Azul (Los Piojos Album)
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Azul (Los Piojos Album)
''Azul'' (Blue) is the fourth album by Argentine rock band Los Piojos, recorded at Del Cielito Records studio and released in 1998. This work mixes candombe and murga with the traditional rhythms used by the band and was presented live in Parque Sarmiento and at the All Boys stadium. Reception The AllMusic review by Victor W. Valdivia awarded the album 4 stars stating "Los Piojos are amazingly eclectic in their approach to music... they incorporate reggae and Caribbean rhythms, but they also show an influence of classic rock and alternative. That's not to say that they don't explore their Latin roots on various instances... The lyrics are also wide-ranging, veering from nakedly revealing self-portraits to Michael Stipe-like inscrutability. As diverse as the album gets, though, nothing ever feels forced or contrived. Azul is the only one of Los Piojos' four albums available in the U.S, but it is a superb introduction to their talent and may inspire listeners to seek out their earlie ...
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Los Piojos
Los Piojos were an Argentine rock band. Extremely popular, it became one of the seminal bands of the 1990s Argentine music scene. Unlike most suburban outfits, however, their style evolved significantly with each successive album, not only developing a unique style for the band but also incorporating elements of murga, candombe, and tango to an electric guitar base. This plus frontman Ciro's songwriting has made them one of the most popular bands in modern Argentine rock, with a strong following across Latin America and Europe, unusual for a band in their subgenre of Argentine rock. History The band's origins can be traced to 1988 when a bunch of friends from different cities decided to try playing music. They began doing so in the pubs of the western suburbs of Buenos Aires, a similar beginning as many other suburban rock bands. In 1991, they headed to Europe to participate in an anti-racist music festival in France, where they played with groups from Mali, Burkina Faso, Cuba ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ...
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Candombe
''Candombe'' is a style of music and dance that originated in Uruguay among the descendants of liberated African slaves. In 2009, the United Nations Educational, Scientific and Cultural Organization (UNESCO) inscribed ''candombe'' in its Representative List of the Intangible Cultural Heritage of Humanity. To a lesser extent, ''candombe'' is practiced in Argentina, Paraguay, and Brazil. In Argentina, it can be found in Buenos Aires, Santa Fe, Paraná, and Corrientes. In Paraguay, this tradition continues in Camba Cuá and in Fernando de la Mora near Asunción. In Brazil, ''candombe'' retains its religious character and can be found in the state of Minas Gerais. This Uruguayan music style is based on three different drums: chico, repique, and piano drums. It is usually played in February during carnival in Montevideo at dance parades called ''llamadas'' and ''desfile inaugural del carnaval''. Origins Common origins According to George Reid Andrews, a historian of blac ...
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Alfredo Toth
Alfredo (, ) is a cognate of the Anglo-Saxon name Alfred and a common Italian, Galician, Portuguese and Spanish language personal name. People with the given name include: *Alfredo (born 1946), Brazilian footballer born as Alfredo Mostarda Filho *Alfredo II (1920–1997), Brazilian footballer born as Alfredo Ramos dos Santos *Albee Benitez (born 1966), Filipino-American businessman and politician born as Alfredo Benitez *Aldo Sambrell, a European actor also known as Alfredo Sanchez Brell *Alfredo (album), an album by Freddie Gibbs and the Alchemist * Alfredo Ábalos (born 1986), Argentine footballer *Alfredo Aceves (born 1982), Mexican baseball player *Alfredo Aglietti (born 1970), Italian footballer and manager *Alfredo Aguilar (born 1988), Paraguayan goaltender *Alfredo Armas Alfonzo (1921–1990), Venezuelan writer *Alfredo Alonso, Cuban-born media executive with Clear Channel Radio *Alfredo Álvarez Calderón (1918–2001), Peruvian diver *Alfredo Amézaga (born 1978), Mexican ...
