Argentine National Symphony Orchestra
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Argentine National Symphony Orchestra
The Argentine National Symphony Orchestra ( es, Orquesta Sinfónica Nacional) is the state symphony orchestra of Argentina, based in Buenos Aires. History Established as the State Symphony Orchestra, on November 20, 1948, via a bill (Law 35879) signed by President Juan Perón, the orchestra was created that it could "constitute the pitch of universal resonance that our music needs, while providing the most effective means of popular education in the arts." Philharmonic associations had, by then, a long tradition in Argentina, and could be traced in Buenos Aires to the 1822 formation of the Academy of Music and of the Philharmonic Association, the following year. These orchestras struggled under the instability prevailing during the years of the Argentine Confederation, however, and their performances were only sporadic. The German Argentine community helped advance the medium with the founding a number of choral societies between 1852 and 1863, notably ''Concordia'', ''Germani ...
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Orquesta Sinfónica Nacional (Argentina)
Orquesta Sinfónica Nacional may refer to: * National Symphony Orchestra of Colombia, the re-establishment in 2004 of an orchestra founded in 1952 * National Symphony Orchestra (Dominican Republic), founded 1941 * National Symphony Orchestra (Peru), founded 1938 * National Symphony Orchestra (Mexico) founded 1949 {{disambig ...
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Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period ...
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Juan José Castro
Juan José Castro (March 7, 1895September 3, 1968) was an Argentine composer and conductor. Born in Avellaneda, Castro studied piano and violin under Manuel Posadas and composition under Eduardo Fornarini, in Buenos Aires. In the 1920s he was awarded the Europa Prize, and then went on to study in Paris at the Schola Cantorum under Vincent d'Indy and Édouard Risler. Returning to Buenos Aires in 1925, he was named conductor of the Renacimiento Chamber Orchestra in 1928 and the Teatro Colón in 1930. From 1939 to 1943 he was a professor at the Buenos Aires Conservatory. Castro's international career began in the 1940s. In 1947 he conducted the Havana Philharmonic, and the Sodre Orchestra in Uruguay in 1949. In 1952-53 he was the conductor of the Melbourne Symphony Orchestra (then known as the Victorian Symphony Orchestra) in Australia. He returned to the Americas and conducted the National Symphony in Buenos Aires from 1956-1960. From 1960 to 1964, he was director of the Con ...
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Revolución Libertadora
''Revolución Libertadora'' (; ''Liberating Revolution'') was the coup d'état that ended the second presidential term of Juan Perón in Argentina, on 16 September 1955. Background President Perón was first elected in 1946. In 1949, a constitutional amendment sponsored by Peronism introduced a number of workers' rights and the possibility of presidential reelection. The legitimacy of the new constitution is still controversial. Perón was reelected in 1951. At the time, his administration was widely supported by the labor unions, the military and the Catholic Church. However, economic problems, some of the government's policies, and Perón's own personality cult changed this situation. The opposition criticized Perón because of his treatment of dissidents. (Writers, artists, politicians and other intellectuals were harassed and sometimes were forced into exile.) The government's relationship with the Catholic Church also worsened. As the Church increasingly distanced ...
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Henryk Szeryng
Henryk Szeryng (usually pronounced ''HEN-r-ik SHEH-r-in-g'') (22 September 19183 March 1988) was a Polish violinist. Early years He was born in Warsaw, Poland on 22 September 1918 into a wealthy Jewish family. The surname "Szeryng" is a Polish transliteration of his Yiddish surname, which nowadays would be spelled "Shering" in the modern Yiddish-to-English transliteration. Henryk started piano and harmony lessons with his mother when he was 5, and at age 7 turned to the violin, receiving instruction from Maurice Frenkel. After studies with Carl Flesch in Berlin (1929–32), he went to Paris to continue his studies with Jacques Thibaud at the Conservatory, graduating with a premier prix in 1937. Career He made his solo debut on 6 January 1933 playing the Brahms Violin Concerto with the Warsaw Philharmonic Orchestra under Romanian conductor George Georgescu. From 1933 to 1939 he studied composition in Paris with Nadia Boulanger. When World War II broke out, Wladyslaw Sikors ...
