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Antwerp Mannerist
Antwerp Mannerism is the name given to the style of a group of largely anonymous painters active in the Southern Netherlands and principally in Antwerp in roughly the first three decades of the 16th century, a movement marking the tail end of Early Netherlandish painting, and an early phase within Dutch and Flemish Renaissance painting. The style bore no relation to Italian Mannerism, which it mostly predates by a few years, but the name suggests that it was a reaction to the "classic" style of the earlier Flemish painters, just as the Italian Mannerists were reacting to, or trying to go beyond, the classicism of High Renaissance art. The Antwerp Mannerists' style is certainly "mannered", and "characterized by an artificial elegance. Their paintings typically feature elongated figures posed in affected, twisting, postures, colorful ornate costumes, fluttering drapery, Italianate architecture decorated with grotesque ornament, and crowded groups of figures...". Joseph Koerne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Van Doornick - The Marriage Of The Virgin - 29-1929 - Saint Louis Art Museum
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number, a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * ''Joint Army-Navy'', US standards for electronic color codes, etc. * '' Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Mandarin as Jan in Wade–Giles * Ján, Slovak name Other uses * January, as an abbreviation for the first month of the year in the Gregorian calendar * Jan (cards), a term in some card games when a player loses without taking any tricks or scoring a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gossaert
Jan Gossaert (c. 1478 – 1 October 1532) was a French-speaking painter from the Low Countries also known as Jan Mabuse (the name he adopted from his birthplace, Maubeuge) or Jennyn van Hennegouwe (County of Hainaut, Hainaut), as he called himself when he matriculated in the Guild of Saint Luke, at Antwerp, in 1503. He was one of the first painters of Dutch and Flemish Renaissance painting to visit Italy and Rome, which he did in 1508–09, and a leader of the style known as Romanism (painting), Romanism, which brought elements of Italian Renaissance painting to the north, sometimes with a rather awkward effect. He achieved fame across at least northern Europe, and painted religious subjects, including large altarpieces, but also portraits and mythological subjects, including some nudity. From at least 1508 he was apparently continuously employed, or at least retained, by quasi-royal patrons, mostly members of the extended Habsburg family, heirs to the House of Valois, Valois ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Mertens The Younger
Jan Mertens the Younger (died c. 1527) was a South Netherlandish painter, at the end of the period of Early Netherlandish painting. He was born and died in Antwerp. His father was the sculptor Jan Mertens the Elder, whose family is thought to have originated in Tournai. Mertens the Younger was apprenticed to the painter Jan Gossaert in 1505, and he became a master of the Antwerp painters' guild in 1509. He was the father-in-law (and perhaps teacher) of Pieter Coecke van Aelst, who married Mertens’s daughter Anna before 1526, and whose work has been used as the basis for the identification of Mertens with the Master of 1518, an Antwerp painter named after the date inscribed on the painted wings of a carved wooden altarpiece of the Life of the Virgin in St. Mary's Church, Lübeck. The sharp focus, lively narrative and exaggerated poses evident in the painted wings in Lübeck are characteristic of Antwerp Mannerism, but Mertens’s work is distinguished by its brilliant color ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan De Beer (painter)
Jan de Beer, formerly known as the Master of the Milan Adoration (c. 1475 – 1528) was a Flemish painter, draughtsman and glass designer active in Antwerp at the beginning of the 16th century. He is considered one of the most important members of the loose group of painters active in and around Antwerp in the early 16th century referred to as the Antwerp Mannerists. Highly respected in his time, he operated a large workshop with an important output of religious compositions.Judith Niessen, ''Jan de Beer (Antwerpen circa 1475 - Antwerpen 1528)'' at the Boijmans van Beuningen Museum, 27 November 2012 Life Jan de Beer was born around 1475 as the son of the painter Claes de Beer.[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joos Van Cleve
Joos van Cleve (; also Joos van der Beke; c. 1485–1490 – 1540/1541) was a leading painter active in Antwerp from his arrival there around 1511 until his death in 1540 or 1541. Within Dutch and Flemish Renaissance painting, he combines the traditional techniques of Early Netherlandish painting with influences of more contemporary Renaissance painting styles. An active member and co-deacon of the Guild of Saint Luke of Antwerp, he is known mostly for his religious works and portraits, some of royalty. He ran a large workshop, with at least five pupils and other assistants, which produced paintings in a variety of styles over his career. As a skilled technician, his art shows sensitivity to color and a unique solidarity of figures. His style is highly eclectic: he was one of the first to introduce broad world landscapes in the backgrounds of his paintings, sometimes collaborating with Joachim Patinir, which would become a popular technique of sixteenth century northern Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Of The Lille Adoration
