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Anik Bissonnette
Anik Bissonnette OC CQ (born 9 February 1962) is a Canadian ballet dancer; and was a principal dancer starting in 1990 with Les Grands Ballets Canadiens. Her father, Jean Bissonnette, was famous as a television director with Télévision de Radio-Canada. Bissonnette began her training at the École de danse Eddy Toussaint, primarily under Camilla Malashenko. In 1979, she joined Toussaint's troupe, Le Ballet de Montréal Eddy Toussaint. She created many leading roles in Toussaint's choreographies, including ''Rose La Tulipe'' (1979), ''Un simple moment'' (1981), ''Requiem de Mozart'' (1986), ''New World Symphony'' (1987), and ''Bonjour Brel'' (1988). Under Toussaint's artistic direction, Bissonnette formed a memorable partnership with Louis Robitaille. She starred in many televised productions with Le Ballet de Montréal Eddy Toussaint and performed in '' Night Magic'', a film directed by Lewis Furey. Her participation in the 1984 Helsinki Ballet Competition netted Toussaint ...
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Montreal
Montreal ( ; officially Montréal, ) is the List of the largest municipalities in Canada by population, second-most populous city in Canada and List of towns in Quebec, most populous city in the Provinces and territories of Canada, Canadian province of Quebec. Founded in 1642 as ''Fort Ville-Marie, Ville-Marie'', or "City of Mary", it is named after Mount Royal, the triple-peaked hill around which the early city of Ville-Marie is built. The city is centred on the Island of Montreal, which obtained its name from the same origin as the city, and a few much smaller peripheral islands, the largest of which is Île Bizard. The city is east of the national capital Ottawa, and southwest of the provincial capital, Quebec City. As of 2021, the city had a population of 1,762,949, and a Census Metropolitan Area#Census metropolitan areas, metropolitan population of 4,291,732, making it the List of the largest municipalities in Canada by population, second-largest city, and List of cen ...
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Opéra De Paris
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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James Kudelka
James Kudelka, OC (born September 10, 1955 at Newmarket, Ontario), is a Canadian choreographer, dancer, and director. He was the artistic director of the National Ballet of Canada from 1996 to 2005, now serving as the National Ballet's artist in residence. Biography Kudelka began choreographing while a student at the National Ballet School. He gained critical attention for dramatic ballets such as ''A Party'' (1976) and ''Washington Square'' (1979). Les Grand Ballet Canadiens Frustrated by what he saw as a lack of creative commitment at the National Ballet, Kudelka joined Les Grands Ballet Canadiens in 1981 where he was a principal dancer. There his choreography changed toward a less dramatic style in works such as ''In Paradisum'' (1983) and ''Alliances'' (1984). He was resident choreographer of Les Grands Ballets from 1984 to 1990, while also creating works for other companies such as the Joffrey Ballet, the San Francisco Ballet and the American Ballet Theatre. Arti ...
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George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and in ...
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The Moor's Pavane
''The Moor's Pavane'' is a 20-minute ballet based upon the tragedy ''Othello'' by William Shakespeare. The ballet was choreographed by José Limón in 1949 to music from Henry Purcell's ''Abdelazer'', ''The Gordion Knot Untied'', and the pavane from ''Pavane and Chaconne for Strings'', arranged by Simon Sadoff. This ballet is José Limón's most famous work and his influence from Doris Humphrey is evident in his choreography. It was created on the Limón Company. There are only four dancers who appear in this rendition of ''Othello''. These dancers represent The Moor, originally played by Limón himself, Desdemona, originally played by Betty Jones, Iago, originally played by Lucas Hoving, and Emilia, originally played by Pauline Koner. Desdemona, an innocent character and tragic victim, is betrayed by Iago who hints that she has been unfaithful. This causes Othello to murder her. These dramatic actions and events take place in the form of a pavane, which is a type of courtly dance ...
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José Limón
José Arcadio Limón (January 12, 1908 – December 2, 1972) was a dancer and choreographer from Mexico and who developed what is now known as 'Limón technique'. In the 1940s, he founded the José Limón Dance Company (now the Limón Dance Company), and in 1968 he created the José Limón Foundation to carry on his work. In his choreography, Limón spoke to the complexities of human life as experienced through the body. His dances feature large, visceral gestures — reaching, bending, pulling, grasping — to communicate emotion. Inspired in part by his teacher Doris Humphrey's and Charles Weidman's theories about the importance of body weight and dynamics, his own Limón technique emphasizes the rhythms of falling and recovering balance and the importance of good breathing to maintaining flow in a dance. He also utilized the dance vocabulary developed by both Doris Humphrey and Charles Weidman, which aimed at demonstrating emotion through dance in a way that was much le ...
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Antony Tudor
Antony Tudor (born William Cook; 4 April 1908 – 19 April 1987) was an English ballet choreographer, teacher and dancer. He founded the London Ballet, and later the Philadelphia Ballet Guild in Philadelphia, Pennsylvania, U.S., in the mid-1950s. Early life and education Tudor was born William Cook in East London, and grew up in the Finsbury area. He discovered dance accidentally. Tudor's first exposure to professional ballet was in his late teens when he first saw Sergei Diaghilev's Ballet Russes. He witnessed the dancer Serge Lifar of the Diaghilev Ballet in Balanchine's ''Apollon Musagète'' in 1928. Later, the Ballet Russes would introduce him to Anna Pavlova, who further inspired his journey into the world of dance. Tudor reached out to Cyril W. Beaumont, the owner of a ballet book shop in the Charing Cross Road district in London, to seek advice regarding training and was instructed to study with Marie Rambert, a former Diaghilev Ballet dancer who taught the Cecchetti m ...
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Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ...
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Les Sylphides
''Les Sylphides'' () is a short, non-narrative ''ballet blanc'' to piano music by Frédéric Chopin, selected and orchestrated by Alexander Glazunov. The ballet, described as a "romantic reverie","Ballet Theater", until 1955. A compact disk of ABT's production, with Mikhail Baryshnikov as the dreamer, is available from Kultor, entitled "American Ballet Theatre at the Met – Mixed Bill (1985)". See Olga Maynard's definitive account, based on information from Fokine's son Vitale Fokine: "Les Sylphides", ''Dance Magazine'' Portfolio: December 1971, advertised separately by some online booksellers. is frequently cited as the first ballet to be simply about mood and dance. ''Les Sylphides'' has no plot but instead consists of several white-clad sylphs dancing in the moonlight with the "poet" or "young man" dressed in white tights and a black tunic. Its original choreography was by Michel Fokine, with Chopin's music orchestrated by Alexander Glazunov. Glazunov had already set som ...
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La Fille Mal Gardée
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a tel ...
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Coppélia
''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon E. T. A. Hoffmann's short story ''Der Sandmann'' (''The Sandman''). In Greek, ''κοπέλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May 1870 at the Théâtre Impérial de l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina Eugénie Fiocre playing the part of Frantz ''en travesti''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by Charles-Antoine Cambon (Act I, scene 1; Act II, scene 1), and Édouard Desplechin and Jean-Baptiste Lavastre (Act I, scene 2). The ballet's first flush of success was interrupted by the Franco-Prussian War and t ...
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The Nutcracker
''The Nutcracker'' ( rus, Щелкунчик, Shchelkunchik, links=no ) is an 1892 two-act ballet (""; russian: балет-феерия, link=no, ), originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's 1816 short story "The Nutcracker and the Mouse King". Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. The complete ''Nutcracker'' has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of ''The Nutcracker''. The ballet's score has been used in several film adaptations of Hoffmann's story. Tchaikovsky's score has become one of his most famous compositions. Among other things, the score is ...
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