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Ancient Theatre Of Epidaurus
The Ancient Theatre of Epidaurus is a theatre in the Greek city of Epidaurus, located on the southeast end of the sanctuary dedicated to the ancient Greek God of medicine, Asclepius. It is built on the west side of Cynortion Mountain, near modern Lygourio, and belongs to the Epidaurus Municipality. Constructed in late 4th century BC, it is considered to be the most perfect ancient Greek theatre with regard to acoustics and aesthetics. Because of its exceptional architecture and aesthetics, the theatre was inscribed on the UNESCO World Heritage List in 1988 along with the Temple of Asclepius. History According to Pausanias, the ancient theatre was constructed at the end of the 4th century BC by the architect Polykleitos the Younger. Pausanias praises the theatre for its symmetry and beauty. At a maximum capacity of 13,000 to 14,000 spectators, the theatre hosted music, singing and dramatic games that were included in the worship of Asclepius. It was also used as a means to heal ...
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Epidaurus
Epidaurus ( gr, Ἐπίδαυρος) was a small city (''polis'') in ancient Greece, on the Argolid Peninsula at the Saronic Gulf. Two modern towns bear the name Epidavros: ''Palaia Epidavros'' and ''Nea Epidavros''. Since 2010 they belong to the new municipality of Epidaurus, part of the regional unit of Argolis. The seat of the municipality is the town Lygourio. The nearby sanctuary and ancient theatre were inscribed on the UNESCO World Heritage List in 1988 because of their exemplary architecture and importance in the development and spread of healing sanctuaries and cults across the ancient Greek and Roman worlds. Name and etymology The name “Epidaurus” is of Greek origin. It was named after the hero Epidauros, son of Apollo. According to Strabo, the city was originally named Ἐπίκαρος (Epíkaros) under the Carians, (Aristotle claimed that Caria, as a naval empire, occupied Epidaurus and Hermione) before taking the name Ἐπίταυρος (Epítauros) when the ...
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Sophocles
Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus; and earlier than, or contemporary with, those of Euripides. Sophocles wrote over 120 plays, but only seven have survived in a complete form: ''Ajax'', ''Antigone'', ''Women of Trachis'', ''Oedipus Rex'', '' Electra'', '' Philoctetes'' and ''Oedipus at Colonus''. For almost fifty years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens which took place during the religious festivals of the Lenaea and the Dionysia. He competed in thirty competitions, won twenty-four, and was never judged lower than second place. Aeschylus won thirteen competitions, and was sometimes defeated by Sophocles; Euripides won four. The most famous tragedies of Sophocles feature ...
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Ancient Greek Theatres In Greece
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood ...
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Theatre At Halicarnassus
The Theatre at Halicarnassus, also known as Bodrum Antique Theatre (Turkish: ''Bodrum Antik Tiyatrosu'', usually shortened as ''Antik Tiyatro''), is a 4th-century BC Greco-Roman theatre located in Bodrum, Turkey. The theatre is considered to be built in a similar style to Ancient Theatre of Epidaurus. History Construction of the Theatre at Halicarnassus is attributed to the reign of the Carian Satrap Mausolos during the 4th century BC. Ancient theatre was enlarged and took its current form around 2nd century AD, during the Roman era. With a cavea width of 86 meters and an 18 meters orchestra diameter, the theatre originally had a seating capacity of 10,000 to 13,000 people. The theatre was renovated twice during the 1970s and 1990s by the Turkey's Ministry of Culture and Tourism. Currently the Antique Theatre is being used to host cultural events, such as Bodrum International Ballet Festival Bodrum International Ballet Festival ( Turkish: ''Uluslararası Bodrum Bale Festiva ...
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List Of Works Designed With The Golden Ratio
Many works of art are claimed to have been designed using the golden ratio. However, many of these claims are disputed, or refuted by measurement. The golden ratio, an irrational number, is approximately 1.618; it is often denoted by the Greek alphabet, Greek letter φ (Phi (letter), phi). Early history Various authors have claimed that early monuments have golden ratio proportions, often on conjectural interpretations, using approximate measurements, and only roughly corresponding to 1.618. For example, claims have been made about golden ratio proportions in Egyptian, Sumerian and Greek vases, Chinese pottery, Olmec sculptures, and Cretan and Mycenaean products from the late Bronze Age. These predate by some 1,000 years the Greek mathematicians first known to have studied the golden ratio. However, the historical sources are obscure, and the analyses are difficult to compare because they employ differing methods. It is claimed, for instance, that Stonehenge (3100 BC – 2200 BC ...
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Proscenium
A proscenium ( grc-gre, προσκήνιον, ) is the metaphorical vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch (whether or not truly "arched") and on the bottom by the stage floor itself, which serves as the frame into which the audience observes from a more or less unified angle the events taking place upon the stage during a theatrical performance. The concept of the fourth wall of the theatre stage space that faces the audience is essentially the same. It can be considered as a social construct which divides the actors and their stage-world from the audience which has come to witness it. But since the curtain usually comes down just behind the proscenium arch, it has a physical reality when the curtain is down, hiding the stage from view. The same plane also includes the drop, in traditional theatres of modern times, from the stage level to the "stalls" level of the audience, which was the original meaning of t ...
