Arsène De Cey
Arsène de Cey, real name François-Arsène Chaise de Cahagne (2 March 1806 - 20 November 1887) was a French playwright and novelist. A civil servant at the Ministry of Public Works (1858), his Play (theatre), plays were performed on the most important Parisian stages of the 19th century: Théâtre du Gymnase Marie Bell, Théâtre du Gymnase dramatique, Théâtre du Vaudeville, Théâtre de la Gaîté (boulevard du Temple), Théâtre de la Gaîté etc. Works Novels *1833 : ''La Fille du curé'', roman de mœurs *1833 : ''Jean le bon apôtre'', roman de mœurs *1835 : ''Sagesse, ou la Vie d'étudiant'', roman, 4 vols. *1836 : ''La Jolie Fille de Paris'', 4 vols. *1836 : ''Le Premier Pas'', roman Theatre *1837 : ''Vingt ans après'', comedy in 1 act, mixed with distincts, with Paul Duport *1842 : ''Quand on n'a rien à faire'', comedy-vaudeville in 2 acts, with Lockroy *1848 : ''Le Grand-papa Guérin'', comedy-vaudeville in 2 acts, with Laurencin *1840 : ''Les Caprices'', co ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thiers, Puy-de-Dôme
Thiers (; Auvergnat: ''Tièrn'') is a commune in the Puy-de-Dôme department of Auvergne in central France. With Ambert, Issoire and Riom, it is one of the department's four sub-prefectures. The district of Thiers consists of forty-three municipalities in six cantons. Its inhabitants are known as Thiernois or Bitords. Thiers is a major historical centre of knife manufacturing, with about one hundred companies and a cutlery museum; seventy percent of French pocketknives, kitchen and table knives are manufactured in Thiers. The knowledge and craft of the Thiernois cutlers are over seven centuries old, and many of the old watermills that were used to manufacture Thiernois knives can still be seen in the Vallée des Rouets. The city extends over on a rocky spur overhanging the nearby mountains and the villages. It is divided into two sections: the lower city (home to many hypermarkets) and the upper, medieval city. Overview Neighborhoods Thiers is on the steep hills overlooking ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Léon Halévy
Léon Halévy (4 January 1802 – 2 September 1883) was a French civil servant, historian, and dramatist. Early life Born to a Jewish family in Paris, Léon was the son of the writer and chazzan Élie Halévy and the younger brother of the composer Jacques François Fromenthal Halévy. He was educated at the Lycée Charlemagne. Career Halévy became a disciple and collaborator of Saint-Simon, aiding in the foundation of his journal, ''Le Producteur,'' and writing the introduction to his work, ''Opinions Littéraires, Philosophiques et Industrielles,'' in which Olinde Rodrigues and Étienne-Martin Bailly also assisted. In 1828 he wrote a ''History of the Jews in Modern Times'', one of the earliest works on this topic. In 1831, Halévy became an assistant professor of French literature at the Ecole Polytechnique, where there was some discrimination against Jews. However he abandoned the position three years later. In 1837, Halévy was attached to the Ministry of Public In ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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People From Thiers
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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19th-century French Novelists
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the la ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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19th-century French Dramatists And Playwrights
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the la ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Louis Gustave Vapereau
Louis Gustave Vapereau (4 April 1819 – 18 April 1906) was a French writer and lexicographer famous primarily for his dictionaries, the ''Dictionnaire universel des contemporains'' and the ''Dictionnaire universel des littérateurs''. Biography Born in Orléans, Louis Gustave Vapereau studied philosophy at the ''École Normale Supérieure'' from 1838 to 1843, writing his thesis on Pascal's ''Pensées'' under the supervision of Victor Cousin. He taught philosophy at Tours until the establishment of the Second French Empire in 1852, when his republican principles cost him his position. Vapereau returned to Paris to study law, and in 1854 joined the French bar. He did not engage in any legal practice and returned to writing shortly afterwards. In 1858, he published the ''Dictionnaire universel des contemporains'' and from 1859 to 1869 he edited the ''L'Année littéraire et dramatique''. After the collapse of the Empire, Vapereau was appointed prefect of Cantal on 14 September ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gustave Harmant
