A Bigger Splash
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A Bigger Splash
''A Bigger Splash'' is a large pop art painting by British artist David Hockney. Measuring by , it depicts a swimming pool beside a modern house, disturbed by a large splash of water created by an unseen figure who has apparently just jumped in from a diving board. It was painted in California between April and June 1967, when Hockney was teaching at the University of California, Berkeley. Jack Hazan's fictionalised 1973 biopic, '' A Bigger Splash'', concentrating on the breakup of Hockney's relationship with Peter Schlesinger, was named after the painting. Luca Guadagnino's 2015 film '' A Bigger Splash'' (a loose remake of '' La Piscine'') was also named after the painting. Description ''A Bigger Splash'' shows a typical California day – warm and sunny, with a cloudless blue sky. In the background, two palm trees loom over a large single-story house, with flat roof and large sliding glass doors, in front of which an empty director's chair with thin crossed legs stand ...
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A Bigger Splash (2015 Film)
''A Bigger Splash'' is a 2015 psychological drama film directed by Luca Guadagnino and with a screenplay by David Kajganich from a story by Alain Page. Starring Tilda Swinton, Matthias Schoenaerts, Ralph Fiennes, and Dakota Johnson, the film is loosely based on the 1969 Jacques Deray film '' La Piscine'' and named after the 1967 David Hockney painting of the same name. It is the second instalment in Guadagnino's self-described ''Desire'' trilogy, following '' I Am Love'' (2009) and preceding ''Call Me by Your Name'' (2017). It competed for the Golden Lion at the 72nd Venice International Film Festival. Plot In an isolated villa on the small Italian island of Pantelleria, world-famous rock singer Marianne Lane is on holiday with her filmmaker lover Paul De Smedt. She is recovering from surgery and has lost her voice, communicating only by signs and occasional whispers. He is in recovery from alcohol addiction and a suicide attempt. Neither speaks Italian and their togetherness i ...
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David Hockney
David Hockney (born 9 July 1937) is an English painter, draftsman, printmaker, stage designer, and photographer. As an important contributor to the pop art movement of the 1960s, he is considered one of the most influential British artists of the 20th century.J. Paul Getty MuseumDavid Hockney. Retrieved 13 September 2008. Hockney has owned residences and studios in Bridlington, and London, as well as two residences in California, where he has lived intermittently since 1964: one in the Hollywood Hills, one in Malibu, and an office and archives on Santa Monica Boulevard in West Hollywood, California. On 15 November 2018, Hockney's 1972 work ''Portrait of an Artist (Pool with Two Figures)'' sold at Christie's auction house in New York City for $90 million (£70 million), becoming the most expensive artwork by a living artist sold at auction. This broke the previous record, set by the 2013 sale of Jeff Koons' ''Balloon Dog (Orange)'' for $58.4 million. Hockney held this recor ...
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The Splash
''The Splash'' is a 1966 pop art painting by the British artist David Hockney. It depicts a swimming pool beside a pavilion, disturbed by a splash of water created by an unseen figure who has apparently just jumped in from a diving board. It is made in acrylic on a square canvas, and is titled, signed and dated 1966 on the reverse. It is one of three connected works painted in 1966 and 1967: the others are ''A Little Splash'' (1966, private collection), and ''A Bigger Splash'' (1967, Tate Britain, London). Hockney first visited Los Angeles in 1964. Entranced by the landscape, light and lifestyle, and in particular the blue swimming pools, he moved to California in 1966. ''The Splash'' is the second in a sequence of three paintings of similar scenes made by Hockney in late 1966 and early 1967. Hockney worked up from the small ''The Little Splash'' through the midsized ''The Splash'', both made in Los Angeles in 1966, to the largest, ''A Bigger Splash'', approximately ...
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Titanium White
Titanium dioxide, also known as titanium(IV) oxide or titania , is the inorganic compound with the chemical formula . When used as a pigment, it is called titanium white, Pigment White 6 (PW6), or CI 77891. It is a white solid that is insoluble to water, although mineral forms can appear black. As a pigment, it has a wide range of applications, including paint, sunscreen, and food coloring. When used as a food coloring, it has E number E171. World production in 2014 exceeded 9 million tonnes. It has been estimated that titanium dioxide is used in two-thirds of all pigments, and pigments based on the oxide have been valued at a price of $13.2 billion. Structure In all three of its main dioxides, titanium exhibits octahedral geometry, being bonded to six oxide anions. The oxides in turn are bonded to three Ti centers. The overall crystal structure of rutile is tetragonal in symmetry whereas anatase and brookite are orthorhombic. The oxygen substructures are all slight distorti ...
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Hooker's Green
Varieties of the color green may differ in hue, chroma (also called saturation or intensity) or lightness (or value, tone, or brightness), or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a green or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below. Computer web color greens Green The color defined as ''green'' in the RGB color model is the brightest green that can be reproduced on a computer screen, and is the color named ''green'' in X11. It is one of the three primary colors used in the RGB color space along with red and blue. The three additive primaries in the RGB color system are the three colors of light chosen such as to provide the maximum range of colors that are capable of being represented on a computer or television set. This color is also called ''regular green''. It is at precisely 120 degrees on the HSV color wheel, also known as ...
