowa Group. Today, King Records is one of Japan's largest record companies which is not owned by a multinational entity. The label's headquarters are in Bunkyo, Tokyo. The label's name is actually based from the now-defunct ''Kingu'' magazine published by Kodansha from 1924 to 1957. Sub-labels Its Starchild label, was managed by animation producer Toshimichi Ōtsuki, specialised in anime music and film. King Records also distributes the Up-Front Works–owned and –operated labels Piccolo Town and Rice Music, and also released video games for the PC-88, Famicom, and MSX2 computers. On February 1, 2016, King Records restructured Starchild and renamed it King Amusement Creative. Paddle Wheel Records is a division of King Record Co. You! Be Cool i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C (album)
''C'' (stylized as ''「C」'') is the debut studio album by Japanese entertainer Miho Nakayama. Released through King Records on August 21, 1985, the album features Nakayama's debut single " C". The album peaked at No. 11 on Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ...'s albums chart and sold over 90,000 copies. Track listing Charts References External links * * * {{Authority control 1985 debut albums Miho Nakayama albums Japanese-language albums King Records (Japan) albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Summer Breeze (Miho Nakayama Album)
is the third studio album by Japanese entertainer Miho Nakayama. Released through King Records on July 1, 1986, the album features the single "Close Up". " You're My Only Shinin' Star" was initially not released as a single, but popular demand prompted Nakayama to re-record the song as a stand-alone single, which hit No. 1 in 1988. The album peaked at No. 8 on Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ...'s albums chart and sold over 77,000 copies. Track listing Charts References External links * * * {{Authority control 1986 albums Miho Nakayama albums Japanese-language albums King Records (Japan) albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Namaiki
is the second single by Japanese entertainer Miho Nakayama. Written by Takashi Matsumoto and Kyōhei Tsutsumi, the single was released on October 1, 1985, by King Records. Background and release "Namaiki" was written by Matsumoto as a tale of heartbreak, depicting a girl travelling to a foreign country to heal from her emotional wounds. "Namaiki" peaked at No. 8 on Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ...'s weekly singles chart and sold over 114,000 copies, becoming Nakayama's first top-10 hit. Track listing Charts References External links * * * {{Authority control 1985 singles 1985 songs Songs in Japanese Miho Nakayama songs Songs with lyrics by Takashi Matsumoto (lyricist) Songs with music by Kyōhei Tsutsumi King Records (Japan) singles [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oricon
, established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in November 1967 and became known for its music charts. Oricon Inc. was originally set up as a subsidiary of Original Confidence and took over the latter's Oricon record charts in April 2002. The charts are compiled from data drawn from some 39,700 retail outlets (as of April 2011) and provide sales rankings of music CDs, DVDs, electronic games, and other entertainment products based on weekly tabulations. Results are announced every Tuesday and published in ''Oricon Style'' by subsidiary Oricon Entertainment Inc. The group also lists panel survey-based popularity ratings for television commercials on its official website. Oricon started publishing Combined Chart, which includes CD sales, digital sales, and streaming together, on December 19, 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Takashi Matsumoto (lyricist)
is a Japanese lyricist and former musician. After several years playing the drums in the rock bands Apryl Fool and Happy End during the late 1960s and early 1970s, Matsumoto decided to focus on writing lyrics for others in 1974. As of 2015, he had written over 2,100 songs, 130 of which entered the top 10 on the Oricon chart. Total sales of the singles he has written exceed 49.8 million copies, making him the third best-selling lyricist in Japan. In 2017, he was awarded the Medal with Purple Ribbon from the Japanese government for his work in music. Life and career In elementary school, Matsumoto listened to Igor Stravinsky and read poetry by Jean Cocteau. However, he bought a drum kit and became obsessed with rock music because of the Beatles. Matsumoto is a Keio University graduate. Matsumoto's first band was , which covered songs like Them's " Gloria and Sam & Dave's "Hold On, I'm Comin'". In 1968 he joined the psychedelic rock band Apryl Fool, going by the alias Rei Matsumo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyōhei Tsutsumi
(born Eikichi Watanabe, 28 May 1940 - 7 October 2020), was a Japanese composer, record producer and arranger. Tsutsumi began his career as a songwriter about 1966, and he came to prominence as a composer of Ayumi Ishida's chart-topping hit "Blue Light Yokohama" in the late 1960s. He has released nearly 3,000 compositions to date, over 500 of which have entered the Japanese Oricon singles chart. Tsutsumi is the most commercially successful composer of the Japanese popular music of last five decades, selling over 76 million units on the country's singles chart from 1968 onwards. Two of his compositions won the grand prix of Japan Record Award— "Mata Au Hi Made" performed by Kiyohiko Ozaki in 1971 and "Miserarete" by Judy Ongg in 1979. Tsutsumi himself has also won the awards for best songwriting category five times. Recognized for his long-term contribution to establish Japanese popular music, Tsutsumi received the Medal of Honor with Purple Ribbon by the Government of Jap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
