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Melian Pithamphora
Melian Pithamphorae or Melian Amphorae are names for a type of large belly-handled amphorae, which were produced in the Archaic Greek art, Archaic period in the Cyclades. On account of their shape and painted decoration in the Orientalizing period, Orientalising style, they are among the most famous Greek vases. The amphorae are dated to the seventh and early sixth centuries BC; the last of them was made in the 580s. They were used as grave markers with the same function as the later grave statues and reliefs and were dedicated as cult objects in sanctuaries. With the increasing importance of sculpture in these roles, the production of these vases came to an end. Provenance Their name is misleading: the adjective "Melian" is often put in quotation marks. After Alexander Conze found the first three examples of this type on the Cycladian island of Melos in 1862, he named them ''Melische Thongefäße'' (Melian clay pots) after their find spot. The name has been retained, although it ...
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Geometric Art
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages, . Its center was in Athens, and from there the style spread among the trading cities of the Aegean. The Greek Dark Ages lasted from and include two periods, the Protogeometric period and the Geometric period (or Geometric art), in reference to the characteristic pottery style. The vases had various uses or purposes within Greek society, including, but not limited to, funerary vases and symposium vases. Funerary context Funerary vases not only depicted funerary scenes, but they also had practical purposes, either holding the ashes or being used as grave markers. Relatives of the deceased conducted burial rituals that included three parts: the ''prothesis'' ''(''laying out of the body), the ''ekphora'' (funeral procession), and the interment of the body or cremated remains of the body. To the Greeks, an omission of a proper b ...
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Melian Horse Amphora NAMA 913
Melian may refer to: * an adjectival formation of Milos or Melos, a city in Greece * The Melian Dialogue, Athenian historian Thucydides’ dramatization of negotiations to resolve the Siege of Melos * Melian (Middle-earth), a character in J. R. R. Tolkien’s legendarium *Méliane, a character in ''Tyr et Sidon, ou les funestes amours de Belcar et Méliane'' by Jean de Schelandre *Melian Stokes, a character in ''Pugs and Peacocks'' by Gilbert Cannan People with "Melian" or "Melián" as last name * Alberto Melián (born 1990), Argentinian boxer *Daniel Sarmiento Melián (born 1983), Spanish handball player *Diego Melián (born 1991), Uruguayan footballer *Elena Melián (born 2001), Spanish swimmer * Francisco Núñez Melián (died 1644), Spanish adventurer and administrator * Jackson Melián (born 1980), Venezuelan baseball player *José Antonio Melián (1784–1857), Argentinian colonel *Juan Carlos Melian, member of Vital Information jazz group *Michaela Melián, a member of FS ...
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Horses Amphora
The Horse Amphora is the name given to a Melian pithamphora in the National Archaeological Museum, Athens with the inventory number 913. It is dated to around 660 BC. The Horse Amphora is the oldest known Melian Amphora and is among the largest examples of the type. The amphora is 88 centimetres high, the lid is not preserved. The name of the vessel derives from its main image, which shows two slim, graceful, long-legged horses standing beside each other. The two are separated by a palmette. While their bodies are shown as silhouettes, the heads are depicted in outline. The empty space was filled with various motifs, including zigzags which recall earlier images of Group Ad, though the drawings are far more detailed than those of the Ad Group. Along with the zigzags, there are also double- volutes and leaf- rosettes. Out-turned double-volutes are found on the neck which are filled with cross-hatching. The two ornamental bands of the vessel's body are decorated with simpler doubl ...
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Rider Amphora
The Rider Amphora is the name given to a Melian pithamphora in the National Archaeological Museum, Athens with the inventory number 912. It dates from around 660 BC. The Rider Amphora belongs to the wider examples of the type. Its name derives from its main image, which recalls that on the somewhat older Horses Amphora The Horse Amphora is the name given to a Melian pithamphora in the National Archaeological Museum, Athens with the inventory number 913. It is dated to around 660 BC. The Horse Amphora is the oldest known Melian Amphora and is among the largest e ...: two horses stand opposite each other, with a large palmette between them. However, in this image, a rider sits on each of the horses' backs. Each rider leads another horse with him, using a rope, which is depicted slightly offset behind the rider's horse. Ekschmitt claims that the painter of this amphora does not show the talent of the painter of the Horses Amphora since the bodies of his horses are far too long an ...
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Large Cycladic Krater, 640 BC, NAMA 911, 190820
Large means of great size. Large may also refer to: Mathematics * Arbitrarily large, a phrase in mathematics * Large cardinal, a property of certain transfinite numbers * Large category, a category with a proper class of objects and morphisms (or both) * Large diffeomorphism, a diffeomorphism that cannot be continuously connected to the identity diffeomorphism in mathematics and physics * Large numbers, numbers significantly larger than those ordinarily used in everyday life * Large ordinal, a type of number in set theory * Large sieve, a method of analytic number theory ** Larger sieve, a heightening of the large sieve * Law of large numbers, a result in probability theory * Sufficiently large, a phrase in mathematics Other uses * ''Large'' (film), a 2001 comedy film * Large (surname), an English surname * LARGE, an enzyme * Large, a British English name for the maxima (music), a note length in mensural notation * Large, or G's, or grand, slang for $1,000 US dollars ...
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Herakles Amphora
Heracles ( ; grc-gre, Ἡρακλῆς, , glory/fame of Hera), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon.By his adoptive descent through Amphitryon, Heracles receives the epithet Alcides, as "of the line of Alcaeus", father of Amphitryon. Amphitryon's own, mortal son was Iphicles. He was a great-grandson and half-brother (as they are both sired by the god Zeus) of Perseus, and similarly a half-brother of Dionysus. He was the greatest of the Greek heroes, the ancestor of royal clans who claimed to be Heracleidae (), and a champion of the Olympian order against chthonic monsters. In Rome and the modern West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. The Romans adopted the Greek version of his life and works essentially unchanged, but added anecdotal detail of the ...
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Animal Frieze Style
Animals are multicellular, eukaryotic organisms in the biological kingdom Animalia. With few exceptions, animals consume organic material, breathe oxygen, are able to move, can reproduce sexually, and go through an ontogenetic stage in which their body consists of a hollow sphere of cells, the blastula, during embryonic development. Over 1.5 million living animal species have been described—of which around 1 million are insects—but it has been estimated there are over 7 million animal species in total. Animals range in length from to . They have complex interactions with each other and their environments, forming intricate food webs. The scientific study of animals is known as zoology. Most living animal species are in Bilateria, a clade whose members have a bilaterally symmetric body plan. The Bilateria include the protostomes, containing animals such as nematodes, arthropods, flatworms, annelids and molluscs, and the deuterostomes, containing the ec ...
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Black Figure Pottery
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan m ...
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Aureola
An aureola or aureole (diminutive of Latin ''aurea'', "golden") is the radiance of luminous cloud which, in paintings of sacred personages, surrounds the whole figure. In Romance languages, the noun Aureola is usually more related to the disc of light surrounding the head of sacred figures and that in English is called Halo or Nimbus. In art In the earliest periods of Christian art it was confined to the figures of the persons of the Christian Godhead, but it was afterwards extended to the Virgin Mary and to several of the saints. The aureola, when enveloping the whole body, generally appears oval or elliptical in form, but occasionally depicted as circular, vesica piscis, or quatrefoil. When it appears merely as a luminous disk round the head, it is called specifically a ''halo'' or ''nimbus'', while the combination of nimbus and aureole is called a '' glory''. The strict distinction between nimbus and aureole is not commonly maintained, and the latter term is most freq ...
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