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Atys (Piccinni)
''Atys'' is a tragédie lyrique in three acts by Niccolò Piccinni with a French libretto by Jean-François Marmontel. Marmontel's libretto was based upon Philippe Quinault's libretto for Jean-Baptiste Lully's 1676 opera of the same title. Quinault based his rendition on Ovid's ''Fasti''. Marmontel adapted Quinault's libretto and modified it by removing the prologue and divertissements. He also altered the plot; instead of using Ovid's metamorphic ending (which Quinault used), Atys commits suicide. Piccinni's opera was premiered by the Paris Opera at the second Salle du Palais-Royal on 22 February 1780. Musically the opera is admired for its fugal overture, the dream sequence in act 2, the long quartet at the dramatic climax, and the somber dirge with which it ends. In 1783 there was a second version of the opera produced by Piccinni and Marmontel. In order to satisfy the current trends in opera, they changed the ending to a ''lieto fine'', or happy ending, by rewriting entir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attis
Attis (; grc-gre, Ἄττις, also , , ) was the consort of Cybele, in Phrygian and Greek mythology. His priests were eunuchs, the ''Galli'', as explained by origin myths pertaining to Attis castrating himself. Attis was also a Phrygian vegetation deity. His self-mutilation, death, and resurrection represents the fruits of the earth, which die in winter only to rise again in the spring. According to Ovid's ''Metamorphoses'', Attis transformed himself into a pine tree. No connection to the god Atys Nineteenth century scholarship wrongly identified the god ''Attis'' with the similar-sounding name of the god ''Atys''. The ''name'' "Atys" is often seen in ancient Aegean cultures; it was mentioned by Herodotus, however Herodotus was describing Atys, the son of Croesus, a human in a historical account. The 19th century conflation of the man Atys's name with the mythology of the god he was presumably named after, "Atys the sun god, slain by the boar's tusk of winter", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korybantes
According to Greek mythology, the Korybantes or Corybantes (also Corybants) (; grc-gre, Κορύβαντες) were the armed and crested dancers who worshipped the Phrygian goddess Cybele with drumming and dancing. They are also called the ''Kurbantes'' in Phrygia. Etymology The name ''Korybantes'' is of uncertain etymology. Edzard Johan Furnée and R. S. P. Beekes have suggested a Pre-Greek origin. Others refer the name to *κορυβή (''korybé''), the Macedonian version of κορυφή (''koryphé'') "crown, top, mountain peak", explaining their association with mountains, particularly Olympus. Family The Korybantes were the offspring of Apollo and the Muse Thalia or Rhytia (Rhetia).Strabo, ''Geographica'10.3.19 One account attests the parentage to Zeus and the Muse Calliope, or of Helios and Athena, or lastly, of Cronus. Cretan counterparts The Kuretes or Kouretes () (see ''Ecstatics'' below) were nine dancers who venerated Rhea, the Cretan counterpart of Cybele. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Lays
François Lay, better known under the stage name Lays (14 February 1758 – 30 March 1831), was a French baritone and tenor opera singer. Originally destined for a career in the church, Lays was recruited by the Paris Opéra in 1779. He soon became a leading member of the company, in spite of quarrels with the management. Lays enthusiastically welcomed the French Revolution and became involved in politics with the encouragement of his friend Bertrand Barère. Barère's downfall led to Lays being imprisoned briefly, but he soon won back the public and secured the patronage of Napoleon, at whose coronation and second wedding he sang. This association with the Emperor caused him trouble when the Bourbon monarchy was restored and Lays's final years were darkened by disputes over his pension, mounting debts, the death of his only son and his wife's illness. After a career spanning more than four decades, he died in poverty. Lays was famous for the beauty of his voice. One of the Op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morpheus
Morpheus ('Fashioner', derived from the grc, μορφή meaning 'form, shape') is a god associated with sleep and dreams. In Ovid's ''Metamorphoses'' he is the son of Somnus and appears in dreams in human form. From the Middle Ages, the name began to stand more generally for the god of dreams, or of sleep. Ovid In Ovid's ''Metamorphoses'', Morpheus is one of the thousand sons of Somnus (Sleep). His name derives from the Greek word for form (μορφή), and his function was to appear in dreams in human guise. According to Ovid "no other is more skilled than he in representing the gait, the features, and the speech of men; the clothing also and the accustomed words of each he represents." Like other gods associated with sleep, Ovid makes Morpheus winged. Ovid called Morpheus and his brothers, the other sons of Somnus, the ''Somnia'' ("dream shapes"), saying that they appear in dreams "mimicking many forms". Ovid gives names to two more of these sons of Sleep. One called Icelos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étienne Lainez
Étienne Lainez (or Lainé, Laînez) (23 May 1753 – 15 September 1822) was a French operatic tenor, and leading figure at the Paris Opera for over thirty years. In the course of his career there he created many tenor roles including Rodrigue in Sacchini's '' Chimène'', Énée in Piccinni's '' Didon'', Narcisse in Gluck's ''Echo et Narcisse'', and Licinius in Spontini's ''La vestale''. Lainez was born in Vaugirard in Paris, and died in Paris as well. After his retirement from the stage, he taught lyric declamation at the Paris Conservatoire The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue .... References French operatic tenors 1753 births 1822 deaths 18th-century French male opera singers 19th-century French male opera singers Singers from Paris {{France-opera-s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Larrivée
Henri Larrivée (9 January 1737 – 7 August 1802) was a French opera singer. He was born in Lyon. His voice range was ''basse-taille'' (equivalent to baritone).Dratwicki, p. 85 According to Fétis, Larrivée was working as an apprentice to a wigmaker when the head of the Paris Opéra, Rebel, noticed his talent for singing and hired him as a chorus member. He made his first solo appearance as a high priest in a 1755 revival of Rameau's ''Castor et Pollux''. He was particularly associated with the works of Christoph Willibald Gluck, helping Gluck establish his "reform operas" in France. He found Gluck's rival, Niccolò Piccinni, less congenial but still worked with him on the premieres of operas including '' Roland'' (1778).Rushton p. 269 After already getting a pension in 1779, he retired from the ''Académie Royale de Musique'' in 1786 and devoted most of the time he had left to live to tour around with his two daughters, Camille (later known as Mme Delaval) and Henriette, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrygia
In classical antiquity, Phrygia ( ; grc, Φρυγία, ''Phrygía'' ) was a kingdom in the west central part of Anatolia, in what is now Asian Turkey, centered on the Sangarios River. After its conquest, it became a region of the great empires of the time. Stories of the heroic age of Greek mythology tell of several legendary Phrygian kings: * Gordias, whose Gordian Knot would later be cut by Alexander the Great * Midas, who turned whatever he touched to gold * Mygdon, who warred with the Amazons According to Homer's ''Iliad'', the Phrygians participated in the Trojan War as close allies of the Trojans, fighting against the Achaeans. Phrygian power reached its peak in the late 8th century BC under another, historical, king Midas, who dominated most of western and central Anatolia and rivaled Assyria and Urartu for power in eastern Anatolia. This later Midas was, however, also the last independent king of Phrygia before Cimmerians sacked the Phrygian capital, Go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
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