André Salomon
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André Salomon
André Salomon (27 October 1881 – 5 June 1944) was a French classical pianist. Biography Born in the 11th arrondissement of Paris, where his father Alexis has a jewellery workshop, Salomon entered the Conservatoire de Paris in 1894. In Charles-Wilfrid de Bériot's piano class, his friends were Maurice Ravel, Ricardo Viñes and Ferdinand Motte-Lacroix. He began his career as soon as 1900. A soloist of the Pasdeloup and Lamoureux concerts, he used to perform with the singer Jane Bathori, the cellists Gérard Hekking, Maurice Maréchal, Pierre Fournier, the composer Léon Moreau, the flautist Philippe Gaubert, and the violist Pierre Villain. Accompanying the Kamensky and Carembat Quartets, he formed a trio with Louis Carembat (violin) and René Chizalet (cello). On 10 June 1913, at the Théâtre des Champs-Élysées, he took part in the eighth season of Sergei Diaghilev's Ballets russes and held the piano part for Stravinsky's revival of '' Petrushka'', premiered two years e ...
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11th Arrondissement Of Paris
The 11th arrondissement of Paris (''XIe arrondissement'') is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is referred to as ''onzième''. The arrondissement, called Popincourt, is situated on the right bank of the River Seine. The arrondissement is one of the most densely populated urban districts of any European city. Description The eleventh arrondissement is a varied and engaging area. To the west lies the Place de la République, which is linked to the Place de la Bastille, in the east, by the sweeping, tree-lined Boulevard Richard-Lenoir, with its large markets and children's parks. The Place de la Bastille and the rue du Faubourg Saint-Antoine are full of fashionable cafés, restaurants, and nightlife, and they also contain a range of boutiques and galleries. The Oberkampf district to the north is another popular area for nightlife. The east is more residential, with more wholesale commerce, while the areas around the ...
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Ballets Russes
The Ballets Russes () was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there. Originally conceived by impresario Sergei Diaghilev, the Ballets Russes is widely regarded as the most influential ballet company of the 20th century, in part because it promoted ground-breaking artistic collaborations among young choreographers, composers, designers, and dancers, all at the forefront of their several fields. Diaghilev commissioned works from composers such as Igor Stravinsky, Claude Debussy, Sergei Prokofiev, Erik Satie, and Maurice Ravel, artists such as Vasily Kandinsky, Alexandre Benois, Pablo Picasso, and Henri Matisse, and costume designers Léon Bakst and Coco Chanel. The company's productions created a huge sensation, completely reinvigorat ...
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Auschwitz
Auschwitz concentration camp ( (); also or ) was a complex of over 40 concentration and extermination camps operated by Nazi Germany in occupied Poland (in a portion annexed into Germany in 1939) during World War II and the Holocaust. It consisted of Auschwitz I, the main camp (''Stammlager'') in Oświęcim; Auschwitz II-Birkenau, a concentration and extermination camp with gas chambers; Auschwitz III-Monowitz, a labor camp for the chemical conglomerate IG Farben; and dozens of subcamps. The camps became a major site of the Nazis' final solution to the Jewish question. After Germany sparked World War II by invading Poland in September 1939, the ''Schutzstaffel'' (SS) converted Auschwitz I, an army barracks, into a prisoner-of-war camp. The initial transport of political detainees to Auschwitz consisted almost solely of Poles for whom the camp was initially established. The bulk of inmates were Polish for the first two years. In May 1940, German criminals brought to t ...
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Drancy Internment Camp
Drancy internment camp was an assembly and detention camp for confining Jews who were later deported to the extermination camps during the German occupation of France during World War II. Originally conceived and built as a modernist urban community under the name ''La Cité de la Muette'', it was located in Drancy, a northeastern suburb of Paris, France. Between 22 June 1942 and 31 July 1944, during its use as an internment camp, 67,400 French, Polish, and German Jews were deported from the camp in 64 rail transports, The 61,000 deported to Auschwitz and remaining number to Sobibor were murdered. which included 6,000 children. Only 1,542 prisoners remained alive at the camp when the German authorities in Drancy fled as Allied forces advanced and the Swedish Consul-General Raoul Nordling took control of the camp on 17 August 1944, before handing it over to the French Red Cross to care for the survivors. Drancy was under the control of the French police until 1943 when admini ...
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Aix-en-Provence
Aix-en-Provence (, , ; oc, label= Provençal, Ais de Provença in classical norm, or in Mistralian norm, ; la, Aquae Sextiae), or simply Aix ( medieval Occitan: ''Aics''), is a city and commune in southern France, about north of Marseille. A former capital of Provence, it is the subprefecture of the arrondissement of Aix-en-Provence, in the department of Bouches-du-Rhône, in the region of Provence-Alpes-Côte d'Azur. The population of Aix-en-Provence is approximately 145,000. Its inhabitants are called ''Aixois'' or, less commonly, ''Aquisextains''. History Aix (''Aquae Sextiae'') was founded in 123 BC by the Roman consul Sextius Calvinus, who gave his name to its springs, following the destruction of the nearby Gallic oppidum at Entremont. In 102 BC its vicinity was the scene of the Battle of Aquae Sextiae, where the Romans under Gaius Marius defeated the Ambrones and Teutones, with mass suicides among the captured women, which passed into Roman legends of Germani ...
