![Joos van Cleve - Self-Portrait - WGA5048](https://upload.wikimedia.org/wikipedia/commons/e/ee/Joos_van_Cleve_-_Self-Portrait_-_WGA5048.jpg)
Joos van Cleve (; also Joos van der Beke; c. 1485–1490 – 1540/1541) was a leading painter active in
Antwerp from his arrival there around 1511 until his death in 1540 or 1541. Within
Dutch and Flemish Renaissance painting
Dutch and Flemish Renaissance painting represents the 16th-century response to Italian Renaissance art in the Low Countries. These artists, who span from the Antwerp Mannerists and Hieronymus Bosch at the start of the 16th century to the late No ...
, he combines the traditional techniques of
Early Netherlandish painting with influences of more contemporary Renaissance painting styles.
An active member and co-deacon of the
Guild of Saint Luke
The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was ide ...
of Antwerp, he is known mostly for his religious works and portraits, some of royalty. He ran a large workshop, with at least five pupils and other assistants, which produced paintings in a variety of styles over his career. As a skilled technician, his art shows sensitivity to color and a unique solidarity of figures.
His style is highly eclectic: he was one of the first to introduce broad
world landscape
The world landscape, a translation of the German ''Weltlandschaft'', is a type of composition in Western painting showing an imaginary panoramic landscape seen from an elevated viewpoint that includes mountains and lowlands, water, and buildings. ...
s in the backgrounds of his paintings, sometimes collaborating with
Joachim Patinir
Joachim Patinir, also called Patenier (c. 1480 – 5 October 1524), was a Flemish Renaissance painter of history and landscape subjects. He was Flemish, from the area of modern Wallonia, but worked in Antwerp, then the centre of the art market ...
, which would become a popular technique of sixteenth century
northern Renaissance
The Northern Renaissance was the Renaissance that occurred in Europe north of the Alps. From the last years of the 15th century, its Renaissance spread around Europe. Called the Northern Renaissance because it occurred north of the Italian Renais ...
paintings. Some works reflect the popular style of
Antwerp Mannerism
Antwerp Mannerism is the name given to the style of a group of largely anonymous painters active in the Southern Netherlands and principally in Antwerp in roughly the first three decades of the 16th century, a movement marking the tail end of Ear ...
, while others are variations on early Netherlandish masters of two or more generations before, or reflect recent Italian painting.
Four of his more important paintings have the
monogram "JB", presumably for Joos van der Beke, rather inconspicuously placed. In three other works a self-portrait is placed among the minor figures. From the seventeenth to the nineteenth centuries, the name of Joos van Cleve as an artist was lost. Some of the paintings now attributed to Joos van Cleve were, at that time, known as the works of the "Master of the Death of the Virgin", after the triptych in the
Wallraf-Richartz-Museum in
Cologne
Cologne ( ; german: Köln ; ksh, Kölle ) is the largest city of the German western state of North Rhine-Westphalia (NRW) and the fourth-most populous city of Germany with 1.1 million inhabitants in the city proper and 3.6 millio ...
. In 1894 it was discovered that the monogram on the back of the triptych was that of Joos van der Beke, the real name of Joos van Cleve.
His oeuvre was reconstructed in the 1920s and 1930s by
Ludwig von Baldass and
Max Jakob Friedländer
Max Jakob Friedländer (5 July 1867 in Berlin – 11 October 1958 in Amsterdam) was a German museum curator and art historian. He was a specialist in Early Netherlandish painting and the Northern Renaissance, who volunteered at the Kupferstichkab ...
. Now over 300 works are generally attributed to him or his workshop, which vary considerably in both quality and style.
[Leeflang, 63]
He was the father of
Cornelis van Cleve (1520–1567) who also became a painter, and inherited the workshop.
Cornelis became mentally ill during a residence in England and was therefore referred to as 'Sotte Cleef' (mad Cleef).
[Joos van Cleve]
at the Netherlands Institute for Art History
The Netherlands Institute for Art History or RKD (Dutch: RKD-Nederlands Instituut voor Kunstgeschiedenis), previously Rijksbureau voor Kunsthistorische Documentatie (RKD), is located in The Hague and is home to the largest art history center i ...
