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Avanibhajana Pallaveshwaram Temple
Avanibhajana Pallaveshwaram temple also called Stambeswarar Temple is a Hindu temple dedicated to Shiva, located in the town of Seeyamangalam, Tiruvannamalai district in Tamil Nadu, India. The temple is constructed in Rock-cut architecture by the Pallava king Mahendravarman I (600-630 CE) during the 7th century. The cave temple had later additions from the Chola and Vijayanagar Empire. One of the pillars has a sculpture of Nataraja, believed to be the earliest representation of the deity in South India. The temple has a small three-tiered ''rajagopuram'', the entrance tower. The temple is declared as a heritage monument and administered by the Archaeological Survey of India as a protected monument. The other side of the hillock houses the Jain beds established in the 9th century during the reign of Ganga King Rajamalla II. History Stambeswarar temple was built during the reign of Pallava king Mahendravarman I (600-630 CE) during the 8th century. It is one of the earliest represe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamil Nadu
Tamil Nadu (; , TN) is a States and union territories of India, state in southern India. It is the List of states and union territories of India by area, tenth largest Indian state by area and the List of states and union territories of India by population, sixth largest by population. Its capital and largest city is Chennai. Tamil Nadu is the home of the Tamil people, whose Tamil language—one of the longest surviving Classical languages of India, classical languages in the world—is widely spoken in the state and serves as its official language. The state lies in the southernmost part of the Indian peninsula, and is bordered by the Indian union territory of Puducherry (union territory), Puducherry and the states of Kerala, Karnataka, and Andhra Pradesh, as well as an international maritime border with Sri Lanka. It is bounded by the Western Ghats in the west, the Eastern Ghats in the north, the Bay of Bengal in the east, the Gulf of Mannar and Palk Strait to the south-eas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puja (Hinduism)
''Puja'' ( sa, पूजा, pūjā, translit-std=IAST) is a worship ritual performed by Hindus, Buddhists and Jains to offer devotional homage and prayer to one or more deities, to host and honor a guest, or to spiritually celebrate an event. It may honor or celebrate the presence of special guests, or their memories after they die. The word ''pūjā'' is Sanskrit, and means reverence, honor, homage, adoration, and worship.पूजा ''Sanskrit Dictionary'', Germany (2009) Puja, the loving offering of light, flowers, and water or food to the divine, is the essential ritual of Hinduism. For the worshipper, the divine is visible in the image, and the divinity sees the worshipper. The interaction between human and deity, between |
Natya Sastra
The ''Nāṭya Śāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seeyamangalam Natarajar
Seeyamangalam is a small village in Vandavasi taluk in Tiruvannamalai district in the Indian state of Tamil Nadu. The major occupation of the people living at this place is agriculture. , it had a population of 1665. The place is known for the Avanibhajana Pallaveshwaram temple. Etymology The name "Seeyamangalam" might have evolved from the older name of this village "Simhavishnu Chathurvedhi mangalam" ( ta, சிம்ம விஷ்ணு சதுர்வேதிமங்கலம்) named after the Pallava king, Simhavishnu, father of Mahendravarman. Another possibility is that it might have derived from the name "Simhamangalam" ( ta, சிம்மமங்கலம்) named after Pallava king Narasimhavarman I. Location Seeyamangalam is located southwest of Vandavasi, southeast of Chettupattu and northeast of district headquarters Tiruvannamalai. Transportation From Vandavasi, town buses No:144, to Gingee and No: W2 to Magamaai Thirumeni go through Seeyamang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miruthangam
The mridangam is a percussion instrument of ancient origin. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗt'' (clay or earth) and ''anga'' (limb), as the earliest versions of the instrument were made of hardened clay. Legend In ancient Hindu sculpture, painting, and mythology, the mridangam is often depicted as the instrument of choice for a number of deities including Ganesha (the remover of obstacles) and Nandi, who is the vehicle and follower of Shiva. Nandi is said to have played the mridangam during Shiva's primordial ''tandava'' dance, causing a divine rhythm to resound across the hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nataraja
Nataraja () also known as Adalvallaan () is a depiction of the Hindu god Shiva as the divine cosmic dancer. His dance is called Tandava.''Encyclopædia Britannica'' (2015) The pose and artwork are described in many Hindu texts such as the ''Tevaram'', ''Thiruvasagam'' in Tamil and ''Anshumadbhed agama'' and ''Uttarakamika agama'' in Sanskrit and Grantha texts, the dance murti featured in all major Hindu temples of Shaivism, and is a well-known sculptural symbol in India and popularly used as a symbol of Indian culture, in particular as one of the finest illustrations of Hindu art. He is commonly referred as Koothan(), Sabesan() and Ambalavanan () in various Tamil texts. The sculpture is symbolic of Shiva as the lord of dance and dramatic arts, with its style and proportions made according to Hindu texts on arts. Tamil Devotional texts such as Tirumurai (The twelve books of Southern Shaivism) speaks that Nataraja is the form of Shiva in which he does Creation, destruction, Pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lingam
