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Audiovisualogy
The etymological meaning of the word audiovisualogy is linked, on the one hand, with the term audiovisual, referring to the means jointly related to the view and the hearing and, on the other hand, to the suffix logy, that refers to logos, and that in Greek means ''treaty, knowledge''. Therefore, audiovisualogy must be understood as a study of the audiovisual media that, due to its broad meaning, could be related to either the cinema, the television or any other art. It is also feasible to understand it as the means and art that combine fixed projected images (slides or digital support) in its ''montage'', accompanied by sounds of a different nature, therefore meaning a language different from the film, since it does not use the image in motion. Although it was known in France as diaporama (slideshow) in 1950, its current name of audiovisual art is truly accepted in many fields, such as in some institutions in the United Kingdom, like photo clubs and others with a high artistic l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jorge Luis Farjat
Jorge Luis Farjat (born 17 September 1950) is an Argentinian producer of audiovisual and literary works, mainly dedicated to his theory about the audiovisual art, which is understood to be the language aesthetics that combines fixed images (photography) with sound, specially music, in a whole organized by a montage and shown under the same conditions than the cinema ( movie theater or darkroom camera). His audiovisual works comprise several periods and amount to twenty-six productions of mean and long duration, mostly documentaries. His literary work includes seventeen books which belong to thAudiovisual Art and Memory Collection and which are about his audiovisual theory development, the immigration history, and philosophy, such as ''Migraciones y supervivencia (Migrations and survival. Main excerpts)'' or, art in general, such as ''La crisis y deshumanización del arte en el siglo XX. Su manifestación en la música'' The crisis and dehumanization of art in the 20th century: its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audiovisual
Audiovisual (AV) is electronic media possessing both a sound and a visual component, such as slide-tape presentations, films, television programs, corporate conferencing, church services, and live theater productions. Audiovisual service providers frequently offer web streaming, video conferencing, and live broadcast services. Computer-based audiovisual equipment is often used in education, with many schools and universities installing projection equipment and using interactive whiteboard technology. Components Aside from equipment installation, two significant elements of audiovisual are wiring and system control. If either of these components are faulty or missing, the system may not demonstrate optimal performance. Wiring is a skill that not only requires proper cable rating selection based on a number of factors, including distance to the main rack, frequency and fire codes, but wires should also be out of sight, behind the walls and in the ceiling, when possible. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
-logy
''-logy'' is a suffix in the English language, used with words originally adapted from Ancient Greek ending in ('). The earliest English examples were anglicizations of the French '' -logie'', which was in turn inherited from the Latin ''-logia''. The suffix became productive in English from the 18th century, allowing the formation of new terms with no Latin or Greek precedent. The English suffix has two separate main senses, reflecting two sources of the suffix in Greek: *a combining form used in the names of school or bodies of knowledge, e.g., '' theology'' (loaned from Latin in the 14th century) or '' sociology''. In words of the type '' theology'', the suffix is derived originally from (''-log-'') (a variant of , ''-leg-''), from the Greek verb (''legein'', 'to speak')."-logy." ''The Concise Oxford Dictionary of English Etymology''. Oxford University Press, 1986. retrieved 20 August 2008. The suffix has the sense of "the character or deportment of one who speaks or t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Logos
''Logos'' (, ; grc, λόγος, lógos, lit=word, discourse, or reason) is a term used in Western philosophy, psychology and rhetoric and refers to the appeal to reason that relies on logic or reason, inductive and deductive reasoning. Aristotle first systemised the usage of the word, making it one of the three principles of rhetoric. This specific use identifies the word closely to the structure and content of text itself. This specific usage has then been developed through the history of western philosophy and rhetoric. The word has also been used in different senses along with ''rhema''. Both Plato and Aristotle used the term ''logos'' along with ''rhema'' to refer to sentences and propositions. It is primarily in this sense the term is also found in religion. Background grc, λόγος, lógos, lit=word, discourse, or reason is related to grc, λέγω, légō, lit=I say, label=Ancient Greek which is cognate with la, Legus, lit=law. The word derives from a Prot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montage (filmmaking)