Life
![Joos van Cleve - Altarpiece of the Lamentation - WGA5041](https://upload.wikimedia.org/wikipedia/commons/9/94/Joos_van_Cleve_-_Altarpiece_of_the_Lamentation_-_WGA5041.jpg)
Joos van Cleve was born around 1485–90. The birthplace of Joos van Cleve is not precisely known. In various Antwerp legal documents he is referred to as 'Joos van der Beke alias van Cleve'. It is therefore likely that he came from the
Lower Rhenish region or city named
Kleve
Kleve (; traditional en, Cleves ; nl, Kleef; french: Clèves; es, Cléveris; la, Clivia; Low Rhenish: ''Kleff'') is a town in the Lower Rhine region of northwestern Germany near the Dutch border and the River Rhine. From the 11th century ...
(in traditional English "Cleves"), from which his name is derived. It is assumed that he began his artistic training around 1505 in the workshop of
Jan Joest
Jan Joest, also known as Jan Joest van Kalkar or Jan Joest van Calcar (between 1450 and 1460 – 1519), was a Dutch painter from either Kalkar or Wesel (both now in Germany), known for his religious paintings.
Biography
Jan Joest was practi ...
, whom he assisted in the panel paintings of the wings for the high altar of the Nikolaikirche in
Kalkar
Kalkar ( is a municipality in the district of Kleve, in North Rhine-Westphalia, Germany. It is located near the Rhine, approx. 10 km south-east of Cleves. The catholic church St. Nicolai has preserved one of the most significant sacral inven ...
, Lower Rhine, Germany,
[John Oliver Hand. "Cleve, van (i)." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 March 2015] from 1506 to 1509. These include one of his self-portraits. From this a birth date of about 1485 to 1490 is inferred.
Joos van Cleve is believed to have moved to
Bruges
Bruges ( , nl, Brugge ) is the capital and largest city of the province of West Flanders in the Flemish Region of Belgium, in the northwest of the country, and the sixth-largest city of the country by population.
The area of the whole city a ...
between 1507 and 1511 since his painting style is similar to that of the painters of Bruges.
[ Later he moved to Antwerp, and in 1511 became a free master in the Antwerp ]Guild of Saint Luke
The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was ide ...
. He was co-deacon of the guild for several years around 1520, along with registering pupils there at various dates between 1516 and 1536. In 1528 he bought a house from his wife's parents. As there are no records of his being in Antwerp between 1529 and 1534, it is possible he spent some of this time in Italy or France at the court, or even London.[
From surviving documents it is clear that he was alive in Antwerp on 10 November 1540 and dead by 4 February 1541.
]
Personal life
He had two children from his first marriage, a daughter and a son. His son named Cornelis (1520) became a painter. Although the date of his death is unknown, Joos van Cleve drew up a will and testament on 10 November 1540, and his second wife was listed as a widow in April 1541.
There are a number of other "van Cleef" Antwerp painters recorded from his time, some of whom may have been relatives.
Work
Compositions were often copied, repeated or adapted; for example at least six versions of an ''Adoration of the Magi'' triptych composition by him and his workshop are known, though varying considerably in size, with the widths of the centre panel ranging from 56 to 93 cm. This probably reflected different intended sites for the paintings, from private house chapels to churches.
Numerous paintings contain heraldry, which often enables the customers to be identified, including eleven of the twenty-one altarpieces attributed to the workshop. In other works the identity of local saints gives clues. Antwerp was the centre of European trade in the period, and the Antwerp merchant class was highly cosmopolitan. Five paintings can be linked with Italy, especially Genoa
Genoa ( ; it, Genova ; lij, Zêna ). is the capital of the Italian region of Liguria and the sixth-largest city in Italy. In 2015, 594,733 people lived within the city's administrative limits. As of the 2011 Italian census, the Province of ...
, and others to Cologne
Cologne ( ; german: Köln ; ksh, Kölle ) is the largest city of the German western state of North Rhine-Westphalia (NRW) and the fourth-most populous city of Germany with 1.1 million inhabitants in the city proper and 3.6 millio ...