A lingam ( sa, लिङ्ग , lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or aniconic representation of the Hindu god Shiva in Shaivism. It is typically the primary ''murti'' or devotional image in Hindu temples dedicated to Shiva, also found in smaller shrines, or as self-manifested natural objects. It is often represented within a disc-shaped platform, the ''yoni'' – its feminine counterpart, consisting of a flat element, horizontal compared to the vertical lingam, and designed to allow liquid offerings to drain away for collection. Together, they symbolize the merging of microcosmos and macrocosmos, the divine eternal process of creation and regeneration, and the union of the feminine and the masculine that recreates all of existence. The original meaning of ''lingam'' as "sign" is used in Shvetashvatara Upanishad, which says "Shiva, the Supreme Lord, has no liūga", liuga ( sa, लिऊग ) meaning he is transcen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dvarapalas
A Dvarapala or Dvarapalaka (Sanskrit, "door guard"; IAST: ' ) is a door or gate guardian often portrayed as a warrior or fearsome giant, usually armed with a weapon - the most common being the ''gada'' (mace). The dvarapala statue is a widespread architectural element throughout Hindu, Buddhist and Jaina cultures, as well as in areas influenced by them like Java. Names In most Southeast Asian languages (including Thai, Burmese, Vietnamese, Khmer and Javanese), these protective figures are referred to as ''dvarapala''. Sanskrit ''dvāra'' means "gate" or "door", and ''pāla'' means "guard" or "protector". The related name in Indonesian and Malaysia is ''dwarapala''. Equivalent door guardians in northern Asian languages are ''Kongōrikishi'' or ''Niō'' in Japanese, ''Heng Ha Er Jiang'' in Chinese, and ''Narayeongeumgang'' in Korean. Origin and forms Dvarapalas as an architectural feature have their origin in tutelary deities, like Yaksha and warrior figures, such as Ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nandi (bull)
Nandi ( sa, नन्दि), also known as Nandikeshwara or Nandideva, is the bull vahana of the Hindu god Shiva. He is also the guardian deity of Kailash, the abode of Shiva. Almost all Shiva temples display stone-images of a seated Nandi, generally facing the main shrine. According to Saivite siddhantic tradition, he is considered as the chief guru of eight disciples of Nandinatha Sampradaya, namely, Sanaka, Sanatana, Sanandana, Sanatkumara, Tirumular, Vyagrapada, Patanjali, and Sivayoga Muni, who were sent in eight different directions, to spread the wisdom. The Cham Hindus of Vietnam believes that when they die, the Nandi will come and take their soul to the holy land of India from Vietnam. The Sanskrit word nandi ( sa, नन्दि) has the meaning of happy, joy, and satisfaction, the properties of divine guardian of Shiva- Nandi. It is recently documented, that the application of the name Nandi to the bull (Sanskrit: ''Vṛṣabha''), is in fact a development of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dvarapala
A Dvarapala or Dvarapalaka (Sanskrit, "door guard"; IAST: ' ) is a door or gate guardian often portrayed as a warrior or fearsome giant, usually armed with a weapon - the most common being the ''gada'' (mace). The dvarapala statue is a widespread architectural element throughout Hindu, Buddhist and Jaina cultures, as well as in areas influenced by them like Java. Names In most Southeast Asian languages (including Thai, Burmese, Vietnamese, Khmer and Javanese), these protective figures are referred to as ''dvarapala''. Sanskrit ''dvāra'' means "gate" or "door", and ''pāla'' means "guard" or "protector". The related name in Indonesian and Malaysia is ''dwarapala''. Equivalent door guardians in northern Asian languages are ''Kongōrikishi'' or ''Niō'' in Japanese, ''Heng Ha Er Jiang'' in Chinese, and ''Narayeongeumgang'' in Korean. Origin and forms Dvarapalas as an architectural feature have their origin in tutelary deities, like Yaksha and warrior figures, such as A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiruchirapalli Rock Fort
Tiruchirappalli Rockfort, locally known as Malaikottai, is a historic fortification and temple complex built on an ancient rock. It is located in the city of Tiruchirappalli, on the banks of river Kaveri, Tamil Nadu, India. It is constructed on an high rock.India By Sarina Singh, Joe Bindloss, Paul Clammer, Janine Eberle There are two Hindu temples inside, the Ucchi Pillayar Temple, Rockfort and the Thayumanaswami Temple, Rockfort. Other local tourist attractions include the famous Pallava-era Ganesha temple and the Madurai Nayak-era fort. The fort complex has witnessed fierce battles between the Madurai Nayakas and Adil Shahi dynasty of Bijapur, Carnatic region and Maratha Imperial forces. The fort played an important part during the Carnatic Wars, helping lay the foundations of the British Empire in India. The Rockfort is the most prominent landmark of the city. History The name "Rockfort" comes from frequent military fortification built here, first by the emperors of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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