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Arlabecca
The ''arlabecca'' () was a genre of Old Occitan lyric poetry. First mentioned in an ''ensenhamen'' by Peire Lunel, the genre was supposed by François Raynouard to be a lament or dirge, and Emil Levy thought it a "kind of poetry". It may derive from the Galician-Portuguese term for a rebec, ''arrabecca''. The term ''rebec'' (plural ''rebecz'') can be found in Old Occitan references to both an instrument and a genre (as in the ''Leys d'amors'', where it is undefined). Possibly the ''rebec'' is the same genre as the ''arlabecca''. Lunel defined his ''arlabecca'' by its metre The metre (British spelling) or meter (American spelling; see spelling differences) (from the French unit , from the Greek noun , "measure"), symbol m, is the primary unit of length in the International System of Units (SI), though its pref ..., and thus his ''ensenhamen'' was an ''arlabecca'' as well. Sources *Frank M. Chambers. ''An Introduction to Old Provençal Versification''. DIANE Publishing, 1985 ...
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Genre
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ...
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Old Occitan
Old Occitan ( oc, occitan ancian, label=Occitan language, Modern Occitan, ca, occità antic), also called Old Provençal, was the earliest form of the Occitano-Romance languages, as attested in writings dating from the eighth through the fourteenth centuries. Old Occitan generally includes Early and Old Occitan. Middle Occitan is sometimes included in Old Occitan, sometimes in Modern Occitan. As the term ' appeared around the year 1300, Old Occitan is referred to as "Romance" (Occitan: ') or "Provençal" (Occitan: ') in medieval texts. History Among the earliest records of Occitan are the ''Tomida femina'', the ''Boecis'' and the ''Cançó de Santa Fe''. Old Occitan, the language used by the troubadours, was the first Romance language with a literary corpus and had an enormous influence on the development of lyric poetry in other European languages. The interpunct was a feature of its orthography and survives today in Catalan and Gascon language, Gascon. The official language of ...
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Lyric Poetry
Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also ''not'' equivalent to Ancient Greek lyric poetry, which ''was'' principally limited song lyrics, or chanted verse, hence the confusion. The term for both modern lyric poetry and modern song lyrics both derive from a form of Ancient Greek literature, the Greek lyric, which was defined by its musical accompaniment, usually on a stringed instrument known as a kithara. The term owes its importance in literary theory to the division developed by Aristotle among three broad categories of poetry: lyrical, dramatic, and epic. Lyric poetry is also one of the earliest forms of literature. Meters Much lyric poetry depends on regular meter based either on number of syllables or on stress – with two short syllables typically being exchangeable for one long ...
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Ensenhamen
An ''ensenhamen'' (; meaning "instruction" or "teaching") was an Old Occitan didactic (often lyric) poem associated with the troubadours. As a genre of Occitan literature, its limits have been open to debate since it was first defined in the 19th century. The word ''ensenhamen'' has many variations in old Occitan: ', ', ', and '. The ''ensenhamen'' had its own subgenres, such as "conduct literature" that told noblewomen the proper way to comport themselves and " mirror of princes" literature that told the nobleman how to be chivalrous. Besides these were types defining and encouraging courtly love and courtly behaviour, from topics as mundane as table manners to issues of sexual ethics. The earliest attestable ''ensenhamen'' was written around 1155 by Garin lo Brun. It is the ' ("Instruction of the girl"). Around 1170 Arnaut Guilhem de Marsan wrote the ' ("Instruction of the knight") for a warrior audience. A decade or so later Arnaut de Mareuil wrote a long, classically-info ...
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Peire Lunel
Peire Lunel de Montech ( fl. 1326–1384), also known as Cavalier Lunel or Peire de Lunel, was a lawyer, politician and author of Toulouse. His name indicates he was a knight (''cavalier'' in Occitan) from Montech.Also spelled Monteg. Occitan "ch" and final "g" are pronounced identically, similar to "tch" in English "catch". In his youth he was a troubadour. A ''canso'', a Crusading song, a ''sirventes'', an ''ensenhamen'' and some moralising ''coblas esparsas'' survive of his work. The Crusading song is dated to around 1326. It is a critique of King Charles IV for promising a Crusade and doing nothing. Lunel's ''sirventes'', was written at the height of the Black Death in 1348. In 1326 Lunel composed the ''Ensenhamen del garso'' ("instruction of the boy"), the latest surviving ''ensenhamen''. Written in ''arlabecca'' form, it is modeled on the ''Ensenhamen del escudier'' of Amanieu de Sescars. The boy (''garso'') for whom Lunel composed it was an aspiring poet looking for advi ...