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Fayard
Fayard (complete name: ''Librairie Arthème Fayard'') is a French Paris-based publishing house established in 1857. Fayard is controlled by Hachette Livre. In 1999, Éditions Pauvert became part of Fayard. Claude Durand was director of Fayard from 1980 until his retirement in 2009. He was replaced by Olivier Nora, previously head of Éditions Grasset & Fasquelle another division of the Hachette group. On 6 November 2013, Nora was replaced by Sophie de Closets, who officially took over at the beginning of 2014. In December 2009, Hachette Littérature (publisher of the ''Pluriel'' pocket collection) was absorbed by Fayard. Isabelle Seguin, the director of Hachette Littérature, became literary director of Fayard. Imprints Fayard has three imprints: * Editions Mille et Une Nuits * Editions Mazarine * Pauvert Works published Works published by Editions Fayard include: *''Dictionnaire de la France médiévale'' by French historian Jean Favier * ''Les Égarés'' by French writer ...
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Trois Petites Pièces Montées
The ''Trois petites pièces montées'' (''Three Little Stuffed Pieces'') is a suite for small orchestra by Erik Satie, inspired by themes from the novel series ''Gargantua and Pantagruel'' by François Rabelais. It was premiered at the Théâtre des Champs-Élysées, Comédie des Champs-Élysées in Paris on February 21, 1920, conducted by Vladimir Golschmann. Satie later arranged it for piano four hands and today it is more frequently heard in this version. A typical performance lasts about five minutes. Background Satie was well-read in humorous and imaginative literature, and the figure of Rabelais loomed large in his Bohemianism, bohemian youth. The 16th-century French satirist was an idol of the early Montmartre cabaret scene. At the Chat Noir, where Satie played piano in the late 1880s, a drinking cup allegedly belonging to the author was on reverent display. Recalling those days in a 1922 essay, Satie went so far as to claim that one of his great-uncles used to "bend the ...
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Nocturnes (Satie)
The ''Nocturnes'' are a set of five piano pieces (initially planned as a set of seven, but left unfinished) by Erik Satie. They were written between August and November 1919. With the exception of the '' Premier Menuet'' (1920), they were his final works for solo piano, and are considered among his most significant achievements in the genre. The ''Nocturnes'' stand apart from Satie's piano music of the 1910s in their complete seriousness—lacking the zany titles, musical parody, and extramusical texts that he typically featured in his scores of the time. The completed set of five nocturnes takes about 13 minutes to perform. Background Much had transpired in Satie's personal and professional lives in the two years since his previous keyboard piece, the Neoclassical spoof '' Sonatine bureaucratique'' (1917). There was the fallout from the scandalous premiere of his ballet ''Parade'' (1917), including his conviction of criminal libel (from which he narrowly escaped imprisonment ...
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Socrate
''Socrate'' is a work for voice and piano (or small orchestra) by Erik Satie. First published in 1919 for voice and piano, in 1920 a different publisher reissued the piece "revised and corrected". Wolfgang Rathert and Andreas Traub, "Zu einer bislang unbekannten Ausgabe des 'Socrate' von Erik Satie", in ''Die Musikforschung'', Jg. 38 (1985), booklet 2, . A third version of the work exists, for small orchestra and voice, for which the manuscript has disappeared and which is available now only in print. The text is composed of excerpts of Victor Cousin's translation of Plato's dialogues, all of the chosen texts referring to Socrates. Commission – composition The work was commissioned by Princess Edmond de Polignac in October 1916. The Princess had specified that female voices should be used: originally the idea had been that Satie would write incidental music to a performance where the Princess and/or some of her (female) friends would read aloud texts of the ancient Greek phi ...
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Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ...
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Pierre Monteux
Pierre Benjamin Monteux (; 4 April 18751 July 1964) was a French (later American) conductor. After violin and viola studies, and a decade as an orchestral player and occasional conductor, he began to receive regular conducting engagements in 1907. He came to prominence when, for Sergei Diaghilev's Ballets Russes company between 1911 and 1914, he conducted the world premieres of Stravinsky's ''The Rite of Spring'' and other prominent works including ''Petrushka'', '' The Nightingale'', Ravel's ''Daphnis et Chloé'', and Debussy's '' Jeux''. Thereafter he directed orchestras around the world for more than half a century. From 1917 to 1919 Monteux was the principal conductor of the French repertoire at the Metropolitan Opera in New York. He conducted the Boston Symphony Orchestra (1919–24), Amsterdam Concertgebouw Orchestra (1924–34), Orchestre Symphonique de Paris (1929–38) and San Francisco Symphony (1936–52). In 1961, aged eighty-six, he accepted the chief cond ...
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Michel Fokine
Michael Fokine, ''Mikhail Mikhaylovich Fokin'', group=lower-alpha ( – 22 August 1942) was a groundbreaking Imperial Russian choreographer and dancer. Career Early years Fokine was born in Saint Petersburg to a prosperous merchant and at the age of 9 was accepted into the Saint Petersburg Imperial Ballet School. That same year, he made his performing debut in '' The Talisman'' under the direction of Marius Petipa. In 1898, on his 18th birthday, he debuted on the stage of the Imperial Mariinsky Theatre in ''Paquita'', with the Imperial Russian Ballet. In addition to being a talented dancer, Fokine was also passionate about painting and displayed talent in this area as well. He also played musical instruments, including mandolin (played on stage in ensemble led by Ginislao Paris), domra, and balalaika (played in Vasily Andreyev's Great Russian Orchestra). Transition to choreographer He became frustrated with the life of a dancer and began considering other paths, includin ...
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