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Anna Heyward Taylor
Anna Heyward Taylor (November 13, 1879 – March 4, 1956) was a painter and printmaker who is considered one of the leading artists of the Charleston Renaissance. Early life and education Anna Heyward Taylor was born November 13, 1879, in Columbia, South Carolina, one of eight children of Benjamin Walter Taylor—a physician and surgeon who had served in the Civil War in the Army of Northern Virginia—and Marianna (Heyward) Taylor. The Taylor family was prominent in the cotton industry and in the development of the city of Columbia. Her older brother Thomas Taylor would later build Taylor House, which became the first location of the Columbia Museum of Art. Taylor received education at the South Carolina College for Women, graduating in 1897. She traveled to Holland in 1903 to study with the painter William Merritt Chase, afterward traveling around Europe for another few years as well as to China and Japan in 1914. Taylor served eighteen months in the American Red Cross in France ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charleston Renaissance
The Charleston Renaissance is a period between World Wars I and II in which the city of Charleston, South Carolina, experienced a boom in the arts as artists, writers, architects, and historical preservationists came together to improve and represent their city. The Charleston Renaissance was related to the larger interwar artistic movement known as the Southern Renaissance and is credited with helping to spur the city's tourist industry. History In the Antebellum era, Charleston was one of the ten largest cities in America. The Civil War destroyed the city's prosperity, and the economic after-effects lingered through the Reconstruction era into the early 20th century. Beginning around World War I, however, the city experienced a renaissance in the arts as the local art community worked on bettering their city and representing it in various media. The Charleston Renaissance contributed to the rise of such art institutions as the Gibbes Museum of Art (which grew out of the Caroli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Guiana
British Guiana was a British colony, part of the mainland British West Indies, which resides on the northern coast of South America. Since 1966 it has been known as the independent nation of Guyana. The first European to encounter Guiana was Sir Walter Raleigh, an English explorer. The Dutch were the first Europeans to settle there, starting in the early 17th century, when they founded the colonies of Essequibo and Berbice, adding Demerara in the mid-18th century. In 1796, Great Britain took over these three colonies during hostilities with the French, who had occupied the Netherlands. Britain returned control to the Batavian Republic in 1802 but captured the colonies a year later during the Napoleonic Wars. The colonies were officially ceded to the United Kingdom in 1815 and consolidated into a single colony in 1831. The colony's capital was at Georgetown (known as Stabroek prior to 1812). The economy has become more diversified since the late 19th century but has relied on r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Provincetown Printers
Provincetown Printers was an art colony in Provincetown, Massachusetts during the early 20th-century of artists who created art using woodblock printing techniques. It was the first group of its kind in the United States, developed in an area when European and American avant-garde artists visited in number after World War I. The "Provincetown Print", a white-line woodcut print, was attributed to this group. Bror Julius Olsson Nordfeldt is credited with developing the technique, based upon Japanese ukiyo-e woodblock printing, though there is evidence that a lesser-known Provincetown artist, Edith Lake Wilkinson, was making white-line prints in 1914, a year earlier than Nordfeldt's first known efforts. Blanche Lazzell is said to have mastered the technique. Rather than creating separate woodblocks for each color, one block was made and painted. Small groves between the elements of the design created the white line. Because the artists often used soft colors, they sometimes have the app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brooklyn Botanical Gardens
Brooklyn Botanic Garden (BBG) is a botanical garden in the borough of Brooklyn, New York City. It was founded in 1910 using land from Mount Prospect Park in central Brooklyn, adjacent to Prospect Park and the Brooklyn Museum. The garden holds over 14,000 taxa of plants and has nearly a million visitors each year. It includes a number of specialty "gardens within the Garden", plant collections, the Steinhardt Conservatory that houses the C. V. Starr Bonsai Museum, three climate-themed plant pavilions, a white cast-iron-and-glass aquatic plant house, and an art gallery. History Site The impetus to build Prospect Park stemmed from an April 18, 1859, act of the New York State Legislature that empowered a twelve-member commission to recommend sites for parks in the City of Brooklyn. In February 1860, a group of fifteen commissioners submitted suggestions for park locations in Brooklyn, including a plot centered on present-day Mount Prospect Park and bounded by Warren Street to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Museum Of Natural History
The American Museum of Natural History (abbreviated as AMNH) is a natural history museum on the Upper West Side of Manhattan in New York City. In Theodore Roosevelt Park, across the street from Central Park, the museum complex comprises 26 interconnected buildings housing 45 permanent exhibition halls, in addition to a planetarium and a library. The museum collections contain over 34 million specimens of plants, animals, fossils, minerals, rocks, meteorites, human remains, and human cultural artifacts, as well as specialized collections for frozen tissue and genomic and astrophysical data, of which only a small fraction can be displayed at any given time. The museum occupies more than . AMNH has a full-time scientific staff of 225, sponsors over 120 special field expeditions each year, and averages about five million visits annually. The AMNH is a private 501(c)(3) organization. Its mission statement is: "To discover, interpret, and disseminate—through scientific research and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morris Museum Of Art