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François Juste Marie Raynouard
François () is a French masculine given name and surname, equivalent to the English name Francis. People with the given name * Francis I of France, King of France (), known as "the Father and Restorer of Letters" * Francis II of France, King of France and King consort of Scots (), known as the husband of Mary Stuart, Queen of Scots * François Amoudruz (1926–2020), French resistance fighter * François-Marie Arouet (better known as Voltaire; 1694–1778), French Enlightenment writer, historian, and philosopher *François Aubry (other), several people * François Baby (other), several people * François Beauchemin (born 1980), Canadian ice hockey player for the Anaheim Duck *François Blanc (1806–1877), French entrepreneur and operator of casinos *François Boucher (other), several people *François Caron (other), several people * François Cevert (1944–1973), French racing driver * François Chau (born 1959), Cambodian American actor ...
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Galician-Portuguese
Galician-Portuguese ( gl, galego-portugués or ', pt, galego-português or ), also known as Old Portuguese or as Medieval Galician when referring to the history of each modern language, was a West Iberian languages, West Iberian Romance language spoken in the Middle Ages, in the northwest area of the Iberian Peninsula. Alternatively, it can be considered a historical period of the Galician language, Galician and Portuguese languages. Galician-Portuguese was first spoken in the area bounded in the north and west by the Atlantic Ocean and by the Douro River in the south, comprising Galicia and northern Portugal, but it was later extended south of the Douro by the ''Reconquista''. It is the common ancestor of modern Portuguese language, Portuguese, Galician language, Galician, Galician-Asturian, Eonavian, and Fala language, Fala varieties, all of which maintain a very high level of mutual intelligibility. The term "Galician-Portuguese" also designates the subdivision of the modern ...
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Rebec
The rebec (sometimes rebecha, rebeckha, and other spellings, pronounced or ) is a bowed stringed instrument of the Medieval era and the early Renaissance. In its most common form, it has a narrow boat-shaped body and one to five strings. Origins Popular from the 13th to 16th centuries, the introduction of the rebec into Western Europe coincided with the Arabic conquest of the Iberian Peninsula. There is, however, evidence of the existence of bowed instruments in the 9th century in Eastern Europe. The Persian geographer of the 9th century Ibn Khurradadhbih cited the bowed Byzantine lira (or ''lūrā'') as a typical bowed instrument of the Byzantines and equivalent to the pear-shaped Arab '' rebab''. The rebec was adopted as a key instrument in Arab classical music and in Morocco it was used in the tradition of Arabo-Andalusian music, which had been kept alive by descendants of Muslims who left Spain as refugees following the Reconquista. The rebec also became a favorite ins ...
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Leys D'amors
Guilhem Molinier or Moulinier ( 1330–50) was a medieval Occitan poet from Toulouse. His most notable work is ''Leys d'amors'' ("Laws of Love"), a treatise on rhetoric and grammar that achieved great notoriety and, beyond the Occitan, influenced poets writing in Catalan as well as in Galician or Italian, for which they served as a reference. The occasion for its composition was the founding in 1323 of the Consistori de la Sobregaya Companhia del Gay Saber ("Consistory of the Happy Company of the Gay Science") at Toulouse. The consistory consisted of seven members who organized poetic contests and rewarded lyric poems that best imitated the style of the 12th- and 13th-century troubadours. Molinier was not an original member of the consistory, but he was its chancellor in 1348, when he was tasked with codifying the principles of Occitan lyric poetry. In this work he had a collaborator, Marc Bartholomieu. A final version was approved by the consistory in 1356.. The original ''Leys ...
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Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular typ ...
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Western Medieval Lyric Forms
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Poetic Forms
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskrit ''R ...
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