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Raw Umber
Umber is a natural brown earth pigment that contains iron oxide and manganese oxide. In its natural form, it is called raw umber. When calcined, the color becomes warmer and it becomes known as burnt umber. Its name derives from ''terra d'ombra'', or earth of Umbria, the Italian name of the pigment. Umbria is a mountainous region in central Italy where the pigment was originally extracted. The word also may be related to the Latin word ''umbra'', meaning "shadow". Umber is not one precise color, but a range of different colors, from medium to dark in value, from greenish to reddish in hue. The color of the natural earth depends primarily upon the proportions of iron oxide and manganese in the clay. Umber earth pigments contain between five and twenty percent manganese oxide, which accounts for their being a darker and less saturated color than the related earth pigment, sienna. Commercial umber pigments vary in color depending on their origin and how they are processed. Not all ...
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Burnt Sienna
Sienna (from it, terra di Siena, meaning "Siena earth") is an earth pigment containing iron oxide and manganese oxide. In its natural state, it is yellowish brown and is called raw sienna. When heated, it becomes a reddish brown and is called burnt sienna.''Shorter Oxford English Dictionary'', 5th Edition (2002) It takes its name from the city-state of Siena, where it was produced during the Renaissance. Along with ochre and umber, it was one of the first pigments to be used by humans, and is found in many cave paintings. Since the Renaissance, it has been one of the brown pigments most widely used by artists. The first recorded use of ''sienna'' as a color name in English was in 1760. The normalized color coordinates for sienna are identical to kobe, first recorded as a color name in English in 1924. Earth colors Like the other earth colors, such as yellow ochre and umber, sienna is a clay containing iron oxide, called limonite, which in its natural state has a yellowis ...
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Sienna
Sienna (from it, terra di Siena, meaning "Siena earth") is an earth pigment containing iron oxide and manganese oxide. In its natural state, it is yellowish brown and is called raw sienna. When heated, it becomes a reddish brown and is called burnt sienna.''Shorter Oxford English Dictionary'', 5th Edition (2002) It takes its name from the city-state of Siena, where it was produced during the Renaissance. Along with ochre and umber, it was one of the first pigments to be used by humans, and is found in many cave paintings. Since the Renaissance, it has been one of the brown pigments most widely used by artists. The first recorded use of ''sienna'' as a color name in English was in 1760. The normalized color coordinates for sienna are identical to kobe, first recorded as a color name in English in 1924. Earth colors Like the other earth colors, such as yellow ochre and umber, sienna is a clay containing iron oxide, called limonite, which in its natural state has a yellow ...
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Ultramarine Blue
Ultramarine is a deep blue color pigment which was originally made by grinding lapis lazuli into a powder. The name comes from the Latin ''ultramarinus'', literally 'beyond the sea', because the pigment was imported into Europe from mines in Afghanistan by Italians, Italian traders during the 14th century, 14th and 15th century, 15th centuries. Ultramarine was the finest and most expensive blue used by Renaissance painters. It was often used for the robes of the Virgin Mary and symbolized holiness and humility. It remained an extremely expensive pigment until a synthetic ultramarine was invented in 1826. Structure The pigment consists primarily of a zeolite-based mineral containing small amounts of polysulfides. It occurs in nature as a proximate component of lapis lazuli containing a blue cubic mineral called lazurite. In the Colour Index International, the pigment of ultramarine is identified as P. Blue 29 77007. The major component of lazurite is a complex sulfur-containin ...
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Cobalt Blue
Cobalt blue is a blue pigment made by sintering cobalt(II) oxide with aluminum(III) oxide (alumina) at 1200 °C. Chemically, cobalt blue pigment is cobalt(II) oxide-aluminium oxide, or cobalt(II) aluminate, CoAl2O4. Cobalt blue is lighter and less intense than the (iron-cyanide based) pigment Prussian blue. It is extremely stable and historically has been used as a coloring agent in ceramics (especially Chinese porcelain), jewelry, and paint. Transparent glasses are tinted with the silica-based cobalt pigment smalt. Historical uses and production Cobalt blue in impure forms had long been used in Chinese porcelain. The first recorded use of ''cobalt blue'' as a color name in English was in 1777. It was independently discovered as a pure alumina-based pigment by Louis Jacques Thénard in 1802. Commercial production began in France in 1807. The leading world manufacturer of cobalt blue in the nineteenth century was Benjamin Wegner's Norwegian company Blaafarveværket ("blue c ...
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Underdrawing
Underdrawing is a preparatory drawing done on a painting ground before paint is applied, for example, an imprimatura or an underpainting. Underdrawing was used extensively by 15th century painters like Jan van Eyck and Rogier van der Weyden. These artists "underdrew" with a brush, using hatching strokes for shading, using water-based black paint, before underpainting and overpainting with oils. Cennino D'Andrea Cennini (14th century most likely) describes a different type of underdrawing, made with graded tones rather than hatching, for egg tempera. In some cases, underdrawing can be clearly visualized using infrared reflectography because carbon black pigments absorb infrared light, whereas opaque pigments such as lead white are transparent with infrared light. Underdrawing in many works, for example, the ''Annunciation'' (van Eyck, Washington) or the ''Arnolfini Portrait'', reveals that artists made alterations, sometimes radical ones, to their compositions. The underdrawing ...
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