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Anoushka (album)
''Anoushka'' is the debut album of Indian sitar player Anoushka Shankar, released in 1998. The pieces begin with a slow introduction of fluid rhythms (''alap'' or ''aochar'') and build in a crescendo to a spirited display of virtuosity with tabla accompaniment. Four of the album's five themes are based on ragas adapted by Ravi Shankar. Track listing All songs by Ravi Shankar, except where noted. #"Bairagi" – 20:15 #"Tilak Shyam" – 10:35 #"Kirwani" – 8:46 #" Charukeshi" – 7:30 #"Pratham Prem" (by Anoushka Shankar) – 12:43 Personnel #Anoushka Shankar: Sitar, tamboura, vocals #Sukanya Shankar: Tamboura #Bikram Ghosh: Tabla A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబల ... # Arup Chattapadhyay: Tabla References {{Authority control 1998 debut albums Anoushka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anoushka Shankar
Anoushka Shankar (born 9 June 1981) is a British-American sitar player, producer, film composer and activist. She was the youngest and first woman to receive a British House of Commons Shield; she has had 7 Grammy Awards nominations and was the first musician of Indian origin to perform live and to serve as presenter at the ceremony. She performs across multiple genres and styles - classical and contemporary, acoustic and electronic. Early life Shankar was born in London and her childhood was divided between London and Delhi. She is the daughter of Sukanya Shankar and Indian sitar maestro Ravi Shankar, who was 61 when she was born. Through her father, she is also the half-sister of American singer Norah Jones (born Geetali Norah Shankar), and Shubhendra "Shubho" Shankar, who died in 1992. As a teenager, Shankar lived in Encinitas, California, and attended San Dieguito High School Academy. A 1999 honours graduate and Homecoming Queen, she decided to pursue a career in music ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirwani
Kirwani is a musical scale in Hindustani classical music. It is an Indian raga specially suited for instrumental music. The scale is the same as the harmonic minor in western music. There are shades of Pilu in Kirwani. This raga is said to have been borrowed from the Carnatic music raga Keeravani. Arohana & Avarohana The swaras used in this raga are: Arohana : S R g m P d N S' Thus: C D E-flat F G A-flat B c Avarohana : S' N d P m g R S Vadi & Samavadi There is no strict Vadi-Samavadi, but Re, ga, pa and dha are important. Pakad or Chalan d- P- g R-- S R---, R-- g m P d P Organization & Relationships Related ragas: Pilu Thaat: Kirwani cannot be fit into one of Bhatkhande's thaats;. Bhatkhande himself did not list it as such. Time Of Singing Samay (Time) Madhyaratri (midnight) Historical Information It is "recently" taken from the musical scale Keeravani of South Indian classical music (Carnatic music Carnatic music, known as or in the Dravidian langua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1998 Debut Albums
1998 was designated as the ''International Year of the Ocean''. Events January * January 6 – The ''Lunar Prospector'' spacecraft is launched into orbit around the Moon, and later finds evidence for frozen water, in soil in permanently shadowed craters near the Moon's poles. * January 11 – Over 100 people are killed in the Sidi-Hamed massacre in Algeria. * January 12 – Nineteen European nations agree to forbid human cloning. * January 17 – The ''Drudge Report'' breaks the story about U.S. President Bill Clinton's alleged affair with Monica Lewinsky, which will lead to the House of Representatives' impeachment of him. February * February 3 – Cavalese cable car disaster: A United States military pilot causes the deaths of 20 people near Trento, Italy, when his low-flying EA-6B Prowler severs the cable of a cable-car. * February 4 – The 5.9 Afghanistan earthquake shakes the Takhar Province with a maximum Mercalli intensity of VII (''Very strong''). With up to 4, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabla
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the |
Bikram Ghosh
Bickram Ghosh is an Indian classical tabla player. Early life He started learning tabla from his father, Pandit Shankar Ghosh, who had played with Ali Akbar Khan. Career Ghosh has performed with Ali Akbar Khan and Pandit Ravi Shankar. Ghosh performs in various avatars. His long-standing band, Rhythmscape, which performs neo-fusion music, celebrated their 10th anniversary in 2011. To celebrate the occasion Rhythmscape collaborated with Greg Ellis to perform in Kolkata and Mumbai, an event organized by Folktronic. The band also released their second album, ''Transformation'', which went on to win the Best Fusion Album at the Indian Recording Arts Awards 2012. Ghosh performs within Troikala with Assamese folk/indie singer Papon and Scottish singer-songwriter Rachel Sermanni. Troikala was curated and organized by British Council in association with Folktronic. He performed as part of fusion Sufi act, "Sufusion" with vocalists Ambarish Das and Parvati Kumar, keyboardist Indraji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sukanya Shankar
