Amsterdam (Jacques Brel Song)
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Amsterdam (Jacques Brel Song)
"Amsterdam" is a song by Jacques Brel. It combines a powerful melancholic crescendo with a rich poetic account of the exploits of sailors on shore leave in Amsterdam. Musically, it takes its base melody line from the melody of the English folk song Greensleeves. Brel never recorded this for a studio album, and his only version was released on the live album ''Enregistrement Public à l'Olympia 1964''. Despite this, it has been one of his most enduringly popular works. It was one of the songs Mort Shuman translated into English for the musical '' Jacques Brel is Alive and Well and Living in Paris''. Brel worked on the song at his house overlooking the Mediterranean at Roquebrune-Cap-Martin, the house he shared with Sylvie Rivet, a publicist for Philips; a place she had introduced him to in 1960. "It was the ideal place for him to create, and to indulge his passion for boats and planes. One morning at six o'clock he read the words of Amsterdam to Fernand, a restaurateur who wa ...
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Jacques Brel
Jacques Romain Georges Brel (, ; 8 April 1929 – 9 October 1978) was a Belgian singer and actor who composed and performed literate, thoughtful, and theatrical songs that generated a large, devoted following—initially in Belgium and France, later throughout the world. He is considered a master of the modern chanson. Although he recorded most of his songs in French and occasionally in Dutch, he became an influence on English-speaking songwriters and performers, such as Scott Walker, David Bowie, Alex Harvey, Marc Almond, Neil Hannon, and Rod McKuen. English translations of his songs were recorded by many performers, including Bowie, Walker, Ray Charles, Judy Collins, John Denver, The Kingston Trio, Nina Simone, Shirley Bassey, James Dean Bradfield, Frank Sinatra, and Andy Williams. Brel was a successful actor, appearing in 10 films. He directed two films, one of which, ''Le Far West'', was nominated for the Palme d'Or at the Cannes Film Festival in 1973. Having sold over 2 ...
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Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ...
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Scott (album)
''Scott'' is the debut solo album by Scott Walker, originally released in the United Kingdom on Philips Records in 1967. The album received both strong commercial success as well as critical praise, hitting No. 3 on the UK Albums Chart. The album was produced by John Franz, who had previously worked with Walker's group the Walker Brothers, while its instrumental accompaniments were arranged and conducted by Wally Stott, Reg Guest and Peter Knight. Overview ''Scott'' was released only six months after Walker's third album with The Walker Brothers, ''Images''. Its mixture of Walker's original compositions and selection of cover versions established Walker as a more serious and sombre artist; gone were the Beat group and Blue-eyed soul material of his former group. The choice of material generally fell into four main categories: his own work ("Montague Terrace (In Blue)", "Such a Small Love", "Always Coming Back to You"), contemporary covers ("The Lady Came from Baltimore", "An ...
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Bowie At The Beeb
''Bowie at the Beeb'' is a compilation album by English singer-songwriter David Bowie, first released in 2000. Originally, it came in a three-CD set, the third, bonus CD being a live recording made on at the Portland BBC Radio Theatre. Later editions contain only the first two CDs. The bonus disc was also released as a separate single CD entitled ''BBC Radio Theatre, London, June 27, 2000''. Releases The first pressing mistakenly included the second (disc 2, track 13) version of the song " Ziggy Stardust" twice on disc two, missing the first (disc 2, track 5) version. EMI declined to issue corrected replacement discs to customers, instead mailing out one-song CDs of the first version. This compilation also features a previously unreleased song, "Looking for a Friend" (disc 1, track 15), which John Peel said would be released as a single by Arnold Corns. The single was later cancelled. The live tracks recorded in June 2000, included in this set on the bonus disc, were re-maste ...
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Virgin Records
Virgin Records is a record label owned by Universal Music Group. It originally founded as a British independent record label in 1972 by entrepreneurs Richard Branson, Simon Draper, Nik Powell, and musician Tom Newman. It grew to be a worldwide success over time, with the success of platinum performers Paula Abdul, Janet Jackson, Devo, Tangerine Dream, Genesis, Phil Collins, OMD, the Human League, Culture Club, Simple Minds, Lenny Kravitz, the Sex Pistols, and Mike Oldfield among others, meaning that by the time it was sold, it was regarded as a major label, alongside other large international independents such as A&M and Island Records. Virgin Records was sold to EMI in 1992. EMI was in turn taken over by Universal Music Group (UMG) in 2012 with UMG creating the Virgin EMI Records division. The Virgin Records name continues to be used by UMG in certain markets such as Germany and Japan. Virgin Records America Virgin Records America, Inc. was the company's North American ...
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John Peel
John Robert Parker Ravenscroft (30 August 1939 – 25 October 2004), known professionally as John Peel, was an English disc jockey (DJ) and radio presenter. He was the longest-serving of the original BBC Radio 1 DJs, broadcasting regularly from 1967 until his death in 2004. Peel was one of the first broadcasters to play psychedelic rock and progressive rock records on British radio. He is widely acknowledged for promoting artists of multiple genres, including pop, dub reggae, punk rock and post-punk, electronic music and dance music, indie rock, extreme metal and British hip hop. Fellow DJ Paul Gambaccini described Peel as "the most important man in music for about a dozen years". Peel's Radio 1 shows were notable for the regular "Peel sessions", which usually consisted of four songs recorded by an artist in the BBC's studios, often providing the first major national coverage to bands that later achieved fame. Another feature was the annual Festive Fifty countdown of his ...
