Archaeological Museum Of Milos
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Archaeological Museum Of Milos
The Archaeological Museum of Milos is a museum, in Plaka , Plaka, Milos on Milos, in Greece. Its collections include exhibits dating from the late Neolithic to the Byzantine period. The unique is collection of ancient Cycladic art, especially numerous findings from Phylakopi on Milos, from early Bronze Age Europe, Bronze Age to the late Bronze Age. The best pieces from Phylakopi are in the Ashmolean Museum (Oxford), in the British Museum and in the National Museum of Athens and elsewhere around the world. The museum is housed since 1985 in a neo-classical building dating from 1870 on the main square in Plaka. In the porch of the building and on the courtyard is lapidary with torsos from the late antiquity. Archaeological Museum of Milos, facade of the building, 152616.jpg Archaeological Museum of Milos, Lapidary, 152665.jpg AM Milos, Lapidary in porch of the building, 152611.jpg Room 1 The first room hosts large pottery vessels since the late Bronze Age to the Greek archaic p ...
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Museum
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 countrie ...
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Melian Pithamphora
Melian Pithamphorae or Melian Amphorae are names for a type of large belly-handled amphorae, which were produced in the Archaic Greek art, Archaic period in the Cyclades. On account of their shape and painted decoration in the Orientalizing period, Orientalising style, they are among the most famous Greek vases. The amphorae are dated to the seventh and early sixth centuries BC; the last of them was made in the 580s. They were used as grave markers with the same function as the later grave statues and reliefs and were dedicated as cult objects in sanctuaries. With the increasing importance of sculpture in these roles, the production of these vases came to an end. Provenance Their name is misleading: the adjective "Melian" is often put in quotation marks. After Alexander Conze found the first three examples of this type on the Cycladian island of Melos in 1862, he named them ''Melische Thongefäße'' (Melian clay pots) after their find spot. The name has been retained, although it ...
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Herma
A herma ( grc, ἑρμῆς, pl. ''hermai''), commonly herm in English, is a sculpture with a head and perhaps a torso above a plain, usually squared lower section, on which male genitals may also be carved at the appropriate height. Hermae were so called either because the head of Hermes was most common or from their etymological connection with the Greek word (blocks of stone), which originally had no reference to Hermes at all. The form originated in ancient Greece, and was adopted by the Romans (called mercuriae), and revived at the Renaissance in the form of term figures and atlantes. Origin In the earliest times Greek divinities were worshipped in the form of a heap of stones or a shapeless column of stone or wood. In many parts of Greece there were piles of stones by the sides of roads, especially at their crossings, and on the boundaries of lands. The religious respect paid to such heaps of stones, especially at the meeting of roads, is shown by the custom of each ...
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Lekythos
A lekythos (plural lekythoi) is a type of ancient Greek vessel used for storing oil (Greek λήκυθος), especially olive oil. It has a narrow body and one handle attached to the neck of the vessel, and is thus a narrow type of jug, with no pouring lip; the oinochoe is more like a modern jug. In the "shoulder" and "cylindrical" types which became the most common, especially the latter, the sides of the body are usually vertical by the shoulder, and there is then a sharp change of direction as the neck curves in; the base and lip are normally prominent and flared. However, there are a number of varieties, and the word seems to have been used even more widely in ancient times than by modern archeologists. They are normally in pottery, but there are also carved stone examples. Lekythoi were especially associated with funerary rites, and with the white ground technique of vase painting, which was too fragile for most items in regular use. Because of their handle they were norma ...
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Black-figure Pottery
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan ...
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Phylakopi I Culture
The Phylakopi I culture ( el, Φυλακωπή, ) refers to a "cultural" dating system used for the Cycladic culture that flourished during the early Bronze Age in Greece.Eric H. Cline (ed.), ''The Oxford Handbook of the Bronze Age Aegean'', , Jan. 2012. It spans the period ca. 2300-2000 BC and was named by Colin Renfrew, after the settlement of Phylakopi on the Cycladic island of Milos. Other archaeologists describe this period as the ''Early Cycladic III (ECIII)''. See also *Grotta-Pelos culture *Keros-Syros culture *Kastri culture *History of the Cyclades *Cycladic art The ancient Cycladic culture flourished in the islands of the Aegean Sea from c. 3300 to 1100 BCE. Along with the Minoan civilization and Mycenaean Greece, the Cycladic people are counted among the three major Aegean cultures. Cycladic art therefo ... External linksThe Chronology and Terminology of Aegean Prehistory Dartmouth's Aegean Prehistoric Archaeology References Cyclades Cycladic civilization
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Kernos
In the typology of ancient Greek pottery, the kernos ( or , plural ''kernoi'') is a pottery ring or stone tray to which are attached several small vessels for holding offerings. Its unusual design is described in literary sources, which also list the ritual ingredients it might contain. The kernos was used primarily in the cults of Demeter and Kore, and of Cybele and Attis. The form begins in the Neolithic in stone, in the earliest stages of the Minoan civilization, around 3,000 BC. They were produced in Minoan and Cycladic pottery, being the most elaborate shape in the latter, and right through ancient Greek pottery. The Duenos Inscription, one of the earliest known Old Latin texts, variously dated from the 7th to the 5th century BC, is inscribed round a kernos of three linked pots, of an Etruscan type. The Greek term is sometimes applied to similar compound vessels from other cultures found in the Mediterranean, the Levant, Mesopotamia, and South Asia. Literary descripti ...