The Morris Museum of Art in Augusta, Georgia was established in 1985 as a non-profit foundation by William S. Morris III, publisher of The Augusta Chronicle, in memory of his parents, as the first museum dedicated to the collection and exhibition of art and artists of the American South. In 1989, Morris bought 230 pictures for the museum from Southern art collector Robert P. Coggins, with Keith Claussen appointed museum director the following year. On September 26, 1992, "The Morris" opened to the public, attracting over 10,000 visitors in the first two months. With more than 3,000 works in its permanent collection, the museum hosts changing exhibitions, educational programs, musical events, and hands-on art programs. The museum is located adjacent to Riverwalk Augusta and the Savannah River. See also *Arts and culture in Augusta, Georgia The culture of Augusta, Georgia is influenced by the many different perspectives and histories of its community members, as well as its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gibbes Museum Of Art
The Gibbes Museum of Art, formerly known as the Gibbes Art Gallery, is an art museum in Charleston, South Carolina. Established as the Carolina Art Association in 1858, the museum moved into a new Beaux Arts building at 135 Meeting Street, in the Charleston Historic District, in 1905. The Gibbes houses a premier collection of over 10,000 works of fine art, principally American works, many with a connection to Charleston or the South. The benefactor, James Shoolbred Gibbes, donated $100,000 to the Carolina Arts Association for the "erection of a suitable building for the exhibitions of paintings." The city did not receive the money until after the resolution of a will contest filed by nieces and nephews of Gibbes. Their case was heard in the state court of New York during 1900 and 1901. On December 6, 1901, the New York Supreme Court (the state's trial-level court) issued an opinion declaring that the gift to Charleston was valid. After receiving the money in 1903, the Associa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greenville County Museum Of Art
The Greenville County Museum of Art (GCMA) is an art museum located in Greenville, South Carolina. Its collections focus mainly on American art, and its holdings include works by Andrew Wyeth, Josef Albers, Jasper Johns (raised in South Carolina), Andy Warhol, Romare Bearden, Jacob Lawrence, Ronnie Landfield, Helen Turner, Mary Tannahill, Eric Fischl, Marylyn Dintenfass, and Leon Golub. Southern American and South Carolina-based artists, such as Henrietta Johnston, are also represented. History In 1963, the South Carolina General Assembly established the Greenville County Museum Commission. The art association acquired its first permanent home with the purchase of the Gassaway Mansion in 1958. In 1974 GCMA moved into its modernist building. The new building is almost 90,000 square feet for spacious exhibition galleries, a museum shop, art storage, a 190-seat auditorium, and classrooms for studio instruction. In 1973 the American Association of Museums accredited GCMA and rene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Hutty
Alfred Heber Hutty (September 15, 1877 – June 27, 1954) was a 20th-century American artist who is considered one of the leading figures of the Charleston Renaissance. His oeuvre ranges from impressionist landscape paintings to detailed drawings and prints of life in the South Carolina Lowcountry. He was active in local arts organizations, helping to found both an art school and an etchers' club. Early years Alfred Heber Hutty was born on September 15, 1877, in Grand Haven, Michigan. His artistic talent won him a scholarship when he was just 15 to study stained glass design at the Kansas City School of Fine Arts. Because of his family's financial situation, he turned down the scholarship and instead went to work in a stained glass factory in Kansas City. He married Bessie Burris Crafton, with whom he had a child, and they moved to St. Louis, where he met the painter L. Birge Harrison. In 1907, he went to Woodstock, New York, to study painting with Harrison. To earn money, he too ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth O'Neill Verner
Elizabeth O'Neill Verner (December 21, 1883 – April 17, 1979) was an artist, author, lecturer, and preservationist who was one of the leaders of the Charleston Renaissance. She has been called "the best-known woman artist of South Carolina of the twentieth century." Early life and education Elizabeth Quale O'Neill was born Dec. 21, 1883, in Charleston, South Carolina. She first studied art with Alice Ravenel Huger Smith. In 1901, after attending a Catholic girls’ school in Columbia, S.C., she enrolled at the Pennsylvania Academy of Fine Arts, where she studied for two years with Thomas Anshutz. When she left the academy, she taught art in Aiken, South Carolina, for a time. She then returned to Charleston, where she took up her art studies with Smith as well as with Gabrielle D. Clements and Ellen Day Hale. Inspired by Clements and Hale, she was a founding member of the Charleston Etchers Club and helped to found the Southern States Art League. In 1907, she married E. Pettigrew ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alice Ravenel Huger Smith
Alice Ravenel Huger Smith (July 14, 1876 – February 3, 1958) was an American painter and printmaker. She was one of the leading figures in the so-called Charleston Renaissance, along with Elizabeth O'Neill Verner, Alfred Hutty, and Anna Heyward Taylor. Family and education Smith was a native of Charleston, South Carolina, and had been born into one of the most prominent families of the city. Her parents were Caroline (Ravenel) Smith and Daniel Elliott Smith. Through her great-great-grandfather Daniel Ravenel (1762-1807), she was a distant cousin of the writers Harriott Horry Ravenel, Beatrice Ravenel, and Beatrice St. Julien Ravenel. Smith received some basic training, early in her career, at the Carolina Art Association, but otherwise remained largely self-taught throughout her life. She traveled rarely, only traveling once to Canada, and hated change; she disliked the automobile intensely, and preferred to walk. Art career Smith began her career as a portraitist, copying ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1939 New York World's Fair
The 1939–40 New York World's Fair was a world's fair held at Flushing Meadows–Corona Park in Queens, New York, United States. It was the second-most expensive American world's fair of all time, exceeded only by St. Louis's Louisiana Purchase Exposition of 1904. Many countries around the world participated in it, and over 44 million people attended its exhibits in two seasons. It was the first exposition to be based on the future, with an opening slogan of "Dawn of a New Day", and it allowed all visitors to take a look at "the world of tomorrow". When World War II began four months into the 1939 World's Fair, many exhibits were affected, especially those on display in the pavilions of countries under Axis occupation. After the close of the fair in 1940, many exhibits were demolished or removed, though some buildings were retained for the 1964–1965 New York World's Fair, held at the same site. Planning In 1935, at the height of the Great Depression, a group of New Yo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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