Antonio Selva
Antonio Selva (1824 - September 1889) was an Italian operatic bass who had an active international career from the 1840s through the 1870s. He was particularly associated with the works of Giuseppe Verdi. Life and career Born with the name Antonio Scremin in Padua, Selva was the brother of actor Giambattista Scremin. He originally trained to be an organ builder under Angelo Agostini. Angelo's father, the voice teacher Lorenzo Agostini, discovered his beautiful natural singing voice and began training him for an opera career. He made his professional opera debut in 1842 in one of the smaller theatre's in his home town as Zaccaria in Giuseppe Verdi's ''Nabucco''. He was also active as a member of the opera chorus at La Fenice while a teenager. At the age of 19, he was chosen by Verdi to portray what was written as the comprimario role of de Silva in the world premiere of the composer's ''Ernani'' at La Fenice on 9 March 1844. It as a last minute replacement for a singer who foun ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Antonio Selva-bass
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Teatro Di San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history" on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013 The opera season runs from late November to July, with the ballet season taking place from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatres that were l ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1889 Deaths
Events January–March * January 1 ** The total solar eclipse of January 1, 1889 is seen over parts of California and Nevada. ** Paiute spiritual leader Wovoka experiences a vision, leading to the start of the Ghost Dance movement in the Dakotas. * January 4 – An Act to Regulate Appointments in the Marine Hospital Service of the United States is signed by President Grover Cleveland. It establishes a Commissioned Corps of officers, as a predecessor to the modern-day U.S. Public Health Service Commissioned Corps. * January 5 – Preston North End F.C. is declared the winner of the The Football League 1888–89, inaugural Football League in England. * January 8 – Herman Hollerith receives a patent for his electric tabulating machine in the United States. * January 15 – The Coca-Cola Company is originally Incorporation (business), incorporated as the Pemberton Medicine Company in Atlanta, Georgia (U.S. state), Georgia. * January 22 – Columbia Phonograph is formed in Wa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1824 Births
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper common ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Attila (opera)
''Attila'' is an opera in a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on the 1809 play ' (''Attila, King of the Huns'') by Zacharias Werner. The opera received its first performance at La Fenice in Venice on 17 March 1846. Ezio's act 2 aria of heroic resolution "" (My lot is cast, I am prepared for any warfare) is a fine example of a characteristic Verdian ''genre'', and it achieved fame in its own time with audiences in the context of the adoption of a liberal constitution by Ferdinand II.Stamatov, Peter, "Interpretive Activism and the Political Uses of Verdi's Operas in the 1840s" (June 2002). ''American Sociological Review'', 67 (3): pp. 345–366. Other contemporary comment praised the work as suitable for the "political education of the people", while, in contrast, others criticised the opera as "Teutonic" in nature. Composition history Verdi had read the ultra-Romantic play in April 1844, probably introduced to it by his fr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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I Masnadieri
''I masnadieri'' (''The Bandits'' or ''The Robbers'') is an opera in four acts by Giuseppe Verdi to an Italian libretto by Andrea Maffei, based on the play ''Die Räuber'' by Friedrich von Schiller. As Verdi became more successful in Italy, he began to receive offers from other opera houses outside the country. The London impresario Benjamin Lumley had presented ''Ernani'' in 1845 and, as a result of its success, commissioned an opera from the composer which became ''I masnadieri''. It was given its first performance at Her Majesty's Theatre on 22 July 1847 with Verdi conducting the first two performances. While reasonably successful there and in Italy up to the mid-1860s, the opera disappeared for about 90 years until revived in 1951. It has been revived from time to time in the 21st century. Composition history In 1842 Lumley took over the management of Her Majesty's Theatre, the traditional home of Italian opera in London. Three years later Verdi's ''Ernani'' received its f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Aroldo
''Aroldo'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on and adapted from their earlier 1850 collaboration, ''Stiffelio''. The first performance was given in the Teatro Nuovo Comunale in Rimini on 16 August 1857. Composition history ''Stiffelio'' had provoked the censorship board because of “the immoral and rough” storylines of a Protestant minister deceived by his wife and also because making the characters German did not please an Italian audience, although, as Budden notes, the opera "enjoyed a limited circulation (in Italy), but with the title changed to ''Guglielmo Wellingrode'', the main protagonist now a German minister of state".Budden 2001, p.13 Verdi had rejected an 1852 request to write a new last act for the ''Wellingrode'' version, but, by Spring 1856, in collaboration with his original librettist, Piave, he decided to rewrite the story line and make a small number of musical changes and additions.Verdi to De ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Macbeth (opera)
''Macbeth'' () is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, it was Verdi's tenth opera and premiered on 14 March 1847. ''Macbeth'' was the first Shakespeare play that Verdi adapted for the operatic stage. Almost twenty years later, ''Macbeth'' was revised and expanded in a French version and given in Paris on 19 April 1865. After the success of ''Attila'' in 1846, by which time the composer had become well established, ''Macbeth'' came before the great successes of 1851 to 1853 (''Rigoletto'', ''Il trovatore'' and '' La traviata'') which propelled him into universal fame. As sources, Shakespeare's plays provided Verdi with lifelong inspiration: some, such as an adaption of ''King Lear'' (as ''Re Lear'') were never realized, but he wrote his two final operas using ''Othello'' as the basis for ' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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La Favorite
''La favorite'' (''The Favourite'', sometimes referred to by its Italian title: ''La favorita'') is a grand opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play ''Le comte de Comminges'' by Baculard d'Arnaud with additions by Eugène Scribe based on the story of Leonora de Guzman. The opera concerns the romantic struggles of the King of Castile, Alfonso XI, and his mistress, the "favourite" Leonora, against the backdrop of the political wiles of receding Moorish Spain and the life of the Catholic Church. It premiered on 2 December 1840 at the Académie Royale de Musique (Salle Le Peletier) in Paris. Background Originally, Donizetti had been composing an opera by the name of ''Le Duc d'Albe'' as his second work for the Opéra in Paris. However, the director, Léon Pillet, objected to an opera without a prominent role for his mistress, mezzo-soprano Rosine Stoltz. Donizetti therefore abandoned ''Le Duc d ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Teatro Real
The Teatro Real (Royal Theatre) is an opera house in Madrid, Spain. Located at the Plaza de Oriente, opposite the Royal Palace of Madrid, Royal Palace, and known colloquially as ''El Real'', it is considered the top institution of the performing and musical arts in the country and one of the most prestigious opera houses in Europe. The groundbreaking of the Teatro Real was on 23 April 1818, under the reign of Ferdinand VII of Spain, King Ferdinand VII, and it was formally opened by his daughter Isabella II of Spain, Queen Isabella II on 19 November 1850. It closed in 1925 due to damage to the building and reopened on 13 October 1966 as a symphonic music venue. Beginning in 1991, it underwent major refurbishment and renovation works and finally reopened as an opera house on 11 October 1997 with a floor area of and a maximum capacity of 1,958 seats. Since 1995, the theatre is managed by a public foundation in whose Board of Trustees are represented the Ministry of Culture (Spain), ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |