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Anna (1951 Film)
''Anna'' is a 1951 Italian melodrama film directed by Alberto Lattuada and starring the same trio as ''Bitter Rice'': Silvana Mangano as Anna, the sinner who becomes a nun, Raf Vallone as Andrea, the rich man who loves her, and Vittorio Gassman as Vittorio, the wicked waiter who sets Anna on a dangerous path. Silvana Mangano's real sister, Patrizia Mangano, acts as Anna's sister in the film. Sophia Loren has a small uncredited role as a nightclub assistant. Future film directors Franco Brusati and Dino Risi co-wrote the script. The film features the songs "Non Dimenticar" and "El Negro Zumbón", a baião popularised in the US as "Anna" and recorded much later by Pink Martini. Plot A man (Vallone) suffers a car accident. He's taken to hospital, where Sister Anna (Mangano) takes care of him. The man is the reason Anna became a nun. She remembers the days she was leading a life of sin as a night club singer. Reception ''Anna'' is one of the greatest box office successes of Italia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Lattuada
Alberto Lattuada (; 13 November 1914 – 3 July 2005) was an Italian film director. Career Lattuada was born in Vaprio d'Adda, the son of composer Felice Lattuada. He was initially interested in literature, becoming, while still a student, a member of the editorial staff of the antifascist fortnightly ''Camminare...'' (1932) and part of the artists' group ''Corrente di Vita'' (1938). Before entering the film industry, Lattuada's father made him complete his studies as an architect even though he recognized his desire to make movies. He began his film career as a screenwriter and assistant director on Mario Soldati's '' Piccolo mondo antico'' ("Old-Fashioned World", 1940). The first film he directed was ''Giacomo l'idealista'' (1943). '' Luci del Varietà'' (1950), co-directed with Federico Fellini, was the latter's first directorial endeavour. Lattuada's film ''La steppa'' (1962) was entered into the 12th Berlin International Film Festival. In 1970, he was a member of the jury ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodrama Film
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tina Lattanzi
Tina Lattanzi (born Annunziata Concetta Costantini; 5 December 1897 – 25 October 1997) was an Italian actress and voice actress. Biography A native of Licenza and the daughter of Ercole Costantini and Geltrude Montori, Lattanzi began her acting career in 1922 when she met Vittorio De Sica, who in turn, introduced her to Tatyana Pavlova, who coached her into acting. Lattanzi was mainly active on stage during the 1920s before making her screen debut in 1930 and she was well known for her portrayals of women of noble birth. In 1954, Lattanzi began focusing her attention on television. Because of her drawl, persuasive voice, she also turned to the Cooperativa Doppiatori Cinematografici during the 1940s. As a prominent dubbing artist, Lattanzi performed the Italian voices of some of the major film icons of the 20th century such as Greta Garbo, Rita Hayworth, Marlene Dietrich, Joan Crawford, Greer Garson, Myrna Loy, Rosalind Russell, Martita Hunt, Agnes Moorehead, Tamara Lees and It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Pisu
Mario Pisu (21 May 1910 – 17 July 1976) was an Italian actor and voice actor. Biography Born in Montecchio Emilia, Pisu was considered to be one of the most elegant performers of the Italian cinema. He began his career on stage and screen in 1935, making his debut appearance in ''The Joker King'' and also making frequent on-stage collaborations with Andreina Pagnani, Evi Maltagliati, Rina Morelli, Paolo Stoppa and Gino Cervi. Pisu appeared in 90 films between 1935 and 1976 and among his most popular appearances includes the 1965 film ''Juliet of the Spirits'' starring Giulietta Masina. He also appeared on television. Pisu was also a popular voice actor and dubber. ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gualtiero De Angelis
Gualtiero De Angelis (November 22, 1899 – June 6, 1980) was an Italian actor and voice actor. He was best known for dubbing James Stewart in the Italian language releases of nearly all of his films. Biography Born in Rome, De Angelis began his career in 1936. During that time, he starred in over nine films and dubbed over the voices of many famous actors. He was the official Italian voice of James Stewart as well as Cary Grant, Dean Martin and Errol Flynn. He also dubbed over the voices of John Garfield, George Raft, Richard Conte, Kirk Douglas, Paul Henreid, Henry Fonda, Gary Merrill, John Wayne, Arthur Kennedy, William Holden and many more. He has also dubbed over Italian actors such as Vittorio Gassman, Luciano Tajoli and Pietro Germi. De Angelis was considered to be among the most influential voice dubbers employed with the Cooperativa Doppiatori Cinematografici along with Emilio Cigoli, Lydia Simoneschi, Lauro Gazzolo, Carlo Romano, Giulio Panicali, Stefano Sibaldi, Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydia Simoneschi
Lydia Simoneschi (4 April 1908 – 5 September 1981) was an Italian actress and voice actress. During her career, she gave her voice to actresses mainly during the Golden Ages. Biography Born in Rome and the daughter of silent film actor and director Carlo Simoneschi, she began her acting career when she was very young in Camillo Pilotto's stage company; in the early 1930s she made her film debut, but her inconspicuous physical appearance did not help her in front of the camera. However, her persuasive, passionate and sophisticated voice paved the way for her to become a voice actress. From the early 1940s until the first half of the 1960s, Simoneschi became one of the most prominent Italian voice actresses, lending her voice to almost all the greatest Hollywood and European divas which include Barbara Stanwyck, Susan Hayward, Ingrid Bergman, Marlene Dietrich, Joan Crawford, Olivia de Havilland, Vivien Leigh and Maureen O'Hara. One of Simoneschi's main skills was that of bei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Paradiso
