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Argenteuil FC
Argenteuil () is a commune in the northwestern suburbs of Paris, France. It is located from the center of Paris. Argenteuil is a sub-prefecture of the Val-d'Oise department, the seat of the arrondissement of Argenteuil. Argenteuil is the second most populous commune in the suburbs of Paris (after Boulogne-Billancourt) and the most populous one in the Val-d'Oise department, although it is not its prefecture, which is shared between the communes of Cergy and Pontoise. Argenteuil shares borders with communes in 3 departements others than ''Val d'Oise'' : the Yvelines, Hauts-de-Seine and Seine-Saint-Denis departements. Name The name Argenteuil is recorded for the first time in a royal charter of 697 as ''Argentoialum'', from a Latin/ Gaulish root ''argento'' meaning "silver", "silvery", "shiny", perhaps in reference to the gleaming surface of the river Seine, on the banks of which Argenteuil is located, and from a Gaulish language suffix ''-ialo'' meaning "clearing, glade ...
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Subprefectures In France
In France, a subprefecture (french: sous-préfecture) is the commune which is the administrative centre of a departmental arrondissement that does not contain the prefecture for its department. The term also applies to the building that houses the administrative headquarters for an arrondissement."Sous-préfectures : l'État à proximité"
Senate (in French). The civil servant in charge of a subprefecture is the subprefect, assisted by a general secretary. ...
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Yvelines
Yvelines () is a department in the western part of the Île-de-France region in Northern France. In 2019, it had a population of 1,448,207.Populations légales 2019: 78 Yvelines
INSEE
Its is , home to the , the principal residence of the King of France from 1682 until 1789, a

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Eugène Delacroix
Ferdinand Victor Eugène Delacroix ( , ; 26 April 1798 – 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Noon, Patrick, et al., ''Crossing the Channel: British and French Painting in the Age of Romanticism'', p. 58, Tate Publishing, 2003. In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in ...
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