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Alexander Nevsky (Prokofiev)
''Alexander Nevsky'' (''russian: Александр Невский'') is the score composed by Sergei Prokofiev for Sergei Eisenstein's 1938 film ''Alexander Nevsky''. The subject of the film is the 13th century incursion of the knights of the Livonian Order into the territory of the Novgorod Republic, their capture of the city of Pskov, the summoning of Prince Alexander Nevsky to the defense of Rus', and his subsequent victory over the crusaders in 1242. The majority of the score's song texts were written by the poet Vladimir Lugovskoy. In 1939, Prokofiev arranged the music of the film score as the cantata, ''Alexander Nevsky'', Op. 78, for mezzo-soprano, chorus, and orchestra. It is one of the few examples ('' Lieutenant Kijé'' is another) of film music that has found a permanent place in the standard repertoire, and has also remained one of the most renowned cantatas of the 20th century. Eisenstein, Prokofiev, and Lugovskoy later collaborated again on another historical epi ...
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Sergei Prokofiev
Sergei Sergeyevich Prokofiev; alternative transliterations of his name include ''Sergey'' or ''Serge'', and ''Prokofief'', ''Prokofieff'', or ''Prokofyev''., group=n (27 April .S. 15 April1891 – 5 March 1953) was a Russian composer, pianist, and conductor who later worked in the Soviet Union. As the creator of acknowledged masterpieces across numerous music genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from ''The Love for Three Oranges,'' the suite ''Lieutenant Kijé'', the ballet ''Romeo and Juliet''—from which "Dance of the Knights" is taken—and ''Peter and the Wolf.'' Of the established forms and genres in which he worked, he created—excluding juvenilia—seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a symphony-concerto for cello and orchestra, and nine completed piano sonatas. A graduate of the ...
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Ottorino Respighi
Ottorino Respighi ( , , ; 9 July 187918 April 1936) was an Italian composer, violinist, teacher, and musicologist and one of the leading Italian composers of the early 20th century. List of compositions by Ottorino Respighi, His compositions range over List of operas by Ottorino Respighi, operas, ballets, orchestral suites, choral songs, chamber music, and transcriptions of Italian compositions of the 16th–18th centuries, but his best known and most performed works are his three orchestral tone poems which brought him international fame: ''Fountains of Rome (poem), Fountains of Rome'' (1916), ''Pines of Rome'' (1924), and ''Feste romane, Roman Festivals'' (1928). Respighi was born in Bologna to a musical and artistic family. He was encouraged by his father to pursue music at a young age, and took formal tuition in the violin and piano. In 1891, he enrolled at the Conservatorio Giovanni Battista Martini, Liceo Musicale di Bologna, where he studied the violin, viola, and compos ...
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20th-century Classical Music
20th-century classical music describes art music that was written nominally from 1901 to 2000, inclusive. Musical style diverged during the 20th century as it never had previously. So this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started much later in the century and can be seen as a change from the modern to post-modern era, although some date post-modernism from as early as about 1930. Aleatory, atonality, serialism, '' musique concrète'', electronic music, and concept music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century. History At the turn of the century, music was ...
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Teatro Gran Rex
The Teatro Gran Rex is an Art Deco style theatre in Buenos Aires, Argentina which opened on July 8, 1937, as the largest cinema in Argentina. Located near the centre of the city at 857 Corrientes Avenue, it was designed by the architect Alberto Prebisch, who was also in charge of the construction of the Obelisk, one of the main icons of the city. The design of the interior was influenced by that of Radio City Music Hall in New York City and construction of the theatre was completed in just seven months in association with the engineer Adolfo Moret. The opening caused a sensation and the Argentine intellectual Victoria Ocampo praised the theatre as an outstanding example of modern architecture from the pages of her influential literary journal, '' Sur''. Today, the theatre has 3,300 seats and, together with the Teatro Opera The Teatro Opera (''Opera Theatre'') is a prominent cinema and theatre house in Buenos Aires, Argentina. Introduction The Teatro Opera (officially calle ...
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Cervantes Theatre (Buenos Aires)
The Teatro Nacional Cervantes in Buenos Aires is the national stage and comedy theatre of Argentina. Overview Located on Córdoba Avenue and two blocks north of Buenos Aires' renowned opera house, the Colón Theatre, the Cervantes houses three performance halls. The María Guerrero Salon is the theatre's main hall. Its 456 m2 (4,900 ft2) stage features a 12 m (39 ft) rotating circular platform and can be extended by a further 2.7 m (9 ft). The Guerrero Salon can seat 860 spectators, including 512 in the galleries. A secondary hall, the Orestes Caviglia Salon, can seat 150 and is mostly reserved for chamber music concerts. The Luisa Vehíl Salon is a multipurpose room known for its extensive gold leaf decor. History The Cervantes Theatre of Buenos Aires owes its existence, in part, to the 1897 relocation to Argentina of Spanish theatre producer María Guerrero and her company, who popularized professional stage theatre in Argentina. A commercial success ...
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