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Alexander Nevsky (Prokofiev)
''Alexander Nevsky'' (''russian: Александр Невский'') is the score composed by Sergei Prokofiev for Sergei Eisenstein's 1938 film ''Alexander Nevsky''. The subject of the film is the 13th century incursion of the knights of the Livonian Order into the territory of the Novgorod Republic, their capture of the city of Pskov, the summoning of Prince Alexander Nevsky to the defense of Rus', and his subsequent victory over the crusaders in 1242. The majority of the score's song texts were written by the poet Vladimir Lugovskoy. In 1939, Prokofiev arranged the music of the film score as the cantata, ''Alexander Nevsky'', Op. 78, for mezzo-soprano, chorus, and orchestra. It is one of the few examples ('' Lieutenant Kijé'' is another) of film music that has found a permanent place in the standard repertoire, and has also remained one of the most renowned cantatas of the 20th century. Eisenstein, Prokofiev, and Lugovskoy later collaborated again on another historical epi ...
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Ivan The Terrible (Prokofiev)
''Ivan the Terrible'' (russian: Иван Грозный), Op. 116, is the score composed by Sergei Prokofiev for Sergei Eisenstein's film ''Ivan the Terrible'' (1942–45) and its sequel (1946), the first two parts of an incomplete trilogy. The project was Prokofiev's second collaboration with Eisenstein, the first being the popular '' Aleksandr Nevskiy'' (1938). The majority of the non-liturgical song texts were written by Vladimir Lugovskoy, who collaborated with Prokofiev on the texts for ''Aleksandr Nevskiy''. The subject of the "First Tale" (Part 1) is the early years, 1547 to 1565, of the reign of Ivan IV of Russia: his coronation, his intent to curb the powers of the boyars, his wedding, his conquest of Kazan, his almost fatal illness, the poisoning and death of his first wife Anastasiya, the formation of the Oprichniki, and his abdication. The "Second Tale" (Part 2), subtitled ''The Boyar Conspiracy'', covers the years 1565 to 1569, and concerns the defection of Prince K ...
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Berlin Radio Symphony Orchestra
The Berlin Radio Symphony Orchestra (''Rundfunk-Sinfonieorchester Berlin'') is a German symphony orchestra based in Berlin. In Berlin, the orchestra gives concerts at the Konzerthaus Berlin and at the Berliner Philharmonie. The orchestra has also given concerts in other German cities such as Aschaffenburg, Essen, Halle, Oldenburg, and Wiesbaden. History The orchestra was founded in 1923 as a radio orchestra, and is the oldest active radio orchestra in Germany. Bruno Seidler-Winkler was the first chief conductor, from 1926 to 1932. During its early years, the orchestra had a reputation for its work with contemporary, 20th-century composers. Composers who guest-conducted the orchestra included Paul Hindemith, Arthur Honegger, Darius Milhaud, Sergei Prokofiev, Richard Strauss, Arnold Schoenberg and Igor Stravinsky, as well as Krzysztof Penderecki, Walter Schartner and Udo Zimmermann. After the 1949 division of Germany, the orchestra was under the supervision of Rundfunk der DDR ( ...
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Konzerthaus Berlin
The Konzerthaus Berlin is a concert hall in Berlin, the home of the Konzerthausorchester Berlin. Situated on the Gendarmenmarkt square in the central Mitte district of the city, it was originally built as a theater. It initially operated from 1818 to 1821 under the name of the Schauspielhaus Berlin, then as the Theater am Gendarmenmarkt and Komödie. It became a concert hall after the Second World War, and its name changed to its present one in 1994. The Konzerthausorchester Berlin is the resident orchestra of the Konzerthaus Berlin. The concert hall also hosts Young Euro Classic every summer, an international festival of youth orchestras. History National-Theater (1802–1817) The building's predecessor, the ''National-Theater'' in the Friedrichstadt suburb, was destroyed by fire in 1817. It had been designed by Carl Gotthard Langhans, and was inaugurated on 1 January 1802. Königliches Schauspielhaus (1817–1870) The new hall was designed by Karl Friedrich Schinkel betw ...