(three altarpieces) and Danzig in Germany, and four to various Netherlandish cities. Others have the arms of his homeland Mark-Cleves, the territories of John III, Duke of Cleves
John III, Duke of Cleves and Count of Mark (German: ''Johann III der Friedfertige''; 10 November 1490 – 6 February 1539), known as John the Peaceful, was the Lord of Ravensberg, Count of Marck, and founder of the United Duchies of Jülich-Cle ...
, and the Holy Roman Empire
The Holy Roman Empire was a political entity in Western, Central, and Southern Europe that developed during the Early Middle Ages and continued until its dissolution in 1806 during the Napoleonic Wars.
From the accession of Otto I in 962 ...
, suggesting the duke or a close courtier. Three paintings delivered to King Francois I of France are recorded.
The great majority of his work is religious subjects or portraits, with the main exceptions being versions of the ''Suicide of Lucretia
According to Roman tradition, Lucretia ( /luːˈkriːʃə/ ''loo-KREE-shə'', Classical Latin: ʊˈkreːtɪ.a died c. 510 BC), anglicized as Lucrece, was a noblewoman in ancient Rome, whose rape by Sextus Tarquinius (Tarquin) and subseq ...
'', and a Leonardo-esque half-length nude, the ''Mona Vanna'' in the National Gallery in Prague
The National Gallery Prague ( cz, Národní galerie Praha, NGP), formerly the National Gallery in Prague (), is a state-owned art gallery in Prague, which manages the largest collection of art in the Czech Republic and presents masterpieces of Cze ...
.
In January 2021 an episode the BBC Four series ''Britain's Lost Masterpieces
''Britain's Lost Masterpieces'' is a factual BBC Four documentary television series that aims to uncover overlooked art treasures in British public collections, in conjunction with Art UK. It is presented by Bendor Grosvenor, along with art hist ...
'', centred on the fine art collection of the Royal Pavilion
The Royal Pavilion, and surrounding gardens, also known as the Brighton Pavilion, is a Grade I listed former royal residence located in Brighton, England. Beginning in 1787, it was built in three stages as a seaside retreat for George, Princ ...
in Brighton, uncovered a work of Joos van Cleve, a portrayal of Balthazar, previously attributed to Bernard van Orley
Bernard van Orley (between 1487 and 1491 – 6 January 1541), also called Barend or Barent van Orley, Bernaert van Orley or Barend van Brussel, was a versatile Flemish artist and representative of Dutch and Flemish Renaissance painting, who ...
. The painting had once been the left-hand door of a folding altarpiece triptych.
File:Cat373-cons2017.jpg, ''Descent from the Cross'', Rogier van der Weyden
Rogier van der Weyden () or Roger de la Pasture (1399 or 140018 June 1464) was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly ...
's figures (Prado), given a landscape background.
File:The Last Judgment by Joos van Cleve.jpg, ''The Last Judgment'', oil on panel, 123.8 cm (48.7 in) high
File:Joos van Cleve, c.1516-18, Le Christ en Salvator Mundi, 54 x 40 cm, Louvre.jpg, ''Salvator Mundi
, Latin for Saviour of the World, is a subject in iconography depicting Christ with his right hand raised in blessing and his left hand holding an orb (frequently surmounted by a cross), known as a . The latter symbolizes the Earth, and the wh ...
'', c.1516-18, Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central l ...
File:Joos van Cleve - Annunciation (Metropolitan Museum of Art).jpg, ''Annunciation''; Italianate figure style, with the Early Netherlandish domestic setting of works such as the Mérode Altarpiece
The Mérode Altarpiece (or ''Annunciation Triptych'') is an oil on oak panel triptych, now in The Cloisters, in New York City. It is unsigned and undated, but attributed to Early Netherlandish painter Robert Campin and an assistant. The three pa ...
of Robert Campin
Robert Campin (c. 1375 – 26 April 1444), now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), was the first great master of Early Netherlandish paint ...
