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Arazbary (mugham)
"Arazbary" ( az, Arazbarı) is one of the rhythmic Azerbaijani mughams belonging to the Zerbi mughams. The poetic text consists of folk bayats. At the end of each stanza, the words "ay zalym" ("Oh, villain!") are repeated. Arazbary, like the ashik melodies, is included in then creative heritage of ashik masters. Further, they were used, along with other elements of Azerbaijani folk music, in musical works of the classical European tradition. In particular, the composer Uzeyir Hajibeyov created a symphonic version of arazbary and used it (along with eirats, segah and other forms of mugham) in the first Azerbaijani opera "Leyli and Majnun ''Layla & Majnun'' ( ar, مجنون ليلى ; Layla's Mad Lover) is an old story of Arab origin, about the 7th-century Bedouin poet Qays ibn al-Mulawwah and his ladylove Layla bint Mahdi (later known as Layla al-Aamiriya). "The Layla ...", written in 1908 by the Azerbaijani poet Fuzuli based on the poem of the same name. Reference ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mugham
Mugham ( az, Muğam) or Mughamat ( az, Muğamat) is one of the many classical compositions from Azerbaijan, contrasting with tasnif and ashik. It is a highly complex art form that weds classical poetry and musical improvisation in specific local modes. Mugham is a modal system. Unlike Western modes, "mugham" modes are associated not only with scales but with an orally transmitted collection of melodies and melodic fragments that performers use in the course of improvisation. Mugham is a compound composition of many parts. The choice of a particular mugham and a style of performance fits a specific event. The dramatic unfolding in performance is typically associated with increasing intensity and rising pitches, and a form of poetic-musical communication between performers and initiated listeners. Three major schools of mugham performance existed from the late 19th and early 20th centuries in the regions of Karabakh, Shirvan, and Baku. The town of Shusha of Karabakh, was partic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tar (Azerbaijani Instrument)
The Azerbaijani tar and the skills related to this tradition play a significant role in shaping the cultural identity of Azerbaijanis. The tar is a long-necked, plucked lute, traditionally crafted, and performed in communities throughout the Republic of Azerbaijan. The tar is featured alone or with other instruments in numerous traditional musical styles. It is also considered by many to be the country's leading musical instrument. In 2012, the craftsmanship and performance art of the tar was added to the UNESCO's Intangible Cultural Heritage List. Craftsmanship Tar makers transmit their skills to apprentices, often within the family. Craftsmanship begins with careful selection of materials for the instrument: mulberry wood for the body, nut wood for the neck, and pear wood for the tuning pegs. Using various tools, crafters create a hollow body in the form of a figure eight, which is then covered with the thin pericardium of an ox. The fretted neck is affixed, metal strings a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamancheh
The kamancheh (also kamānche or kamāncha) ( fa, کمانچه, az, kamança, hy, Քամանչա, ku, کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. Name and etymology The word "kamancheh" means "little bow" in Persian (''kæman'', bow, and ''-cheh'', diminutive). The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bayati
{{About, a form of Azerbaijani folk poetry, other uses, Bayat (other) Bayati ( az, Bayatı) is one of the oldest forms of Azerbaijani folk poetry. A bayati consists of four lines, each of which has seven syllables. The rhyme scheme is aaba. Anonymous bayati have been collected as folk wisdom in editions such as ''Xalqimizin deyimlari va duyumlari'' (Our people's sayings and feelings). Bayati can also be strung together in sequence to form longer poems, and there are several bayati dastan, epics, in which all of the verses are bayati; one example is ''Arzu-Qamber''. Some folklorists associate the bayati with women's folk creativity, but male ashigs compose bayati as well. Intriguingly, some scholars argue that the bayati dastan are from a lost repertoire of women's dastan, but so far there is no firm evidence to support this theory. In the Zagatala region of northern Azerbaijan, male and female ashiqs who play the tanbur sing poetry composed only in the bayati meter.Ann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashik
An ashik ( az, aşıq, ; tr, âşık; fa, عاشیق) or ashugh ( hy, աշուղ; ka, აშუღი) is traditionally a singer-poet and bard who accompanies his song—be it a dastan (traditional epic story, also known as '' hikaye'') or a shorter original composition—with a long-necked lute (usually a bağlama or ''saz'') in Turkic (primarily Turkish and Azerbaijani cultures, including Iranian Azerbaijanis) and non-Turkic cultures of South Caucasus (primarily Armenian and Georgian). In Azerbaijan, the modern ashik is a professional musician who usually serves an apprenticeship, masters playing the bağlama, and builds up a varied but individual repertoire of Turkic folk songs.Colin P. Mitchell (Editor), New Perspectives on Safavid Iran: Empire and Society, 2011, Routledge, 90–92 The word ''ashiq'' ( ar, عاشق, meaning "in love" or "lovelorn") is the nominative form of a noun derived from the word ''ishq'' ( ar, عشق, "love"), which in turn may b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azerbaijanis
Azerbaijanis (; az, Azərbaycanlılar, ), Azeris ( az, Azərilər, ), or Azerbaijani Turks ( az, Azərbaycan Türkləri, ) are a Turkic people living mainly in northwestern Iran and the Republic of Azerbaijan. They are the second-most numerous ethnic group among the Turkic-speaking peoples after Turkish people and are predominantly Shia Muslims. They comprise the largest ethnic group in the Republic of Azerbaijan and the second-largest ethnic group in neighboring Iran and Georgia. They speak the Azerbaijani language, belonging to the Oghuz branch of the Turkic languages and carry a mixed heritage of Caucasian, "The Albanians in the eastern plain leading down to the Caspian Sea mixed with the Turkish population and eventually became Muslims." "...while the eastern Transcaucasian countryside was home to a very large Turkic-speaking Muslim population. The Russians referred to them as Tartars, but we now consider them Azerbaijanis, a distinct people with their own language and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uzeyir Hajibeyov
Uzeyir bey Abdulhuseyn oghlu Hajibeyov ( az, Üzeyir bəy Əbdülhüseyn oğlu Hacıbəyov; russian: Узеир Абдул-Гусейн оглы Гаджибеков, translit=Uzeir Abdul-Guseyn ogly Gadzhibekov; September 18, 1885November 23, 1948), known as Uzeyir Hajibeyov ( az, Üzeyir Hacıbəyov, links=no, Arabic script: , ) was an Azerbaijani composer, conductor, publicist, playwright, and social figure. He is recognized as the father of Azerbaijani composed classical music and opera. Uzeyir Hajibeyov composed the music of the national anthem of Azerbaijan Democratic Republic (which was re-adopted after Azerbaijan regained its independence from the Soviet Union in 1991). He also composed the anthem used by Azerbaijan during the Soviet period. He was the first composer of an opera in the Islamic world. He composed that first oriental opera Leyli and Majnun in 1908 and since then Azerbaijani people have been honored him for bringing to life the written masterpiece of the wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leyli And Majnun (opera)
''Leyli and Majnun'' ( az, Leyli və Məcnun) is an opera in four acts by Uzeyir Hajibeyov, to an Azerbaijani libretto written by the composer and his brother Jeyhun Hajibeyov. The opera was first performed in Baku in 1908. Performance history It was written in 1907 and first performed on at the Taghiyev Theatre in Baku, which was then part of the Russian Empire. The opera is considered the First Opera of the Muslim East. The first performance of the opera was led by Huseyn Arablinski and Hajibeyov himself played violin. Uzeyir Hajibeyov and his brother Jeyhun Hajibeyov wrote the libretto for the opera based on Azerbaijani poet Muhammad Fuzuli's poem Layla and Majnun; most parts of the poem remained unchanged. Thus, the opera ''Leyli and Majnun'' became a founder of the unique new genre in musical culture of the world, which synthesizes oriental and European musical forms, resembling a dialogue of two musical cultures of East and West. This opera has been shown more than 2, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fuzuli (poet)
Muhammad bin Suleyman ( az, Məhəmməd Süleyman oğlu, ; 1483–1556), better known by his pen name Fuzuli (, ), was a 16th-century poet who composed works in his native Azerbaijani language, Azerbaijani, as well as Persian language, Persian and Arabic language, Arabic. He is regarded as one of the greatest poets of Turkic languages, Turkic literature and a prominent figure in both Azerbaijani literature, Azerbaijani and Ottoman literature. Fuzuli's work was widely known and admired throughout the Persianate Turkic cultural domain from the 16th to the 19th century, with his fame reaching as far as Central Asia and Indian subcontinent, India. Born in 1483 in modern-day Iraq, Fuzuli studied literature, mathematics, astronomy and languages as a child. During his lifetime, his homeland changed hands between the Aq Qoyunlu, Safavid Iran, Safavid, and Ottoman Empire, Ottoman empires. He composed poetry for officials in all three empires, writing his first known poem to Alvand Beg, Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