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Bolshoi Theatre
The Bolshoi Theatre ( rus, Большо́й теа́тр, r=Bol'shoy teatr, literally "Big Theater", p=bɐlʲˈʂoj tʲɪˈatər) is a historic theatre in Moscow, Russia, originally designed by architect Joseph Bové, which holds ballet and opera performances. Before the October Revolution it was a part of the Imperial Theatres of the Russian Empire along with Maly Theatre (Moscow), Maly Theatre (''Small Theatre'') in Moscow and a few theatres in Saint Petersburg (Hermitage Theatre, Bolshoi Theatre, Saint Petersburg, Bolshoi (Kamenny) Theatre, later Mariinsky Theatre and others). The Bolshoi Ballet and Bolshoi Opera are among the oldest and best known ballet and opera companies in the world. It is by far the world's biggest ballet company, with more than 200 dancers. The theatre is the parent company of The Bolshoi Ballet Academy, a leading school of ballet. It has a branch at the Bolshoi Theater School in Joinville, Brazil. The main building of the theatre, rebuilt and renovat ...
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Russian State Archive Of Literature And Art
Russian State Archive of Literature and Art (russian: Государственный архив литературы и искусства (РГАЛИ), or RGALI) is one of the largest state archives in Russia. It preserves documents of national literature, music, theatre, cinema, painting and architecture. History As a centralized archive for documentation in the cultural sphere, RGALI was founded in 1941 under the name of TsGLA, on the basis of the collected manuscript holdings of the State Literary Museum (Goslitmuzei—GLM) and designated fonds from other museums and archives. *1941–1954 – ''Central State Literary Archive (TsGLA)'' (russian: Центральный государственный литературный архив СССР (ЦГЛА СССР)) *1954-VI.1992 – ''Central State Archive of Literature and Art of the USSR (TsGALI SSSR)'' (russian: Центральный государственный архив литературы и искусства СС ...
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Frank Strobel
Frank Strobel (born in 1966 in Munich) is a German conductor known for premieres and performances of works by composers Sergei Prokofiev, Franz Schreker and Siegfried Wagner. He is authorized arranger and editor of works by the composer Alfred Schnittke and since 2001 has helped this composer built a reputation as a film composer in the German-speaking world. In addition, Strobel has been a pioneer in the interdisciplinary field of film and music for many years and is one of the protagonists of the "Film in concert" movement. Life Having grown up in the environment of the cinema of his parents, Strobel came into contact with music at an early age. He learned to be a projectionist and developed a close relationship to the movies and thus also to film music. He finally became a musician and later became a conductor. He had a special artistic relationship with Alfred Schnittke until the death of the latter, which can be seen in numerous premieres and CD recordings with the Rundf ...
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Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ...
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Consonance And Dissonance
In music, consonance and dissonance are categorizations of simultaneous or successive Sound, sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant. In casual discourse, as German composer and music theorist Paul Hindemith stressed, "The two concepts have never been completely explained, and for a thousand years the definitions have varied". The term ''sonance'' has been proposed to encompass or refer indistinctly to the terms ''consonance'' and ''dissonance' ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Brass Instrument
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'. There are several factors involved in producing different pitches on a brass instrument. Slides, valves, crooks (though they are rarely used today), or keys are used to change vibratory length of tubing, thus changing the available harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produced from the available series. The view of most scholars (see organology) is that the term "brass instrument" should be defined by the way the sound is made, as above, and not by whether the instrument is actually made of brass. Thus one finds brass instruments made of wood, like the alphorn, the cornett, the serpent and the didgeridoo, while some ...
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Distortion
In signal processing, distortion is the alteration of the original shape (or other characteristic) of a signal. In communications and electronics it means the alteration of the waveform of an information-bearing signal, such as an audio signal representing sound or a video signal representing images, in an electronic device or communication channel. Distortion is usually unwanted, and so engineers strive to eliminate or minimize it. In some situations, however, distortion may be desirable. For example, in noise reduction systems like the Dolby system, an audio signal is deliberately distorted in ways that emphasize aspects of the signal that are subject to electrical noise, then it is symmetrically "undistorted" after passing through a noisy communication channel, reducing the noise in the received signal. Distortion is also used as a musical effect, particularly with electric guitars. The addition of noise or other outside signals (hum, interference) is not considered di ...
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