The Master of the Lille Adoration (active ), was an Early Netherlandish painter active in Antwerp, as one of the Antwerp Mannerists. He was first suggested as a distinct but unknown figure in 1995 in an article by Ellen Konowitz, a proposal which has been widely accepted. Master of the Lille Adoration in the In 2014, gave his dates as "active Antwerp by c. 1523/35". Most of the works the new master has now been "given" were previously attributed to Dirck Vellert, the leading Antwerp |
Master Of 1518
The Master of 1518 is a Flemish painter belonging to the stylistic school of Antwerp Mannerism. A group of unsigned paintings is attributed to this artist on stylistic grounds, and his name is derived from the date inscribed on the painted wings of a carved wooden altarpiece of the Life of the Virgin in St. Mary's Church in Lübeck Germany. Although this artist’s identity is not known with certainty, some scholars believe that the Master of 1518 was either Jan Mertens the Younger or Jan van Dornicke Jan van Dornicke was a South Netherlandish painter who was born in Doornik (nowadays also known as Tournai) in about 1470 and died about 1527. His first name is sometimes spelled "Janssone", and his last name is sometimes spelled "van Doornik" o ..., or that all three were the same person. His paintings are primarily crowded depictions of religious scenes combining Gothic and Renaissance styles. He frequently incorporated elaborate clothing and architectural ruins. Referen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Of The Antwerp Adoration
The Master of the Antwerp Adoration (active 1500 – 1520) was a Flemish painter in the style of Antwerp Mannerism, whose compositions are typically filled with agitated figures in exotic, extravagant clothes. His notname is from a triptych showing the Adoration of the Magi, acquired by the Antwerp Museum of Fine Arts. He was active in Antwerp. He was identified by Max J. Friedlander as the same person as the Master of Linnich.Master of the Antwerp Adoration in the (Netherlands Institute for Art History) Little else is known. Despite various attempts to match him to recorded names of artists of the time, a leading scholar described the question of his identity in 2007 as "still up in smoke".
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Master Of The Von Groote Adoration
The Master of the Von Groote Adoration is a notname given to an artist or a number of artists or various workshops active in Antwerp sometime between 1500 and 1520.Meester van de Aanbidding Von Groote at the Whereas there are significant variations in the style of the works attributed to the master, the repetitions of certain subjects played an important role in the composition of the oeuvre. The master is considered a representative of the group of Antwerp mannerists who created works in an extravagant style in the early sixteenth century. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notname
In art history, a ''Notname'' (, "necessity-name" or "contingency-name") is an invented name given to an artist whose identity has been lost. The practice arose from the need to give such artists and their typically untitled, or generically titled works, an acceptable if unsatisfactory grouping, avoiding confusion when cataloging. The phrases provisional name, name of convenience and emergency names are sometimes used to describe anonymous masters; nonce name was at one time used. The practice of using generic names for unidentified artists is most common in the study of art of the antiquity, especially of the Roman era or with artists of the Northern Renaissance until about 1430. Typically a pseudonym is applied after commonality is established for a grouping of works, of which a similarity of theme, style, iconography, biblical source or physical location can probably be attributed to one individual or workshop, but because of lack of surviving documentary record, the name of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anonymous Masters
In art history, an anonymous master is an Old Master whose work is known, but whose name is lost. Renaissance Only in the Renaissance did individual artists in Western Europe acquire personalities known by their peers (some listed by Vasari in his ''Lives of the Artists''), such as those known by: * Their true name or their father's name: ** Filippino Lippi after his father Fra Filippo Lippi * A chosen pseudonym, possibly linked to his birthplace or his father's trade: ** Giuliano da Sangallo worked on the gate of Saint Gall ** Antonio del Pollaiuolo, after his father, a chicken farmer (pollo in Italian) ** Jacopo del Sellaio, after his father, a saddler (''sellier'') ** The Della Robbias (after the Tuscan word ''robbia'', dyers' madder, and his father, the dyer Luca della Robbia) ** Masuccio Segondo, student of Masuccio Primo ** etc. * A surname attributed to him: ** Il Cronaca, who never stopped talking about the ruins he had seen in Rome ** Daniele da Volterra, nicknamed ''Il ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan De Beer (Attr (c. 1475–1528), Netherlandish painter and draughtsman
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Jan de Beer may refer to: * Jannie de Beer (born 1971), South African rugby union player * Jan de Beer (painter) Jan de Beer, formerly known as the Master of the Milan Adoration (c. 1475 – 1528) was a Flemish painter, draughtsman and glass designer active in Antwerp at the beginning of the 16th century. He is considered one of the most important membe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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