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Theatre Of Ancient Greece
Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was institutionalised as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy (late 500 BC), comedy (490 BC), and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Etymology The word grc, τραγῳδία, tragoidia, label=none, from which the word "tragedy" is derived, is a compound of two Greek words: grc, τράγος, tragos, label=none or "goat" and grc, ᾠδή, ode, label=none meaning "song", from grc, ἀείδειν, ae ...
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Médée (Cherubini)
''Médée'' is a French language opéra-comique by Luigi Cherubini. The libretto by François-Benoît Hoffman (Nicolas Étienne Framéry) was based on Euripides' tragedy of Medea and Pierre Corneille's play ''Médée''. It is set in the ancient city of Corinth. The opera was premiered on 13 March 1797 at the Théâtre Feydeau, Paris. It met with a lukewarm reception and was not immediately revived. During the twentieth century, it was usually performed in Italian translation as ''Medea'', with the spoken dialogue replaced by recitatives not authorized by the composer. More recently, opera companies have returned to Cherubini's original version. The long-lost final aria, which Cherubini appears to have elided from his original manuscript, was discovered by researchers from the University of Manchester and Stanford University by employing x-ray techniques to reveal the blackened out areas of Cherubini's manuscript. Performances and versions Several versions of the opera were p ...
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Norma (opera)
''Norma'' () is a ''tragedia lirica'' or opera in two acts by Vincenzo Bellini with libretto by Felice Romani after the play ''Norma, ou L'infanticide'' (''Norma, or The Infanticide'') by Alexandre Soumet. It was first produced at La Scala in Milan on 26 December 1831. The opera is regarded as a leading example of the bel canto genre, and the soprano prayer "Casta diva" in act 1 is a famous piece. Among the well known singers of Norma of the first half of the 20th century was Rosa Ponselle who played the role in New York and London. Notable exponents of the title role in the post-war period have been Maria Callas, Leyla Gencer, Joan Sutherland, and Montserrat Caballé. Composition history Crivelli and Company were managing both La Scala and La Fenice in Venice, and as a result, in April–May 1830 Bellini was able to negotiate a contract with them for two operas, one at each theatre. The opera for December 1831 at La Scala became ''Norma'', while the one for the 1832 Carnival ...
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Maria Callas
Maria Callas . (born Sophie Cecilia Kalos; December 2, 1923 – September 16, 1977) was an American-born Greek soprano who was one of the most renowned and influential opera singers of the 20th century. Many critics praised her ''bel canto'' technique, wide-ranging voice and dramatic interpretations. Her repertoire ranged from classical ''opera seria'' to the ''bel canto'' operas of Gaetano Donizetti, Donizetti, Vincenzo Bellini, Bellini and Gioachino Rossini, Rossini and, further, to the works of Giuseppe Verdi, Verdi and Giacomo Puccini, Puccini; and, in her early career, to the music dramas of Richard Wagner, Wagner. Her musical and dramatic talents led to her being hailed as ''La Divina'' ("the Divine one"). Born in Manhattan, New York City, to Greek immigrant parents, she was raised by an overbearing mother who had wanted a son. Maria received her musical education in Greece at age 13 and later established her career in Italy. Forced to deal with the exigencies of 194 ...
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World War II
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposing military alliances: the Allies and the Axis powers. World War II was a total war that directly involved more than 100 million personnel from more than 30 countries. The major participants in the war threw their entire economic, industrial, and scientific capabilities behind the war effort, blurring the distinction between civilian and military resources. Aircraft played a major role in the conflict, enabling the strategic bombing of population centres and deploying the only two nuclear weapons ever used in war. World War II was by far the deadliest conflict in human history; it resulted in 70 to 85 million fatalities, mostly among civilians. Tens of millions died due to genocides (including the Holocaust), starvation, ma ...
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Eleni Papadaki
Eleni Papadaki (Greek: Ελένη Παπαδάκη, 4 November 1903 – 22 December 1944) was a celebrated Greek stage actress who was murdered during the Dekemvriana events, accused for political reasons by the communists, of having collaborated with the Nazi occupation forces and the collaborationist regime during the Axis occupation. Biography She was born on 4 November 1903 in Athens to an affluent family, the granddaughter of university professor Stylianos Konstantinidis. She studied philology at Athens University, phonetics, music and piano at the Great Conservatory of Athens, but began an acting career at the age of twenty-two in 1925, in Luigi Pirandello's ''Six Characters in Search of an Author''. The theatre critic for the ''Demokratia'' newspaper greeted her performance with the comment that "today the stage has acquired a great actress". At the same time, she also performed in Oscar Wilde's ''Salome''. Her most successful performances during the last part of her ...
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