Sukanya ( sa, सुकन्या, lit=wonderful virgin, translit=Sukanyā) is a princess In Hindu mythology. She is the daughter of Sharyati, the son of Vaivasvata Manu, and the wife of the sage Chyavana. Legend Marriage According to the narrative found in the Vana Parva of the Mahabharata, Sage Chyavana was so absorbed in practising austerities on the side of a lake that termites built up their mound all over his body and only his eyes were left. Once, Sharyati, along with his army and household, came to visit the place. Sukanya, daughter of King Sharyati, seeing only two bright eyes in what seemed to be an anthill, poked them with a stick. Chyavana felt excessive pain and became furious. He obstructed the excretory functions of the men of Sharyati's army. He was propitiated only after the king gave him his daughter, Sukanya, in marriage. Deduction Once, the Ashvins visited the hermitage of Chyavana. They saw the beautiful Sukanya while she was bathing. They tried t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanpura (instrument)
The tanpura (), also referred to as tambura and tanpuri, is a long-necked plucked string instrument, originating in India, found in various forms in Indian music. It does not play melody, but rather supports and sustains the melody of another instrument or singer by providing a continuous harmonic bourdon or drone. A tanpura is not played in rhythm with the soloist or percussionist: as the precise timing of plucking a cycle of four strings in a continuous loop is a determinant factor in the resultant sound, it is played unchangingly during the complete performance. The repeated cycle of plucking all strings creates the sonic canvas on which the melody of the raga is drawn. The combined sound of all strings–each string a fundamental tone with its own spectrum of overtones–supports and blends with the external tones sung or played by the soloist. Hindustani musicians favour the term ''tanpura'' whereas Carnatic musicians say ''tambura''; ''tanpuri'' is a smaller varian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sitar
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th century figure of Mughal Empire has been identified by modern scholarship as the originator of Sitar. According to most historians he developed sitar from setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from ''Veena''. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. In the 1960s, a short-lived trend arose for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Doors, the Rolling Stones and others. Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tilak Shyam
In Dharmic culture, the ''tilaka'' ( sa, तिलक) () is a mark worn usually on the forehead, at the point of the Ajna chakra, or sometimes another part of the body such as the neck, hand, chest or arm. ''Tilaka'' may be worn daily or for rites of passage or special spiritual and religious occasions only, depending on regional customs. The term also refers to the Hindu ritual of marking someone's forehead with a fragrant paste, such as of sandalwood or vermilion, as a welcome and an expression of honour when they arrive.Axel Michaels (2015), ''Homo Ritualis: Hindu Ritual and Its Significance for Ritual Theory'', Oxford University Press, , pp. 100-112, 327 Historically, ''tilaka'' were also used in other Dharmic cultures including Buddhism, Jainism and Sikhism, which were influenced by Hinduism and its spiritual and philosophical beliefs. Description The tilaka is a mark created by the application of powder or paste on the forehead. Tilakas are vertical markings worn by V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Music
Indian classical music is the classical music of the Indian subcontinent. It has two major traditions: the North Indian classical music known as '' Hindustani'' and the South Indian expression known as '' Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. The roots of the classical music of India are found in the Vedic literature of Hinduism and the ancient ''Natyashastra'', the classic Sanskrit text on performing arts by Bharata Muni., Quote: "The tradition of Indian classical music and dance known as ''Sangeeta'' is fundamentally rooted in the sonic and musical dimensions of the Vedas (Sama veda), Upanisha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