Montage (, ''mon-TAHJ'') is a film editing technique in which a series of short shots are sequenced to condense space, time, and information. The term has been used in various contexts. In French, the word "montage" applied to cinema simply denotes editing. In Soviet montage theory, as originally introduced outside the USSR by Sergei Eisenstein, it was used to create symbolism. Later, the term "montage sequence", used primarily by British and American studios, became the common technique to suggest the passage of time. A montage is a French term meaning “assembling shots” or “putting together.” It’s a film technique for putting together a series of short shots that create a composite picture. In simple terms we can say that montage is a series of separate images, moving or still, that are edited together to create a continuous sequence. Montages enable filmmakers to communicate a large amount of information to an audience over a shorter span of time by juxtaposing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athanasius Kircher
Athanasius Kircher (2 May 1602 – 27 November 1680) was a German Jesuit scholar and polymath who published around 40 major works, most notably in the fields of comparative religion, geology, and medicine. Kircher has been compared to fellow Jesuit Roger Joseph Boscovich and to Leonardo da Vinci for his enormous range of interests, and has been honoured with the title "Master of a Hundred Arts".Woods, p. 108. He taught for more than 40 years at the Roman College, where he set up a wunderkammer. A resurgence of interest in Kircher has occurred within the scholarly community in recent decades. Kircher claimed to have deciphered the hieroglyphic writing of the ancient Egyptian language, but most of his assumptions and translations in this field were later found to be incorrect. He did, however, correctly establish the link between the ancient Egyptian and the Coptic languages, and some commentators regard him as the founder of Egyptology. Kircher was also fascinated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Daguerre
Louis-Jacques-Mandé Daguerre ( , ; 18 November 1787 – 10 July 1851) was a French artist and photographer, recognized for his invention of the eponymous daguerreotype process of photography. He became known as one of the fathers of photography. Though he is most famous for his contributions to photography, he was also an accomplished painter, scenic designer, and a developer of the diorama theatre. Biography Louis Daguerre was born in Cormeilles-en-Parisis, Val-d'Oise, France. He was apprenticed in architecture, theatre design, and panoramic painting to Pierre Prévost, the first French panorama painter. Exceedingly adept at his skill of theatrical illusion, he became a celebrated designer for the theatre, and later came to invent the diorama, which opened in Paris in July 1822. In 1829, Daguerre partnered with Nicéphore Niépce, an inventor who had produced the world's first heliograph in 1822 and the oldest surviving camera photograph in 1826 or 1827. Niépce di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Marie Bouton
Charles Marie Bouton (16 May 1781 in Paris – 28 June 1853) was a French painter. He was a student of Jacques-Louis David, Jean-Victor Bertin and the first French panorama painter Pierre Prévost. He concentrated mostly on the perspective and the art of distributing light and was thus led to the invention of the Diorama, which he shares the honor with Jacques Daguerre. As a painter, he has reproduced happily ''Souterrains de Saint-Denis'', la cathédrale de Chartres, and an interior view of the church of Saint-Etienne-du-Mont. References Charles Marie Bouton (Wikipedia French) External links Charles Marie Boutonin Joconde Joconde is the central database created in 1975 and now available online, maintained by the French Ministry of Culture, for objects in the collections of the main French public and private museums listed as ''Musées de France'', according to ... database Sources * Pierre Defer, ''General Catalogue of auctions of paintings and pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diorama
A diorama is a replica of a scene, typically a three-dimensional full-size or miniature model, sometimes enclosed in a glass showcase for a museum. Dioramas are often built by hobbyists as part of related hobbies such as military vehicle modeling, miniature figure modeling, or aircraft modeling. In the United States around 1950 and onward, natural history dioramas in museums became less fashionable, leading to many being removed, dismantled or destroyed. Etymology The word "diorama" originated in 1823 as a type of picture-viewing device, from the French in 1822. The word literally means "through that which is seen", from the Greek di- "through" + orama "that which is seen, a sight". The diorama was invented by Louis Daguerre and Charles Marie Bouton, first exhibited in Paris in July 1822 and at The Diorama, Regent's Park on September 29, 1823. The meaning "small-scale replica of a scene, etc." is from 1902. Daguerre's and Bouton's diorama consisted of a piece of mate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
