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Arch Of Trajan (Timgad)
The Arch of Trajan is a Roman triumphal arch located in the city of Timgad (ancient Thamugadi), near Batna, Algeria. It was built between the later 2nd century and the early 3rd century. The three vaulted arch composed the western gate of the city, at the beginning of the Decumanus Maximus and the end of the road coming from Lambaesis. History The inscription on the attic records the foundation of the colony on the part of Trajan in the year 100. The decorative fabric of the monument, with the sides of the lateral arches detached from the wall, was taken with a curvilinear pediment that forms two protruding and strongly contrasted lateral aediculae. This and the lavish decoration of the architectural elements, all suggest a later dating. The arch together with the whole archaeological site of Timgad, has been listed as a World Heritage Site by UNESCO since 1982. Description The arch reaches a height of 12 metres, with a central arch of 6 metres in height which permitted the pass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UNESCO
The United Nations Educational, Scientific and Cultural Organization is a specialized agency of the United Nations (UN) aimed at promoting world peace and security through international cooperation in education, arts, sciences and culture. It has 193 member states and 12 associate members, as well as partners in the non-governmental, intergovernmental and private sector. Headquartered at the World Heritage Centre in Paris, France, UNESCO has 53 regional field offices and 199 national commissions that facilitate its global mandate. UNESCO was founded in 1945 as the successor to the League of Nations's International Committee on Intellectual Cooperation.English summary). Its constitution establishes the agency's goals, governing structure, and operating framework. UNESCO's founding mission, which was shaped by the Second World War, is to advance peace, sustainable development and human rights by facilitating collaboration and dialogue among nations. It pursues this objective t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman Buildings And Structures In Algeria
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Roman Triumphal Arches ...
This is a list of Roman triumphal arches. Triumphal arches were constructed across the Roman Empire and are an archetypal example of Roman architecture. Most surviving Roman arches date from the Imperial period (1st century BC onwards). They were preceded by honorific arches set up under the Roman Republic. Existing arches Destroyed arches Note: MUR stands for the 12th century Mirabilia Urbis Romae See also *List of post-Roman triumphal arches *Victory column *Rostral column *Roman architecture *Roman engineering *Roman technology Sources * {{DEFAULTSORT:List Of Roman Triumphal Arches Triumphal arches A triumphal arch is a free-standing monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road. In its simplest form a triumphal arch consists of two massive piers connected by an arch, crow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flamen
A (plural ''flamens'' or ''flamines'') was a priest of the ancient Roman religion who was assigned to one of eighteen deities with official cults during the Roman Republic. The most important of these were the three (or "major priests"), who served the important Roman gods Jupiter, Mars, and Quirinus. The remaining twelve were the ("lesser priests"). Two of the served deities whose names are now unknown; among the others are deities about whom little is known other than the name. During the Imperial era, the cult of a deified emperor () also had a flamen. The fifteen Republican flamens were members of the Pontifical College, who administered state-sponsored religion. When the office of flamen was vacant, a could serve as a temporary replacement, although only the is known to have substituted for the , one of the . Etymology The etymology of remains obscure, and perhaps undecidable.Andrew Sihler ''New Comparative Grammar of Greek and Latin,'' Oxford University Press 1995 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Septimius Severus
Lucius Septimius Severus (; 11 April 145 – 4 February 211) was Roman emperor from 193 to 211. He was born in Leptis Magna (present-day Al-Khums, Libya) in the Roman province of Africa (Roman province), Africa. As a young man he advanced through cursus honorum, the customary succession of offices under the reigns of Marcus Aurelius and Commodus. Severus seized power after the death of the emperor Pertinax in 193 during the Year of the Five Emperors. After deposing and killing the incumbent emperor Didius Julianus, Severus fought his rival claimants, the Roman generals Pescennius Niger and Clodius Albinus. Niger was defeated in 194 at the Battle of Issus (194), Battle of Issus in Roman Cilicia, Cilicia. Later that year Severus waged a short punitive campaign beyond the eastern frontier, annexing the Osroene, Kingdom of Osroene as a new province. Severus defeated Albinus three years later at the Battle of Lugdunum in Roman Gaul, Gaul. Following the consolidation of his rule over ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concordia (mythology)
In ancient Roman religion, Concordia (means "concord" or "harmony" in Latin) is the goddess who embodies agreement in marriage and society. Her Greek equivalent is usually regarded as Harmonia, with musical harmony a metaphor for an ideal of social concord or '' entente'' in the political discourse of the Republican era. She was thus often associated with Pax ("Peace") in representing a stable society. As such, she is more closely related to the Greek concept of ''homonoia'' ( likemindedness), which was also represented by a goddess. Concordia Augusta was cultivated in the context of Imperial cult. Dedicatory inscriptions to her, on behalf of emperors and members of the imperial family, were common. In art and numismatics In art, Concordia was depicted sitting, wearing a long cloak and holding onto a patera (sacrificial bowl), a cornucopia (symbol of prosperity), or a caduceus (symbol of peace). She was often shown in between two other figures, such as standing between two m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mars (mythology)
In ancient Roman religion and myth, Mars ( la, Mārs, ) was the god of war and also an agricultural guardian, a combination characteristic of early Rome. He was the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month named for him ( Latin ''Martius''), and in October, which began the season for military campaigning and ended the season for farming. Under the influence of Greek culture, Mars was identified with the Greek god Ares,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. whose myths were reinterpreted in Roman literature and art under the name of Mars. The character and dignity of Mars differed in fundamental ways from that of his Greek counterpart, who is often treated with contempt and revulsion in Greek literature. Mars's altar in the Campus Martius, the area of Rome that took its name from him, was supposed to have been dedicated by Numa, the peace-lov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Gods
The Roman deities most widely known today are those the Romans identified with Greek counterparts (see ''interpretatio graeca''), integrating Greek myths, iconography, and sometimes religious practices into Roman culture, including Latin literature, Roman art, and religious life as it was experienced throughout the Empire. Many of the Romans' own gods remain obscure, known only by name and sometimes function, through inscriptions and texts that are often fragmentary. This is particularly true of those gods belonging to the archaic religion of the Romans dating back to the era of kings, the so-called "religion of Numa", which was perpetuated or revived over the centuries. Some archaic deities have Italic or Etruscan counterparts, as identified both by ancient sources and by modern scholars. Throughout the Empire, the deities of peoples in the provinces were given new theological interpretations in light of functions or attributes they shared with Roman deities. An extensive al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monumental Sculpture
The term monumental sculpture is often used in art history and criticism, but not always consistently. It combines two concepts, one of function, and one of size, and may include an element of a third more subjective concept. It is often used for all sculptures that are large. Human figures that are perhaps half life-size or above would usually be considered monumental in this sense by art historians, although in contemporary art a rather larger overall scale is implied. Monumental sculpture is therefore distinguished from small portable figurines, small metal or ivory reliefs, diptychs and the like. The term is also used to describe sculpture that is architectural in function, especially if used to create or form part of a monument of some sort, and therefore capitals and reliefs attached to buildings will be included, even if small in size. Typical functions of monuments are as grave markers, tomb monuments or memorials, and expressions of the power of a ruler or community, to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pediment
Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque. Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°). History The pediment is found in classical Greek temples, Et ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Varian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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