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Mycenaean Greece
Mycenaean Greece (or the Mycenaean civilization) was the last phase of the Bronze Age The Bronze Age is a historic period, lasting approximately from 3300 BC to 1200 BC, characterized by the use of bronze, the presence of writing in some areas, and other early features of urban civilization. The Bronze Age is the second pri ... in Ancient Greece, spanning the period from approximately 1750 to 1050 BC.. It represents the first advanced and distinctively Greek civilization in mainland Greece with its palatial states, urban organization, works of art, and writing system.Lazaridis, Iosif et al.Genetic origins of the Minoans and Mycenaeans. ''Nature'', 2017Supplementary Information "The Mycenaeans", pp. 2–3).. The Mycenaeans were mainland Greeks, Greek peoples who were likely stimulated by their contact with insular Minoan civilization, Minoan Crete and other Mediterranean Sea, Mediterranean cultures to develop a more sophisticated sociopolitical culture of their own. The ...
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Minoan Civilization
The Minoan civilization was a Bronze Age Aegean civilization on the island of Crete and other Aegean Islands, whose earliest beginnings were from 3500BC, with the complex urban civilization beginning around 2000BC, and then declining from 1450BC until it ended around 1100BC, during the early Greek Dark Ages, part of a wider bronze age collapse around the Mediterranean. It represents the first advanced civilization in Europe, leaving behind a number of massive building complexes, Minoan art, sophisticated art, and writing systems. Its economy benefited from a network of trade around much of the Mediterranean. The civilization was rediscovered at the beginning of the 20th century through the work of British archaeologist Sir Arthur Evans. The name "Minoan" derives from the mythical Minos, King Minos and was coined by Evans, who identified the site at Knossos with the labyrinth of the Minotaur. The Minoan civilization has been described as the earliest of its kind in Europe, and his ...
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Obsidian
Obsidian () is a naturally occurring volcanic glass formed when lava extrusive rock, extruded from a volcano cools rapidly with minimal crystal growth. It is an igneous rock. Obsidian is produced from felsic lava, rich in the lighter elements such as silicon, oxygen, aluminium, sodium, and potassium. It is commonly found within the margins of rhyolite, rhyolitic lava flows known as obsidian flows. These flows have a high content of silicon dioxide, silica, granting them a high viscosity. The high viscosity inhibits atomic diffusion, diffusion of atoms through the lava, which inhibits the first step (nucleation) in the formation of mineral crystals. Together with rapid cooling, this results in a natural glass forming from the lava. Obsidian is hard, Brittleness, brittle, and amorphous; it therefore Fracture (mineralogy)#Conchoidal fracture, fractures with sharp edges. In the past, it was used to manufacture cutting and piercing tools, and it has been used experimentally as surgic ...
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Pithos
Pithos (, grc-gre, πίθος, plural: ' ) is the Greek name of a large storage container. The term in English is applied to such containers used among the civilizations that bordered the Mediterranean Sea in the Neolithic, the Bronze Age and the succeeding Iron Age. Pithoi were used for bulk storage, primarily for fluids and grains; they were comparable to the drums, barrels and casks of recent times. The name was different in other languages; for instance, the Hittites used ''harsi-''. Secondarily, discarded pithoi found other uses. Like the ceramic bathtubs of some periods, the size of a pithos made it a convenient coffin. In Middle Helladic burials in Mycenae and Crete, sometimes the bones of the interred were placed in pithoi. The ancient Iberian culture of El Argar used pithoi for coffins in its B phase (1500–1300 BC). The external shape and materials were approximately the same: a ceramic jar about as high as a man, a base for standing, sides nearly straight or gene ...
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Pithos
Pithos (, grc-gre, πίθος, plural: ' ) is the Greek name of a large storage container. The term in English is applied to such containers used among the civilizations that bordered the Mediterranean Sea in the Neolithic, the Bronze Age and the succeeding Iron Age. Pithoi were used for bulk storage, primarily for fluids and grains; they were comparable to the drums, barrels and casks of recent times. The name was different in other languages; for instance, the Hittites used ''harsi-''. Secondarily, discarded pithoi found other uses. Like the ceramic bathtubs of some periods, the size of a pithos made it a convenient coffin. In Middle Helladic burials in Mycenae and Crete, sometimes the bones of the interred were placed in pithoi. The ancient Iberian culture of El Argar used pithoi for coffins in its B phase (1500–1300 BC). The external shape and materials were approximately the same: a ceramic jar about as high as a man, a base for standing, sides nearly straight or gene ...
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