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Tony Visconti
Anthony Edward Visconti (born April 24, 1944) is an American record producer, musician and singer. Since the late 1960s, he has worked with an array of performers. His first hit single was T. Rex's " Ride a White Swan" in 1970, the first of many hits in collaboration with Marc Bolan. Visconti's lengthiest involvement was with David Bowie: intermittently from the production and arrangement of Bowie's 1968 single "In the Heat of the Morning" / "London Bye Ta-Ta" to his final album ''Blackstar'' in 2016, Visconti produced and occasionally performed on many of Bowie's albums. Visconti's work on ''Blackstar'' was cited in its Grammy Award for Best Engineered Album, Non-Classical and his production of Angelique Kidjo's '' Djin Djin'' was cited in its Grammy Award for Best Contemporary World Music Album. Early life Visconti was born in Brooklyn, New York, to parents of Italian descent. He started to play the ukulele when he was five years old, and then learned guitar. He attended N ...
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Junior's Eyes
Junior's Eyes was a British group led by guitarist Mick Wayne (born Michael Wayne, 1945, Kingston upon Hull - died 26 June 1994), which recorded one album and is notable for acting as David Bowie's backing band during 1969. Beginnings Mick Wayne's first group was The Outsiders, with Jimmy Page on guitar. After recording one single for Decca Records in 1965, the Outsiders broke up the following year at which point Wayne joined Hull musicians The Hullaballoos, replacing Ricky Knight briefly before they too broke up. He made an attempt to form a new line-up in Hull with drummer John Cambridge but soon returned to London (Cambridge later joined Hull band The Rats, with guitarist Mick Ronson). Wayne next joined the Bunch of Fives (including ex-Pretty Things drummer Viv Prince) during 1966 and this band evolved into The Tickle, with band members Mick Wayne (guitar), Mike Docker (vocals), Dave Williams (keyboards), Richard Dowling (bass) and John Beckerman (drums).''Junior's Eyes'' ...
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Dave Lee Travis
David Patrick Griffin (born 25 May 1945), known professionally as Dave Lee Travis, is an English disc jockey, radio presenter and television presenter. Travis began his broadcasting career on the pirate radio station Radio Caroline in 1965. He moved to BBC Radio 1 where he became one of the station's leading presenters during the 1970s and 1980s, and a regular presenter of ''Top of the Pops''. Following his resignation from the BBC in 1993, he worked for several British commercial radio stations. In November 2012, Travis was arrested by officers from Operation Yewtree on suspicion of historical sexual offences, which he denied. In February 2014, he was found not guilty on twelve of the counts, with the jury unable to reach a decision on a further two counts. Travis faced a retrial on the two outstanding counts, with an additional alleged offence from 1995. The retrial began on 5 September 2014. On 23 September he was found guilty by a majority verdict of one count of indecent as ...
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Alabama Song (Bowie)
The "Alabama Song"—also known as "Moon of Alabama", "Moon over Alabama", and "Whisky Bar"—is an English version of a song written by Bertolt Brecht and translated from German by his close collaborator Elisabeth Hauptmann in 1925 and set to music by Kurt Weill for the 1927 play '' Little Mahagonny''. It was reused for the 1930 opera ''Rise and Fall of the City of Mahagonny'' and has been recorded by the Doors and David Bowie. Original version The "Alabama Song" was written as a German poem and translated into idiosyncratic English for the author Bertolt Brecht by his close collaborator Elisabeth Hauptmann in 1925 and published in Brecht's 1927 '' Home Devotions'' (german: Hauspostille), a parody of Martin Luther's collection of sermons. It was set to music by Kurt Weill for the 1927 play '' Little Mahagonny'' (') and reused for Brecht and Weill's 1930 opera ''Rise and Fall of the City of Mahagonny'' ('), where it is sung by Jenny and her fellow prostitutes in Act I. Although ...
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The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' (often shortened to ''Ziggy Stardust'') is the fifth studio album by English musician David Bowie, released on 16June 1972 in the United Kingdom through RCA Records. It was co-produced by Bowie and Ken Scott and features Bowie's backing band the Spiders from Mars, comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. Most of the songs were written around the same time as Bowie's previous album ''Hunky Dory'' (1971). After that album was completed, recording for ''Ziggy Stardust'' commenced in November 1971 at Trident Studios in London, with further sessions in early February 1972. Described as a loose concept album and rock opera, ''Ziggy Stardust'' concerns Bowie's titular alter ego Ziggy Stardust, a fictional androgynous and bisexual rock star who is sent to Earth as a saviour before an impending apocalyptic disaster. In its story, Ziggy wins the hearts of fans but suffers a fall from grace after succumb ...
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Pin Ups
''Pin Ups'' (also referred to as ''Pinups'' and ''Pin-Ups'') is the seventh studio album by English musician David Bowie, released on 19October 1973 through RCA Records. Devised as a "stop-gap" album to appease his record label, it is a covers album, featuring songs by British bands from the 1960s that were influential to Bowie as a teenager, including the Pretty Things, the Who, the Yardbirds and Pink Floyd. The tracks mostly stay true to their original counterparts, albeit performed in glam rock and proto-punk styles. The album was recorded from July to August 1973 at the Château d'Hérouville in Hérouville, France following the completion of the Ziggy Stardust Tour. It was co-produced by Bowie and Ken Scott, marking the final collaboration between the two. Two members of Bowie's backing band the Spiders from Mars contributed, guitarist Mick Ronson and bassist Trevor Bolder, while Mick Woodmansey was replaced by Aynsley Dunbar on drums. Following a surprise announcement a ...
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