|
Arazbary (mugham)
"Arazbary" () is one of the rhythmic Azerbaijani mughams belonging to the Zerbi mughams. The poetic text consists of folk bayats. At the end of each stanza, the words "ay zalym" ("Oh, villain!") are repeated. Arazbary, like the ashik melodies, is included in then creative heritage of ashik masters. Further, they were used, along with other elements of Azerbaijani folk music, in musical works of the classical European tradition. In particular, the composer Uzeyir Hajibeyov Uzeyir bey Abdulhuseyn bey oghlu Hajibeyov (18 September 188523 November 1948) was an Azerbaijanis, Azerbaijani composer, musicologist and teacher. He is recognized as the father of Azerbaijani classical music. He composed the music of the Az� ... created a symphonic version of arazbary and used it (along with eirats, segah and other forms of mugham) in the first Azerbaijani opera " Leyli and Majnun", written in 1908 by the Azerbaijani poet Fuzuli based on the poem of the same name. References {{Mugha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mugham
Mugham () or Mughamat () is one of the many classical compositions from Azerbaijan, contrasting with tasnif and ashik. It is an art form that weds classical poetry and musical improvisation in specific local modes. Mugham is a modal system. Unlike Western modes, "mugham" modes are associated not only with scales but with an orally transmitted collection of melodies and melodic fragments that performers use in the course of improvisation. Mugham is a compound composition of many parts. The choice of a particular mugham and a style of performance fits a specific event. The dramatic unfolding in performance is typically associated with increasing intensity and rising pitches, and a form of poetic-musical communication between performers and initiated listeners. Three major schools of mugham performance existed from the late 19th and early 20th centuries in the regions of Karabakh, Shirvan, and Baku. The town of Shusha of Karabakh, was particularly renowned for this art. A sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tar (Azerbaijani Instrument)
The Azerbaijani Tar is a long-necked, plucked lute, traditionally crafted, and performed in communities throughout the Republic of Azerbaijan. The tar is featured alone or with other instruments in numerous traditional musical styles. It is also considered by many to be the country's leading musical instrument. The tar and the skills related to this tradition play a significant role in shaping the cultural identity of Azerbaijani people, Azerbaijanis. In 2012, the craftsmanship and performance art of the tar was added to the UNESCO's UNESCO Intangible Cultural Heritage Lists, Intangible Cultural Heritage List. Performing Performers hold the instrument horizontally, against the chest, and pluck the Strings (music), strings with a plectrum, while using Trill (music), trills and a variety of techniques and strokes to add colour. Tar performance has an essential place in Wedding tradition in Azerbaijan, weddings and different social gatherings, festive events, and public concert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamancheh
The kamancheh (also kamānche or kamāncha) (, , , ) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. Name and etymology The word "kamancheh" means "little bow" in Persian (''kæman'', bow, and ''-cheh'', diminutive). The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian kamancheh. There is also an instrument called ''kabak kemane'' lite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bayati
Bayati () is one of the oldest forms of Azerbaijani folk poetry. A bayati consists of four lines, each of which has seven syllables. The rhyme scheme is AABA. Anonymous bayati have been collected as folk wisdom in editions such as {{langx, az, Xalqimizin deyimlari va duyumlari (Our people's sayings and feelings). Bayati can also be strung together in sequence to form longer poems, and there are several bayati dastan, epics, in which all of the verses are bayati; one example is ''Arzu-Qamber''. Some folklorists associate the bayati with women's folk creativity, but male ashigs compose bayati as well. Intriguingly, some scholars argue that the bayati dastan are from a lost repertoire of women's dastan, but so far there is no firm evidence to support this theory. In the Zagatala region of northern Azerbaijan, male and female ashiqs who play the tanbur sing poetry composed only in the bayati meter.Anna C. Oldfield. Azerbaijani Women Poet-minstrels: Women Ashiqs from the Eighteenth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashik
An ashik (; ) or ashugh (; ka, :ka:აშუღი, აშუღი) is traditionally a List of oral repositories, singer-poet and bard who accompanies his song—be it a dastan (traditional epic story, also known as ''Azeri hikaye, hikaye'') or a shorter original composition—with a long-necked lute (usually a bağlama or bağlama, saz) in Music of Azerbaijan, Azerbaijani culture, including Music of Turkey, Turkish and Iranian Azeri, South Azerbaijani and non-Turkic cultures of Transcaucasia, South Caucasus (primarily Music of Armenia, Armenian and Music of Georgia (country), Georgian). In Azerbaijan, the Ashiqs of Azerbaijan, modern ashik is a professional musician who usually serves an apprenticeship, masters playing the bağlama, and builds up a varied but individual repertoire of Turkic peoples, Turkic folk songs.Colin P. Mitchell (Editor), New Perspectives on Safavid Iran: Empire and Society, 2011, Routledge, 90–92 Etymology The word ''ashiq'' (, meaning "in love" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azerbaijanis
Azerbaijanis (; , ), Azeris (, ), or Azerbaijani Turks (, ) are a Turkic peoples, Turkic ethnic group living mainly in the Azerbaijan (Iran), Azerbaijan region of northwestern Iran and the Azerbaijan, Republic of Azerbaijan. They are predominantly Shia Islam, Shia Muslims. They comprise the largest ethnic group in the Republic of Azerbaijan and the second-largest ethnic group in neighboring Iran and Georgia (country), Georgia. They speak the Azerbaijani language, belonging to the Oghuz languages, Oghuz branch of the Turkic languages. Following the Russo-Persian Wars of Russo-Persian War (1804–1813), 1813 and Russo-Persian War (1826–1828), 1828, the territories of Qajar Iran in the Caucasus were ceded to the Russian Empire and the Treaty of Gulistan, treaties of Gulistan in 1813 and Treaty of Turkmenchay, Turkmenchay in 1828 finalized the borders between Russia and Iran. After more than 80 years of being under the Russian Empire in the Caucasus, the Azerbaijan Democratic Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uzeyir Hajibeyov
Uzeyir bey Abdulhuseyn bey oghlu Hajibeyov (18 September 188523 November 1948) was an Azerbaijanis, Azerbaijani composer, musicologist and teacher. He is recognized as the father of Azerbaijani classical music. He composed the music of the Azərbaycan marşı, national anthem of Azerbaijan Democratic Republic (which was re-adopted after Azerbaijan regained its independence from the Soviet Union in 1991). Hajibeyov also composed the anthem used by Anthem of the Azerbaijan SSR, Azerbaijan during the Soviet period. He was the first composer of an opera in the Islamic world. He composed the first oriental opera ''Leyli and Majnun (opera), Leyli and Majnun'' in 1908 and since then he is revered for adapting the written masterpiece to the theatre. Early life Uzeyir Hajibeyov was born in Aghjabadi, near Shusha of Azerbaijan, on 18 September 1885. His father, Abdulhuseyn bey Hajibeyli, was the secretary to Khurshidbanu Natavan for many years, and his mother, Shirin, grew up in the Nat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leyli And Majnun (opera)
''Leyli and Majnun'' () is an opera in four acts by Uzeyir Hajibeyov, to an Azerbaijani libretto written by the composer and his brother Jeyhun Hajibeyov. The opera was first performed in Baku in 1908. Performance history It was written in 1907 and first performed on at the Taghiyev Theatre in Baku, which was then part of the Russian Empire The Russian Empire was an empire that spanned most of northern Eurasia from its establishment in November 1721 until the proclamation of the Russian Republic in September 1917. At its height in the late 19th century, it covered about , roughl .... The opera is considered the first opera of the Muslim East. The first performance of the opera was led by Huseyn Arablinski and Hajibeyov himself played violin. Uzeyir Hajibeyov and his brother Jeyhun Hajibeyov wrote the libretto for the opera based on Azerbaijani poet Muhammad Fuzuli's poem Layla and Majnun; most parts of the poem remained unchanged. Thus, the opera ''Leyli and Majnun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fuzuli (poet)
Muhammad bin Suleyman (, ; 1483–1556), better known by his pen name Fuzuli (, ), was a 16th-century poet who composed works in his native Azerbaijani, as well as Persian and Arabic. He is regarded as one of the greatest poets of Turkic literature and a prominent figure in both Azerbaijani and Ottoman literature. Fuzuli's work was widely known and admired throughout the Turkic cultural landscape from the 16th to the 19th centuries, with his fame reaching as far as Central Asia and India. Born in 1483 in modern-day Iraq, Fuzuli studied literature, mathematics, astronomy, and languages as a child. During his lifetime, his homeland changed hands between the Aq Qoyunlu, Safavid, and Ottoman states. He composed poetry for officials in all three empires, writing his first known poem to Shah Alvand Mirza of the Aq Qoyunlu. Fuzuli wrote most of his poetry during the Ottoman rule of Iraq, which is why he is also sometimes called an Ottoman poet. Throughout his life, he had several ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