, c. 1525
File:Joos van cleve inv.2928.jpg, ''Rest on the Flight into Egypt
The Rest on the Flight into Egypt is a subject in Christian art showing Mary, Joseph, and the infant Jesus resting during their flight into Egypt. The Holy Family is normally shown in a landscape.
The subject did not develop until the seco ...
'', Royal Museums of Fine Arts of Belgium
File:Joos van Cleve 003.jpg, Portrait of Eleonore of Austria, Queen of France, c. 1530
Artistic influences
The influence of Kalkar and Bruges are seen in many of Joos van Cleve's early works, such as ''Adam and Eve'' (1507). The ''Death of the Virgin'' (1520) shows the combined influence of several artists. It has the intense emotionality of Hugo van der Goes
Hugo van der Goes (c. 1430/1440 – 1482) was one of the most significant and original Early Netherlandish painting, Flemish painters of the late 15th century. Van der Goes was an important painter of altarpieces as well as portraits. He introduce ...
, and iconographic ideas of Jan van Eyck and Robert Campin
Robert Campin (c. 1375 – 26 April 1444), now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), was the first great master of Early Netherlandish paint ...
. A strong influence of Italian art combined with Joos van Cleve's own color and light sensitivity make his works especially unique. The " Antwerp Mannerist" style is identifiable in the ''Adoration of the Magi''. It is thought that the "Antwerp Mannerists" were in turn influenced by Joos van Cleve.
Like Quentin Matsys
Quentin Matsys ( nl, Quinten Matsijs) (1466–1530) was a Flemish painter in the Early Netherlandish tradition. He was born in Leuven. There is a tradition alleging that he was trained as an ironsmith before becoming a painter. Matsys was activ ...
, a fellow artist active in Antwerp, Joos van Cleve appropriated themes and techniques of Leonardo da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially res ...
. This is apparent in the use of sfumato in the ''Virgin and Child''. Multiple versions of a soft, sentimental ''Madonna and Child and the Holy Family'' were discovered, produced in his workshop.
Royal portraits
Joos van Cleve's skills as a portrait artist were highly regarded as demonstrated by a summons to the court of Francis I of France
Francis I (french: François Ier; frm, Francoys; 12 September 1494 – 31 March 1547) was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin on ...
. There he painted the king
King is the title given to a male monarch in a variety of contexts. The female equivalent is queen, which title is also given to the consort of a king.
*In the context of prehistory, antiquity and contemporary indigenous peoples, the tit ...
( Philadelphia Museum of Art), the queen Eleanor of Austria
Eleanor of Austria (15 November 1498 – 25 February 1558), also called Eleanor of Castile, was born an Archduchess of Austria and Infanta of Castile from the House of Habsburg, and subsequently became Queen consort of Portugal (1518–1 ...
( Kunsthistorisches Museum) and other members of the court. His portrait of Henry VIII of England is of comparable size to that of Francis I (72.1 x 59.2 cm) and the compositions and costumes in both portraits are similar. Some historians have interpreted this as evidence that the portraits were pendants painted to commemorate the meeting of the two kings in Calais and Boulogne on 21 and 29 October 1532, which Joos might possibly have witnessed. Other historians have proposed the alternative view that van Cleve based the Henry VIII portrait on that of Francis I without meeting the English king. He may have hoped that this gesture might earn him English royal commissions in future.
Virgin and Child and Holy Family
Small devotional pictures of the Virgin Mary
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of ...
were the bread and butter work of early 15th century painting workshops, and Joos van Cleve produced many different types of the ''Virgin and Child
In art, a Madonna () is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent ...
'', the ''Holy Family
The Holy Family consists of the Child Jesus, the Virgin Mary and Saint Joseph. The subject became popular in art from the 1490s on, but veneration of the Holy Family was formally begun in the 17th century by Saint François de Laval, the fir ...
'' and the ''Virgin and Child with St Anne''. In some instances the prime version
In the art world, if an artwork exists in several versions, the one known or believed to be the earliest is called the prime version. Many artworks produced in media such as painting or carved sculpture which create unique objects are in fact r ...
has been lost, but the type can be recovered through the numerous replicas produced by his workshop and copyists. Most of these were no doubt produced with no specific commission, with many distributed by agents and dealers across Europe, for the houses of the wealthy.