Gustave Dardoize (18 April 1824 – 18 November 1864), known as Gustave Harmant, was a 19th-century French playwright from Paris. Harmant was managing director of the Théâtre de la Gaité and later of the Théâtre du Vaudeville (1864-1865). His plays were presented on the most important Parisian stages of his time: Théâtre du Vaudeville, Théâtre du Palais-Royal, Théâtre de l'Odéon etc. Plays *1852 : ''L'Original et la Copie'', comedy in 1 act and in verses, with Armand-Numa Jautard *1852 : ''Le Parapluie de Damoclès'', comedy in 2 acts mingled with couplets, with Charles Varin and Ernest Lehmann *1854 : ''Une partie de cache-cache'', comédie en vaudevilles in 2 acts, with Lehmann *1854 : ''Quand on n'a pas le sou...'', vaudeville in 1 act, with Arsène de Cey *1855 : ''55 francs de voiture'', vaudeville in 1 act, with Alfred Delacour *1857 : ''Théâtre d'Elbeuf... Elbeuf dans de beaux draps'', à-propos vaudeville in one act *1860 : ''Le Capitaine Georgette'', vaud ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charles Varin
Charles Voirin, called Varin, (20 January 1798 (1er pluviôse an VI) – 24 April 1869) was a 19th-century French playwright. He also wrote under the pen names V. Warin and Victor. Biography Destined by his father to the profession of notary, Varin spent ten years at the bottom of a study, where he once came to Paris without money. Interested in writing plays, he spent a long time to break the circle of obstacles which opposed its inception. When the first success came, around 1825, he called himself Victor first, then took the pseudonym Varin, so that his father kept in ignorance of its gains, would not suppress his student pension. After he made his way to the stage, it provided very regularly plays, usually vaudevilles, full of gaiety and movement. He wrote mostly in company with various authors. To cite only a few: Bayard, Clairville, Desvergers, Paul de Kock, Duvert, Labiche, Auguste Lefranc, Henri Rochefort, Étienne and Jacques Arago. In August 1864 he was awar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ernest-Georges Petitjean
Antonin Ernest d'Avrecourt, also known under the pseudonym Ernest-Georges Petitjean, was a French playwright of the 19th century, mostly known for his comedies and vaudevilles. His plays, signed under several pseudonyms, were performed on the most important Parisian stages of his time: Théâtre des Variétés, Théâtre du Vaudeville, Théâtre de la Renaissance etc. Works *1831: ''Fifi Lecoq, ou Une visite domiciliaire'', anecdote contemporaine, mêlée de couplets, with Philippe-Amédée Roustan *1831: ''La Future de province, ou les Informations'', comédie en vaudevilles in 1 act, with Dumanoir *1833: ''Poète et maçon'', comédie en vaudevilles in 1 act, with Adolphe de Leuven and Eugène Roche *1833 : ''Le Cadet de famille'', vaudeville in 1 act, with Léon Lévy Brunswick and Louis-Émile Vanderburch *1836: ''Madame Peterhoff'', vaudeville anecdote in 1 act, with Charles de Livry *1836: ''Une spéculation'', vaudeville in 1 act, with Dumanoir and E. Roche *1837: ''A ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Antonin D'Avrecourt
Antonin Ernest d'Avrecourt, also known under the pseudonym Ernest-Georges Petitjean, was a French playwright of the 19th century, mostly known for his comedies and vaudevilles. His plays, signed under several pseudonyms, were performed on the most important Parisian stages of his time: Théâtre des Variétés, Théâtre du Vaudeville, Théâtre de la Renaissance etc. Works *1831: ''Fifi Lecoq, ou Une visite domiciliaire'', anecdote contemporaine, mêlée de couplets, with Philippe-Amédée Roustan *1831: ''La Future de province, ou les Informations'', comédie en vaudevilles in 1 act, with Dumanoir *1833: ''Poète et maçon'', comédie en vaudevilles in 1 act, with Adolphe de Leuven and Eugène Roche *1833 : ''Le Cadet de famille'', vaudeville in 1 act, with Léon Lévy Brunswick and Louis-Émile Vanderburch *1836: ''Madame Peterhoff'', vaudeville anecdote in 1 act, with Charles de Livry *1836: ''Une spéculation'', vaudeville in 1 act, with Dumanoir and E. Roche *1837: '' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Laurencin
Laurencin, real name Paul-Aimé Chapelle, (10 January 1806 - 9 December 1890) was a French playwright and librettist. He authored numerous theatre plays, vaudevilles and operettas, most of them in collaboration. '' Le 66'' and '' Monsieur et Madame Denis'' by Jacques Offenbach Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ' ... are among the pieces he collaborated to. 19th-century French dramatists and playwrights French opera librettists 1806 births 1890 deaths {{France-playwright-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |