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Antoine Boizot
Louis-Simon Boizot (1743–1809) was a French sculptor whose models for biscuit figures for Sèvres porcelain are better-known than his large-scale sculptures. Biography Boizot was the son of Antoine Boizot, a designer at the Gobelins manufacture of tapestry. At sixteen, he became a student at the Académie royale de peinture et de sculpture and worked in the atelier of the sculptor René-Michel Slodtz (1705–1764), with whom Houdon also trained. Boizot took the Prix de Rome for sculpture in 1762, for a sojourn at the French Academy in Rome (1765–70). On his return to Paris he married Marguerite Virginie Guibert, daughter of the sculptor Honoré Guibert. He was admitted to the Académie royale de peinture et de sculpture in 1778 and exhibited at the annual salons until 1800. His portrait busts of Louis XVI and Joseph II, executed during the Emperor's visit to his sister Marie Antoinette, were executed in 1777 and reproduced in biscuit porcelain at Sèvres. A subtly n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie-Antoinette Boizot Louvre RF4515
Marie Antoinette Josèphe Jeanne (; ; née Maria Antonia Josepha Johanna; 2 November 1755 – 16 October 1793) was the last queen of France before the French Revolution. She was born an archduchess of Austria, and was the penultimate child and youngest daughter of Empress Maria Theresa and Emperor Francis I, Holy Roman Emperor, Francis I. She became dauphine of France in May 1770 at age 14 upon her marriage to Louis-Auguste, heir apparent to the French throne. On 10 May 1774, her husband ascended the throne as Louis XVI and she became queen. Marie Antoinette's position at court improved when, after eight years of marriage, she started having children. She became increasingly unpopular among the people, however, with the French ''libelles'' accusing her of being profligate, promiscuous, allegedly having illegitimate children, and harboring sympathies for France's perceived enemies—particularly her native Austria. The false accusations of the Affair of the Diamond Necklace dama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Racine
Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western tradition and world literature. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as ''Phèdre'', ''Andromaque'', and ''Athalie''. He did write one comedy, '' Les Plaideurs'', and a muted tragedy, ''Esther'' for the young. Racine's plays displayed his mastery of the dodecasyllabic (12 syllable) French alexandrine. His writing is renowned for its elegance, purity, speed, and fury, and for what American poet Robert Lowell described as a "diamond-edge", and the "glory of its hard, electric rage". Racine's dramaturgy is marked by his psychological insight, the prevailing passion of his characters, and the nakedness of both plot and stage. Biography Racine was born on 21 December 1639 in La Ferté-Milon ( Aisne) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wallace Collection
The Wallace Collection is a museum in London occupying Hertford House in Manchester Square, the former townhouse of the Seymour family, Marquesses of Hertford. It is named after Sir Richard Wallace, who built the extensive collection, along with the Marquesses of Hertford, in the 18th and 19th centuries. The collection features fine and decorative arts from the 15th to the 19th centuries with important holdings of French 18th-century paintings, furniture, arms and armour, porcelain and Old Master paintings arranged into 25 galleries. It is open to the public and entry is free. It was established in 1897 from the private collection mainly created by Richard Seymour-Conway, 4th Marquess of Hertford (1800–1870), who left both it and the house to his illegitimate son Sir Richard Wallace (1818–1890), whose widow Julie Amelie Charlotte Castelnau bequeathed the entire collection to the nation. The collection opened to permanent public view in 1900 in Hertford House, and remain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amphora
An amphora (; grc, ἀμφορεύς, ''amphoreús''; English plural: amphorae or amphoras) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and packages, tied together with rope and delivered by land or sea. The size and shape have been determined from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. They are most often ceramic, but examples in metals and other materials have been found. Versions of the amphorae were one of many shapes used in Ancient Greek vase painting. The amphora complements a vase, the pithos, which makes available capacities between one-half and two and one-half tons. In contrast, the amphora holds under a half-ton, typically less than . The bodies of the two types have similar shapes. Where the pithos may have multiple smal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surtout De Table
A surtout de table is an ornamental centrepiece displayed on a formal dining table, "a large centerpiece with mirrored plateaus and numerous candelabra and other possible display pieces on top". In French ''surtout de table'' is the usual term for any type of centrepiece, but in English this "tray" type, along with the objects placed on it, is the usual meaning. Evolving from a simple plate or bowl on which to stand candlesticks and condiments, a surtout de table often took the form of a long galleried tray made of precious or gilded metals, on which a series of other objects were placed for display. It was often made in sections allowing its length to be determined by the leaves added to the table. During the later half of the 18th century and throughout the 19th century, no formal table was considered compete without one. Today, they are still seen and used in the most formal dining rooms. History According to Roy Strong, the surtout de table first appeared in 1692 at the mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charity (virtue)
In Christian theology, charity (Latin: ''caritas'') is considered one of the seven virtues and is understood by Thomas Aquinas as "the friendship of man for God", which "unites us to God". He holds it as "the most excellent of the virtues". Further, Aquinas holds that "the habit of charity extends not only to the love of God, but also to the love of our neighbor". The Catechism of the Catholic Church defines "charity" as "the theological virtue by which we love God above all things for His own sake, and our neighbor as ourselves for the love of God". Caritas: the altruistic love The phrase ''Deus caritas est'' from —or ''Θεὸς ἀγάπη ἐστίν'' (Theos agapē estin) in the original Greek is translated in the King James Version as: "God is love", and in the Douay-Rheims bible as: "God is charity" (). Thomas Aquinas does not simply equate charity with "love", which he holds as a passion, not a virtue. The King James Version uses both the words ''charity'' and '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manufacture Nationale De Sèvres
The ''Manufacture nationale de Sèvres'' is one of the principal European porcelain factories. It is located in Sèvres, Hauts-de-Seine, France. It is the continuation of Vincennes porcelain, founded in 1740, which moved to Sèvres in 1756. It has been owned by the French crown or government since 1759, and has always maintained the highest standards of quality. Almost immediately, it replaced Meissen porcelain as the standard-setter among European porcelain factories, retaining this position until at least the 19th century. Its production is still largely based on the creation of contemporary objects today. It became part of the '' Cité de la céramique'' in 2010 with the ''Musée national de céramique'', and since 2012 with the ''Musée national Adrien Dubouché'' in Limoges. History Origins In 1740, the '' Manufacture de Vincennes'' was founded, thanks to the support of Louis XV and his mistress Madame de Pompadour, in order to compete with factories such as Chantil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louvre Biscuit
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-François Berruer
Pierre-François Berruer (1733 – 4 April 1797) was a French sculptor. He is known for the twelve statues that decorate the front of the Grand Théâtre de Bordeaux. Early years Pierre François Berruer was born in Paris in 1733. In 1754 he won the second prize of the Prix de Rome after Charles-Antoine Bridan (1730–1808) with his ''Le Massacre des Innocents''. He won the first prize in 1756, tied with André-Jean Lebrun (1737–1811), with his ''Abraham et Melchisédech''. This gained him a scholarship to the Villa Medici in Rome from 1758 to 1764. He was a pupil of Étienne Maurice Falconet (1716–1791) and René-Michel Slodtz (1705–1764). After returning to France, Berruer was admitted to the ''Académie royale de peinture et de sculpture'' in 1765. Career In 1767 Berruer made a marble statue of '' Hebe'' holding a cup and vase for the Duc de Choiseul. In the Salon of 1771 Berruer exhibited a proposal for the tomb of Marshal the Comte de Harcourt in Nôtre-Dame, follo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augustin Pajou
Augustin Pajou (19 September 1730 – 8 May 1809) was a French sculptor, born in Paris. At eighteen he won the Prix de Rome, and at thirty exhibited his ''Pluton tenant Cerbère enchaîné'' (now in the Louvre). Selected works Pajou's portrait busts of Buffon and of Madame du Barry (1773), and his statuette of Bossuet (all in the Louvre), are amongst his best works. When Bernard Poyet constructed the "Fontaine des Innocents" from the earlier edifice of Pierre Lescot, Pajou provided a number of new figures for the work. Mention should also be made of his bust of Carlin Bertinazzi (1763) at the Comédie Française, and the monument to Marie Leszczyńska, Queen of France (in the Salon of 1769). Pajou was one of the main artists whose work was included in the collection of the Comédie-Française at the end of the 18th century. Others were Jean-Baptiste d'Huez, Jean-Joseph Foucou, Simon-Louis Boizot and Pierre-François Berruer. Pajou was commissioned by Napoleon to make the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