The Holy Family was a newly popular subject in small devotional paintings, reflecting increased theological and devotional interest in the role of Saint Joseph. One of the earliest examples of the new type is the painting by Joos dated to c. 1512 at the New York Metropolitan Museum of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
. This essentially reduced the figures from Jan van Eyck's ''Lucca Madonna
The ''Lucca Madonna'' is an oil painting by the Early Netherlandish master Jan van Eyck, painted in approximately 1437. It shows Mary seated on a wooden throne and crowned by a canopy, breastfeeding the infant Christ. Its carpentry suggests it ...
'' (c. 1435, Städel, Frankfurt) to a close-up with domestic still life details, and added Saint Joseph over the Virgin's shoulder. The wine and fruits on the foreground are a reference to Christ's incarnation and future sacrifice. They also hint at the emerging genre of still-life painting in Flanders.
Another of the many compositional types exists in very similar versions, one in the Museum of Fine Arts, Budapest
The Museum of Fine Arts ( hu, Szépművészeti Múzeum seːpmyveːsɛti ˈmuːzɛum is a museum in Heroes' Square, Budapest, Hungary, facing the Palace of Art.
It was built by the plans of Albert Schickedanz and Fülöp Herzog in an eclecti ...
and another sold at Sotheby's on 30 January 2014. It is full of charm and tenderness and was popular in his own time as well as with later collectors. The composition shows the Virgin with a brilliant red cloak, lined with fur and elaborately embroidered with pearls along the outside edge. The Virgin is seated in a loggia-like space with open windows through which a distant mountainous landscape is visible. She has her lips parted in a slight smile while she helps the Christ Child drink from a glass with red wine, a symbol of Christ's future suffering and blood and the Eucharist
The Eucharist (; from Greek , , ), also known as Holy Communion and the Lord's Supper, is a Christian rite that is considered a sacrament in most churches, and as an ordinance in others. According to the New Testament, the rite was instit ...
. Characteristic of Netherlandish painting of this period are the jewel-like colours and the details of the Virgin's costume and brocade pillow in the foreground.
A new devotional type of the Virgin alone, her hands clasped in prayer, also appears in many versions. This may be called a ''Mater Dolorosa
Our Lady of Sorrows ( la, Beata Maria Virgo Perdolens), Our Lady of Dolours, the Sorrowful Mother or Mother of Sorrows ( la, Mater Dolorosa, link=no), and Our Lady of Piety, Our Lady of the Seven Sorrows or Our Lady of the Seven Dolours are names ...
''.
File:Joos van Cleve - Madonna and Sleeping Child in a Landscape.jpg, Madonna and Sleeping Child in a Landscape, 1515-1520
File:Joos van cleve, madonna col bambino.JPG, Genoa, Palazzo Bianco
Palazzo Bianco ( en, White Palace) is one of the main buildings of the center of Genoa, Italy. It is situated at 11, via Garibaldi (known at one time as ''Strada Nuova'', and before that, ''Via Aurea'').
It contains the Gallery of the White Pala ...
File:Joos van Cleve - Kirschenmadonna (Gemäldegalerie, Berlin).jpg, Leonardo-esque ''Madonna of the Cherries'', Berlin, c. 1525
File:Joos van Cleve (c.1464-c.1540) - Virgin and Child - 104 - Fitzwilliam Museum.jpg, Fitzwilliam Museum
The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Vis ...
, c. 1525-30
File:Joos van Cleve - Virgin and child.jpg, With wine-drinking Child, sold Sotheby's
Sotheby's () is a British-founded American multinational corporation with headquarters in New York City. It is one of the world's largest brokers of fine and decorative art, jewellery, and collectibles. It has 80 locations in 40 countries, an ...
, 2014
File:Joos van Cleve - The Virgin in Prayer (Minneapolis Institute of Arts).jpg, ''The Virgin in Prayer'', Minneapolis Institute of Arts
The Minneapolis Institute of Art (Mia) is an arts museum located in Minneapolis, Minnesota, United States. Home to more than 90,000 works of art representing 5,000 years of world history, Mia is one of the largest art museums in the United Stat ...
File:Joos van Cleve - Mater Dolorosa - ILE1973.8.2 - Yale University Art Gallery.jpg, ''The Virgin in Prayer'', Yale
File:The Holy Family MET DT3079.jpg, Another Holy Family
The Holy Family consists of the Child Jesus, the Virgin Mary and Saint Joseph. The subject became popular in art from the 1490s on, but veneration of the Holy Family was formally begun in the 17th century by Saint François de Laval, the fir ...
type found in many versions
Saint Jerome
Saint Jerome
Jerome (; la, Eusebius Sophronius Hieronymus; grc-gre, Εὐσέβιος Σωφρόνιος Ἱερώνυμος; – 30 September 420), also known as Jerome of Stridon, was a Christian priest, confessor, theologian, and historian; he is co ...
became increasingly of interest and popular after the publication of Erasmus
Desiderius Erasmus Roterodamus (; ; English: Erasmus of Rotterdam or Erasmus;''Erasmus'' was his baptismal name, given after St. Erasmus of Formiae. ''Desiderius'' was an adopted additional name, which he used from 1496. The ''Roterodamus'' w ...
's nine-volume set of his works, prefaced with a biography, in 1516, and the general increased interest in the text of the Bible. Jerome had compiled the Latin Vulgate
The Vulgate (; also called (Bible in common tongue), ) is a late-4th-century Latin translation of the Bible.
The Vulgate is largely the work of Jerome who, in 382, had been commissioned by Pope Damasus I to revise the Gospels us ...
which remained the official version of the Western church
Western Christianity is one of two sub-divisions of Christianity (Eastern Christianity being the other). Western Christianity is composed of the Latin Church and Western Protestantism, together with their offshoots such as the Old Catholic ...
until the Protestant Reformation
The Reformation (alternatively named the Protestant Reformation or the European Reformation) was a major movement within Western Christianity in 16th-century Europe that posed a religious and political challenge to the Catholic Church and ...
was well under way.
Paintings of Saint Jerome were produced by Joos and his workshop, apparently beginning in 1521, in three basic types: penitent amid a desert landscape, with his attribute of a lion; at bust or half-length in a cluttered study, often with a skull on his desk; and lastly in his study, naked to the waist and holding a rock. The first two are not original, and borrow in particular from Albrecht Dürer; the last, from the 1520s onwards, is an unusual combination of a figure type usually seen outdoors with the indoors study setting. In some versions of this type there are inscriptions referring to the Last Judgement
The Last Judgment, Final Judgment, Day of Reckoning, Day of Judgment, Judgment Day, Doomsday, Day of Resurrection or The Day of the Lord (; ar, یوم القيامة, translit=Yawm al-Qiyāmah or ar, یوم الدین, translit=Yawm ad-Dīn, ...
. Various inscriptions in the second type, usually on the back wall, also exhort thoughts of death and judgement. The last type is probably known only from numerous workshop or later versions.
File:Joos van Cleve - Saint Jerome in Penitence (1516-18).jpg, ''Saint Jerome in Penitence''
File:Joos van Cleve - Der heilige Hieronymus.jpg, The second type described here
File:Saint Jerome in His Study.jpg, ''Saint Jerome in His Study'', 1528, Princeton, with ''HOMO BULLA'' ("Man is a bubble") on the wall.
File:Joos van cleve (da), san girolamo penitente nello studio, 1545 ca.jpg, In his study, with a rock
Works (very incomplete list)
In chronological order
* ''The Holy Family'' (1515), Akademie der bildenden Kunste, Vienna
* ''Saint Reinhold Altar'' (before 1516), National Museum, Warsaw
Warsaw ( pl, Warszawa, ), officially the Capital City of Warsaw,, abbreviation: ''m.st. Warszawa'' is the capital and largest city of Poland. The metropolis stands on the River Vistula in east-central Poland, and its population is officia ...