''Cinema Paradiso'' ( it, Nuovo Cinema Paradiso, , literally "New Paradise Cinema") is a 1988 coming-of-age drama film written and directed by Giuseppe Tornatore. Set in a small Sicilian town, the film centers on the friendship between a young boy and an aging projectionist who works at the titular movie theatre. This Italian-French co-production stars Philippe Noiret, Jacques Perrin, Leopoldo Trieste, Marco Leonardi, Agnese Nano and Salvatore Cascio. The film score was composed by Ennio Morricone and his son, Andrea, marking the beginning of a collaboration between Tornatore and Morricone that lasted until Morricone's death in 2020. Credited with revitalizing Italy's film industry, ''Cinema Paradiso'' has been cited by ''Empire'' magazine as one of the greatest films of all time. It was a commercial success, and won several awards, including the Academy Award for Best Foreign Language Film and the Cannes Film Festival's Grand Prix. It was nominated for 11 BAFTA Awards and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caro Diario
''Caro diario'' () is a 1993 Italian-French semi-autobiographical comedy film written, directed and co-produced by Nanni Moretti, who also stars as himself. The film is structured in three anthological episodes, presented as the chapters of Moretti's open diary, in which he describes his thoughts about various slice of life situations. The film was selected to compete for the Palme d'Or at the 1994 Cannes Film Festival, where Moretti won the Best Director Award. Plot Chapter I: ''In Vespa'' (''On My Vespa'') Putting the hot Roman summer to good use, Nanni Moretti dedicates himself to his favorite hobby, riding his Vespa through the streets of the half-deserted city. Here, Moretti lets the landscape inspire his thoughts: he laments the banalization of politics in contemporary Italian cinema, comments on the gentrification of the quarters of Rome, mocks the overzealous critical reception of movies like '' Henry: Portrait of a Serial Killer'', and confesses his love for da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nanni Moretti
Giovanni "Nanni" Moretti (; born 19 August 1953) is an Italian film director, producer, screenwriter, and actor. His films have won accolades including a Palme d'Or at the 2001 Cannes Film Festival for ''The Son's Room'', a Silver Bear at the 1986 Berlin Film Festival for ''The Mass is Ended'' and a Silver Lion at the 1981 Venice Film Festival for '' Sweet Dreams'', in addition to the David di Donatello Award for Best Film on three occasions (for ''Caro diario'' in 1994, ''The Son's Room'' in 2001 and '' Il caimano'' in 2006). Every film he has directed since ''Caro diario'' has been shown at the Cannes Film Festival, and in 2012 he was the president of the Official Competition jury. Life and work Moretti was born in Bruneck, Italy to Roman parents who were both teachers. His father was the late epigraphist Luigi Moretti, a Greek teacher at Sapienza University of Rome. His brother is literary scholar Franco Moretti. While growing up Moretti discovered his two passions, the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pink Martini
Pink Martini is an American band that was founded in 1994 by pianist Thomas Lauderdale in Portland, Oregon. Group members call it a little orchestra that crosses several styles, such as classical, latin, traditional pop, and jazz. The co-lead vocalists of Pink Martini are China Forbes and Storm Large. History Thomas Lauderdale has worked in politics since his years in high school in his hometown of Portland, Oregon. He considered the music at most fundraisers loud and boring. So as a remedy he founded the band Pink Martini in 1994, crossing genres such as classical, latin, traditional pop, and jazz to appeal to a broad audience. During the following year, he called China Forbes, one of his colleagues from Harvard University, and invited her to join the band. Their first single, ''Sympathique'', was released in 1997 and was nominated as "Song of the Year" at the "Victoires de la Musique Awards" in France. Forbes is monolingual but sings in 15 languages. "All of us in Pink Mart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baião (music)
Baião () is a Northeastern Brazilian music genre and dance style based on a syncopated duple meter rhythm, based around the pulse of the zabumba, a flat, double-headed bass drum played with a mallet in one hand and a stick in the other, each striking the opposite head of the drum for alternating high and low notes, frequently accompanied by an accordion and a triangle pattern. The baião rhythm is integral to the genres of forró, repente and coco (or embolada). It is mostly associated with the state of Pernambuco. Baião was popularized via radio in the 1940s, reaching peak popularity in the 1950s. Description Amerindian elements include the use of flutes, later replaced by the accordion, and wooden shakers; African-influenced baião might be accompanied by atabaque drums and include overlapping call and response singing; and European influences include the use of the triangle, Western harmony, and dance music such as the quadrille, polka, mazurka, and schottische, heavy influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Negro Zumbón
"El Negro Zumbón" (also known as "Anna") is a baião song written by Armando Trovajoli in 1951 for the film ''Anna'', directed by Alberto Lattuada and starring Silvana Mangano. In the movie, the song is performed in a night club scene by Mangano, though she is lip-syncing; the lyrics are actually sung by Flo Sandon's. After the U.S. release of ''Anna'' in 1953, the Brazilian beat of "El Negro Zumbón" influenced American Pop music. It has also been recorded by many Latin American artists. Notable recordings and versions * Pérez Prado (1950s) * Amália Rodrigues (1953) * Caterina Valente with Silvio Francesco (1956) * Abbe Lane with Tito Puente (1957) * Edmundo Ros (1960s) - Mambo no.5 * Connie Francis (1961) * Gene Ammons (1963) * Bob Crewe (1967) * Juan García Esquivel * Chet Atkins (1967) * Imca Marina (1988) * Regina Do Santos (1995) * Pink Martini (2004) - vocals by China Forbes, Timothy Nishimoto, and Dan Faehnle * Nojazz (2005) * Haruomi Hosono (2017) Posterity A clip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
