Annie Krull
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Annie Krull
Anna Maria Krull (12 January 1876 – 14 June 1947) was a German operatic soprano. She is most remembered today for having created the title role in Richard Strauss' opera '' Elektra''. Biography Annie Krull was born in Rostock, studied in Berlin with Hertha Brämer, and made her stage debut in 1898 at the Plauen Stadttheater as Agathe in ''Der Freischütz''. From 1900 to 1912, she sang at the Dresden State Opera, where in 1901 she created the title role in Paderewski's ''Manru'' and Diemut in Richard Strauss' early opera '' Feuersnot''. Strauss, who had admired her dramatic qualities, then chose her to be the first Elektra. A year after its premiere in Dresden on 25 January 1909, she repeated the role at London's Royal Opera House. It was the first time a Strauss opera was performed in Britain. Krull sang regularly in several other German opera houses (Mannheim, Weimar, Leipzig, Cologne, Karlsruhe and Schwerin) as well as appearing in Brno (1905) and Prague (1907). Amongs ...
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Annie Krull As Elektra
Annie may refer to: People and fictional characters * Annie (given name), a given name and a list of people and fictional characters with the name * Annie (actress) (born 1975), Indian actress * Annie (singer) (born 1977), Norwegian singer Theatre and film * ''Annie'' (musical), a 1977 musical ** ''Annie'' (1982 film) *** ''Annie'' (1982 film soundtrack) *** '' Annie: A Royal Adventure!'', a 1995 telefilm sequel ** ''Annie'' (1999 film) *** ''Annie'' (1999 film soundtrack) ** ''Annie'' (2014 film) *** ''Annie'' (2014 film soundtrack) * ''Annie'' (1976 film), a British-Italian film Music * ''Annie'' (Anne Murray album) (1972) * "Annie" (song), a 1999 song by Our Lady Peace * "Annie", a song by SafetySuit * "Annie", a song by Pete Townshend from ''Rough Mix'' * "Annie", a 1972 song by Sutherland Brothers * "Annie", a 1995 song by Elastica from the album ''Elastica'' Other uses * Cyclone Annie (other) * ''Annie'' (locomotive) * ''Annie'' (sloop), a ship bu ...
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Prague
Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and largest city in the Czech Republic, and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 million people. The city has a temperate oceanic climate, with relatively warm summers and chilly winters. Prague is a political, cultural, and economic hub of central Europe, with a rich history and Romanesque, Gothic, Renaissance and Baroque architectures. It was the capital of the Kingdom of Bohemia and residence of several Holy Roman Emperors, most notably Charles IV (r. 1346–1378). It was an important city to the Habsburg monarchy and Austro-Hungarian Empire. The city played major roles in the Bohemian and the Protestant Reformations, the Thirty Years' War and in 20th-century history as the capital of Czechoslovakia between the World Wars and the post-war Communist era. Prague is home to a number of well-known cultural attractions, many of which survived the ...
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Preiser Records
Preiser Records is an independent Austrian record label. It was founded in 1952 by Otto G. Preiser (1920–1996). The label is particularly important for recordings from the Viennese cabaret scene, especially from the 1950s and 1960s (Helmut Qualtinger, Georg Kreisler, Gerhard Bronner Gerhard Bronner (23 October 1922 in Favoriten, Vienna – 19 January 2007 in Vienna) was an Austrian composer, writer, musician and a cabaret artist, known for his contribution to Austrian culture in the post-World War II period. Life Born t ...), and for the re-release of historical vocal recordings in the series ''Lebendige Vergangenheit'', which has been in existence since 1966. Responsible for these two areas was (1937-2010), production and recording manager of Preiser-Records. In 2007, the company had a market share of one percent of the and releases today mainly on CDs. The company has an analogue sound studio in at its disposal. References External links Preiser RecordsPrei ...
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Pathé
Pathé or Pathé Frères (, styled as PATHÉ!) is the name of various French people, French businesses that were founded and originally run by the Pathé Brothers of France starting in 1896. In the early 1900s, Pathé became the world's largest film equipment and production company, as well as a major producer of phonograph records. In 1908, Pathé invented the newsreel that was shown in cinemas before a feature film. Pathé is a major film production and distribution company, owning a number of cinema chains through its subsidiary Les Cinémas Pathé Gaumont and television networks across Europe. It is the second-oldest operating film company behind Gaumont Film Company, which was established in 1895. History The company was founded as Société Pathé Frères (Pathé Brothers Company) in Paris, France on 28 September 1896, by the four brothers Charles Pathé, Charles, Émile, Théophile and Jacques Pathé. During the first part of the 20th century, Pathé became the large ...
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Odeon Records
Odeon Records is a record label founded in 1903 by Max Straus and Heinrich Zuntz of the International Talking Machine Company in Berlin, Germany. The label's name and logo come from the Odéon-Théâtre de l'Europe in Paris. History Straus and Zuntz bought the company from Carl Lindström that he had founded in 1897. They transformed the Lindström enterprise into a public company, the Carl Lindström A.G. and in 1903 purchased Fonotipia Records, including their Odeon-Werke International Talking Machine Company. International Talking Machine Company issued the Odeon label first in Germany in 1903 and applied for a U.S. trademark the same year. While other companies were making single-side discs, Odeon made them double-sided. In 1909 it created the first recording of a large orchestral work — and what may have been the first record album — when it released a 4-disc set of Tchaikovsky's Nutcracker Suite with Hermann Finck conducting the London Palace Orche ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ... by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of ''Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French War ...
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Tiefland (opera)
''Tiefland'' (''The Lowlands'') is an opera in a prologue and two acts by Eugen d'Albert, to a libretto in German by Rudolf Lothar. Based on the 1896 Catalan play '' Terra baixa'' by Àngel Guimerà, ''Tiefland'' was d'Albert's seventh opera, and is the one which is now the best known. Performance history ''Tiefland'' was first performed on 15 November 1903 at the Neues Deutsches Theater in Prague, with only limited success. Part of the reason for the lukewarm reception may have been because the house's leading dramatic tenor, Wilhelm Elsner, had died suddenly not too long before the opera's premiere, forcing another singer to learn and perform the role of Pedro in a relatively short amount of time. For its next performance, ''Tiefland'' was revised by D'Albert and revived in Hamburg and Berlin in 1907, where it played to long runs. Its American premiere took place at the Metropolitan Opera in New York on November 23, 1908 with Emmy Destinn and Erik Schmedes in the two leading ...
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Der Barbier Von Bagdad
''Der Barbier von Bagdad'' (''The Barber of Baghdad'') is a comic opera in two acts by Peter Cornelius to a German libretto by the composer, based on ''The Tale of the Tailor'' and ''The Barber’s Stories of his Six Brothers'' in '' One Thousand and One Nights''. The first of three operas by Cornelius, the piece was first performed at the Hoftheater in Weimar on 15 December 1858.Holden, p. 88 Performance history Cornelius planned the work as a one-act comedy, but on the advice of Franz Liszt expanded it to two. Franz Liszt later arranged the second overture for orchestra (S.352). Unlike most German comic operas of the period, which have spoken dialogue, ''Der Barbier von Bagdad'' is through composed. Cornelius offered the inventive and complex opera as an alternative to the contemporary German opera composers such as Richard Wagner, whose ideological fervor he found overwhelming. At its first performance the opera was a failure, and it was not played again in the composer's ...
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Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical com ...
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Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the conv ...
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Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German ''Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and the ...
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