A Cambridge Mass
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A Cambridge Mass
''A Cambridge Mass'' is a choral work in G major by Ralph Vaughan Williams written between 1898 and 1899 as part of his studies in Cambridge for his Doctorate of Music. It is one of two large scale choral works with orchestral accompaniment by Vaughan Williams surviving from this period, the other being a cantata setting of Swinburne's poem ''The Garden of Proserpine''. History Composition Returning to Cambridge from a period in Berlin taking lessons from Max Bruch, Vaughan Williams was set the task of composing a large scale (40-60 minute) choral/orchestral work containing the following: # Sections for one or more soloists along with major portions for an eight voice choir; # Examples of both canons and fugues; # An orchestral section in sonata form, either as an overture or intermezzo; and # A single section for voice(s) alone, the rest being with full orchestral accompaniment. Vaughan Williams responded with a concert setting of the Credo and Sanctus of the mass in a ...
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Missa Brevis
Missa brevis (plural: Missae breves) is . The term usually refers to a mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full mass is left out, or because its execution time is relatively short. Full mass with a relatively short execution time The concise approach is found in the mostly syllabic settings of the 16th century, and in the custom of "telescoping" (or simultaneous singing by different voices) in 18th-century masses. After the period when all church music was performed a cappella, a short execution time usually also implied modest forces for performance, that is: apart from Masses in the "brevis et solemnis" genre. Polyphony * Orlande de Lassus: (''Hunters' Mass'') * Giovanni Pierluigi da Palestrina: Missa Brevis * Andrea Gabrieli: Missa brevis quatuor vocum * Gaspar van Weerbeke: Missa brevis Classical period For composers of the classical period such as Mozart, ''missa brevis'' meant "short i ...
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Charles Villiers Stanford
Sir Charles Villiers Stanford (30 September 1852 – 29 March 1924) was an Anglo-Irish composer, music teacher, and conductor of the late Romantic era. Born to a well-off and highly musical family in Dublin, Stanford was educated at the University of Cambridge before studying music in Leipzig and Berlin. He was instrumental in raising the status of the Cambridge University Musical Society, attracting international stars to perform with it. While still an undergraduate, Stanford was appointed organist of Trinity College, Cambridge. In 1882, aged 29, he was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life. From 1887 he was also Professor of Music at Cambridge. As a teacher, Stanford was sceptical about modernism, and based his instruction chiefly on classical principles as exemplified in the music of Brahms. Among his pupils were rising composers whose fame went on to surpass his own, such as Gustav Holst ...
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Finale (music)
A finale is the last movement of a sonata, symphony, or concerto; the ending of a piece of non-vocal classical music which has several movements; or, a prolonged final sequence at the end of an act of an opera or work of musical theatre. Michael Talbot wrote of the finales typical in sonatas: "The rondo is the form par excellence used for final movements, and ... its typical character and structural properties accord perfectly with those thought desirable in a sonata finale of the early nineteenth century." Carl Czerny (1791–1857) observed "that first movements and finales ought to—and in practice actually do—proclaim their contrasted characters already in their opening themes." In theatrical music, Christoph Willibald Gluck Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he g ... ...
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Offertory
The offertory (from Medieval Latin ''offertorium'' and Late Latin ''offerre'') is the part of a Eucharistic service when the bread and wine for use in the service are ceremonially placed on the altar. A collection of alms (offerings) from the congregation, which may take place also at non-Eucharistic services, often coincides with this ceremony. The Eucharistic theology may vary among those Christian denominations that have a liturgical offertory. In the Roman Rite, the term "Preparation of the Gifts" is used in addition to the term "Offertory" (both capitalized) or, rather, the term "Preparation of the Gifts" is used for the action of the priest, while the term "Offertory" is used for the section of the Mass at which this action is performed in particular when speaking of the accompanying chant. In Baptist churches, the offertory refers to the part of the service of worship in which collection plates or baskets are distributed by ushers, with the tithes and offerings subse ...
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Maestoso
''Maestoso'' () is an Italian musical term and is used to direct performers to play a certain passage of music in a stately, dignified and majestic fashion (sometimes march-like) or, it is used to describe music as such. ''Maestoso'' also is associated with the advent of Classicism, Romanticism, and the newer forms of Neo-Classicism and Neo-Romanticism. The interpretation of ''maestoso'' is varied by the conductor depending upon the overall style in which the piece is written. Used as more of an interpretive choice, this term is not always associated with a specific tempo or tempo range. Examples The term is commonly used in relatively not fast pieces, but there are many examples, such as the first movement of Mozart's Flute Concerto No. 1, in which a faster tempo can be played in such ''maestoso''. Common examples of ''maestoso'' tempo include Elgar's ''Land of Hope and Glory'', the first movement of Mozart's Piano Concerto No. 21, the first movement of both Anton Bruckne ...
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Tempo
In musical terminology, tempo ( Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a " metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is ofte ...
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Credo
In Christian liturgy, the credo (; Latin for "I believe") is the Nicene-Constantinopolitan Creed – or its shorter version, the Apostles' Creed – in the Mass, either as a prayer, a spoken text, or sung as Gregorian chant or other musical settings of the Mass. History After the formulation of the Nicene Creed, its initial liturgical use was in baptism, which explains why the text uses the singular "I ...." instead of "we...." The text was gradually incorporated into the liturgies, first in the east and in Spain, and gradually into the north, from the sixth to the ninth centuries. In 1014 it was accepted by the Church of Rome as a legitimate part of the Mass. It is recited in the Western Mass directly after the homily on all Sundays and solemnities; in modern celebrations of the Tridentine Mass as an extraordinary form of the Roman Rite, the Credo is recited on all Sundays, feasts of the I class, II class feasts of the Lord and of the Blessed Virgin, on the days within the oct ...
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Missa Brevis
Missa brevis (plural: Missae breves) is . The term usually refers to a mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full mass is left out, or because its execution time is relatively short. Full mass with a relatively short execution time The concise approach is found in the mostly syllabic settings of the 16th century, and in the custom of "telescoping" (or simultaneous singing by different voices) in 18th-century masses. After the period when all church music was performed a cappella, a short execution time usually also implied modest forces for performance, that is: apart from Masses in the "brevis et solemnis" genre. Polyphony * Orlande de Lassus: (''Hunters' Mass'') * Giovanni Pierluigi da Palestrina: Missa Brevis * Andrea Gabrieli: Missa brevis quatuor vocum * Gaspar van Weerbeke: Missa brevis Classical period For composers of the classical period such as Mozart, ''missa brevis'' meant "short i ...
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Northampton, Massachusetts
The city of Northampton is the county seat of Hampshire County, Massachusetts, United States. As of the 2020 census, the population of Northampton (including its outer villages, Florence and Leeds) was 29,571. Northampton is known as an academic, artistic, musical, and countercultural hub. It features a large politically liberal community along with numerous alternative health and intellectual organizations. Based on U.S. Census demographics, election returns, and other criteria, the website Epodunk rates Northampton as the most politically liberal medium-size city (population 25,000–99,000) in the United States. The city has a high proportion of residents who identify as gay and lesbian and a high number of same-sex households and is a popular destination for the LGBT community. Northampton is part of the Pioneer Valley and is one of the northernmost cities in the Knowledge Corridor—a cross-state cultural and economic partnership with other Connecticut River Valle ...
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Smith College
Smith College is a private liberal arts women's college in Northampton, Massachusetts. It was chartered in 1871 by Sophia Smith and opened in 1875. It is the largest member of the historic Seven Sisters colleges, a group of elite women's colleges in the Northeastern United States. Smith is also a member of the Five College Consortium, along with four other nearby institutions in the Pioneer Valley: Mount Holyoke College, Amherst College, Hampshire College, and the University of Massachusetts Amherst; students of each college are allowed to attend classes at any other member institution. On campus are Smith's Museum of Art and Botanic Garden, the latter designed by Frederick Law Olmsted. Smith has 41 academic departments and programs and is structured around an open curriculum, lacking course requirements and scheduled final exams. It is known for its progressive, politically active student body, and rigorous academics. Undergraduate admissions is exclusively restricted to w ...
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Bath, Somerset
Bath () is a city in the Bath and North East Somerset unitary area in the county of Somerset, England, known for and named after its Roman-built baths. At the 2021 Census, the population was 101,557. Bath is in the valley of the River Avon, west of London and southeast of Bristol. The city became a World Heritage Site in 1987, and was later added to the transnational World Heritage Site known as the " Great Spa Towns of Europe" in 2021. Bath is also the largest city and settlement in Somerset. The city became a spa with the Latin name ' ("the waters of Sulis") 60 AD when the Romans built baths and a temple in the valley of the River Avon, although hot springs were known even before then. Bath Abbey was founded in the 7th century and became a religious centre; the building was rebuilt in the 12th and 16th centuries. In the 17th century, claims were made for the curative properties of water from the springs, and Bath became popular as a spa town in the Georgian era. ...
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Croydon
Croydon is a large town in south London, England, south of Charing Cross. Part of the London Borough of Croydon, a local government district of Greater London. It is one of the largest commercial districts in Greater London, with an extensive shopping district and night-time economy. The entire town had a population of 192,064 as of 2011, whilst the wider borough had a population of 384,837. Historically an ancient parish in the Wallington hundred of Surrey, at the time of the Norman conquest of England Croydon had a church, a mill, and around 365 inhabitants, as recorded in the Domesday Book of 1086. Croydon expanded in the Middle Ages as a market town and a centre for charcoal production, leather tanning and brewing. The Surrey Iron Railway from Croydon to Wandsworth opened in 1803 and was an early public railway. Later 19th century railway building facilitated Croydon's growth as a commuter town for London. By the early 20th century, Croydon was an important industria ...
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