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3er Arco
''3er arco'' (3rd arch) is the third album by Argentine rock band Los Piojos. Recorded and mixed between June and July in 1996 at Del Cielito Records. It was officially presented at the Arpegios Theatre. Two concerts at the Estadio Obras in September, two concerts at the Microestadio de Ferro in November and three more concerts at the Estadio Obras in December. It is included in "The 100 best argentine rock albums" as listed on the Rolling Stone magazine. Reception The Allmusic review by Stephen Thomas Erlewine awarded the album 4 stars stating "3er Arco finds the Argentinean band Los Piojos -- composed of Daniel "Piti" Fernandez, Daniel Buira, Miguel Angel "Micky" Rodriguez, Gustavo Kupinski and Andres Ciro Martinez—at the peak of their form, turning out an imaginative fusion of Latin rhythms and hard rock. It's their finest moment to date and the best way to become acquainted with the band. ".Erlewine, S.Allmusic Reviewaccessed February 1, 2011 Track listing # "Esquina Lib ...
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Ritual (Los Piojos Album)
''Ritual'' (Ritual) is the fifth album by Argentine rock band Los Piojos, released in 1999. Track listing # Olvidate (ya ves) orget it (you see)# Chactuchac hac tu chac# Desde lejos no se ve ou can't see from far# Ay ay ay y ay ay# Angelito ittle angel# Agua ater# Arco rch RCH may stand for: * Radio Club de Honduras, an amateur radio organization * Railway Clearing House, the British financial clearing house and technical standards bureau for railways * The Royal Canadian Hussars (Montreal), a unit of the Canadian F ...# Tan solo o lonely# Intro Maradó aradó intro# Maradó aradó# Ando ganas (Llora llora) 'm looking forward to (cry cry)# Cruel ruel# Todo pasa verything happens# Around & Around/ Zapatos de gamuza azul round & Around/Blue suede shoes# It's Only Rock & Roll t's Only Rock & Roll External links ''Ritual'' on Rock.com.ar {{DEFAULTSORT:Ritual 1999 live albums Los Piojos albums Live albums recorded in Buenos Aires ...
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Argentine
Argentines (mistakenly translated Argentineans in the past; in Spanish (masculine) or (feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immigr ...
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Candombe
''Candombe'' is a style of music and dance that originated in Uruguay among the descendants of liberated African slaves. In 2009, the United Nations Educational, Scientific and Cultural Organization (UNESCO) inscribed ''candombe'' in its Representative List of the Intangible Cultural Heritage of Humanity. To a lesser extent, ''candombe'' is practiced in Argentina, Paraguay, and Brazil. In Argentina, it can be found in Buenos Aires, Santa Fe, Paraná, and Corrientes. In Paraguay, this tradition continues in Camba Cuá and in Fernando de la Mora near Asunción. In Brazil, ''candombe'' retains its religious character and can be found in the state of Minas Gerais. This Uruguayan music style is based on three different drums: chico, repique, and piano drums. It is usually played in February during carnival in Montevideo at dance parades called ''llamadas'' and ''desfile inaugural del carnaval''. Origins Common origins According to George Reid Andrews, a historian of blac ...
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Murga
Murga is a form of popular musical theatre performed in Montevideo, Uruguay, Panama, Argentina and Badajoz, Spain during the Carnival season. Murga groups also operate in the Buenos Aires Carnival, though to a lesser extent than in Montevideo; the Argentinian murga is more centred on dancing and less on vocals than the Uruguayan one. Uruguayan murga has a counterpart in Cadiz, Spain from which it is derived, the chirigota, but over time the two have diverged into distinct forms. A murga performance features up to 17 performers, usually men. In the period preceding Carnival, which takes place from late January to early March in Uruguay, each group will prepare a musical play consisting of a suite of songs and recitative (heightened speech) lasting around 45 minutes. This suite will be performed on community stages known as ''tablados'', set up in Montevideo's various neighbourhoods, throughout the Carnival period. Groups also vie against one another in a prestigious official co ...
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Parque Sarmiento
Parque is the Galician, Portuguese and Spanish word for "park", and may refer to: * Parque (TransMilenio), a metro station in Bogotá, Colombia * Parque (Lisbon Metro), in Portugal * Parque (Santurce), a subbarrio in San Juan, Puerto Rico * Jim Parque, a baseball player See also

* Parquetry, a type of flooring * Park (other) * * {{dab, surname ...
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