* ''Descent from the Cross'' (c. 1517–20), Philadelphia Museum of Art
* ''Triptych. Centre: the Deposition from the Cross; Left wing: St John the Baptist with a Donor; Right wing: St Margaret of Antioch with a Donatrix'' (1518–1519), National Galleries Scotland, Edinburgh
* ''Self-Portrait'' (1519), Museo Thyssen-Bornemisza, Madrid
* ''The Death of the Virgin'' (1520), Alte Pinakothek, Munich
* '' Man with the Rosary'' (1520), National Museum of Serbia
The National Museum of Serbia ( sr, / ) is the largest and oldest museum in Belgrade, Serbia. It is located in the central zone of Belgrade on a square plot between the Republic Square, formerly Theatre Square, and three streets: Čika Ljubina ...
* ''Altarpiece of the Lamentation'' (1520–25), Musée du Louvre, Paris
* ''The Suicide of Lucretia'' (1520–25), Kunsthistorisches Museum, Vienna
* ''Madonna of the Cherries'' (c1525), Bristol Museum and Art Gallery, Bristol, UK.
* ''St. John the Evangelist on Patmos'' (1525), University of Michigan Museum of Art, Ann Arbor
* ''Portrait of a Man and Woman'' (1520 and 1527), Galleria degli Uffizi, Florence
* ''The Annunciation'
(1525), Metropolitan Museum of Art, New York
* '' The Infants Christ and Saint John the Baptist Embracing'' (1525–30), Art Institute, Chicago
* ''Adoration of the Magi'' (1526–28), Gemaldegalerie, Dresden
* ''Saint Jerome in his Study'' (1528), Vassar College, Frances Lehman Loeb Art Center, Poughkeepsie, New York
* ''Portrait of Eleonora, Queen of France'' (1530), Kunsthistorisches Museum, Vienna
* ''Virgin and Child'' (1535), Landesmuseum, Oldenburg
* ''Madonna and Child against the renaissance background'' (c. 1535), Museum of King Jan III's Palace at Wilanów
Wilanów () is a district of the city of Warsaw, Poland. It is home to historic Wilanów Palace, the "Polish Versailles," and second home to various Polish kings.
History
The first mentions of a settlement in the area can be traced to the 13t ...
, Warsaw
Warsaw ( pl, Warszawa, ), officially the Capital City of Warsaw,, abbreviation: ''m.st. Warszawa'' is the capital and largest city of Poland. The metropolis stands on the River Vistula in east-central Poland, and its population is officia ...
Dates unknown
* ''Death of the Virgin'', Wallraf-Richartz Museum, Cologne
* ''The Holy Family'', The Hermitage, St. Petersburg
* ''Mona Vanna'', National Gallery, Prague
* ''Portrait of Agniete ven den Rijne'', Rijksmuseum Twenthe, Enschede
* ''Portrait of Anthonis van Hilten'', Rijksmuseum Twenthe, Enschede
* ''St. Anne with the Virgin and Child and St. Joachim'', Musee Royaux des Beaux-Arts, Brussels
* ''Virgin and Child'', Szepmuveszeti Muzeum, Budapest
* ''Triptych of Saint Peter, Saint Paul and Saint Andrew'', Museu de Arte Sacra do Funchal
Notes
References
* Hand, John Oliver. ""Saint Jerome in His Study" by Joos Van Cleve." ''Record of the Art Museum, Princeton University'' 49, no. 2 (1990): 3–10. Accessed January 4, 2021. doi:10.2307/3774675
JSTOR
* Leeflang, Micha. "Joos Van Cleve's "Adoration of the Magi" in Detroit: Revealing the Underdrawing," ''Bulletin of the Detroit Institute of Arts'' 82, no. 1/2 (2008): 60–75. Accessed January 3, 2021
JSTOR
* Snyder, James. ''Northern Renaissance Art'', 1985, Harry N. Abrams,
External links
*
{{DEFAULTSORT:Cleve, Joos van
1480s births
1541 deaths
Flemish Renaissance painters
Flemish history painters
People from Kleve
Flemish Mannerist painters
Catholic painters
Painters from Antwerp