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American Artists Club
The American Artists Club, Munich was a private art group for American artists living and working in Munich, Germany. It was started in January 1914, just before World War I broke out. The private group met every Friday evening at the Kiinstler Cafe Glasl at the corners of Theresien and Amalien Streets. There were sixteen founding members of the art colony including E. Martin Hennings, Victor Higgins, Walter Ufer, Louis Grell, J. Ernst Dean, Herbert Martin, John M. Imhof, Bennet S. Linder, O. R. Korder, Richard Fayerweather Babcock, Frank Duveneck, Carl Bohnen, Emil Frie, Carl Hoeckner and others. The following extract is from; American Federation of Arts. (1914) ''American Art Directory''. New York: R.R. Bowker p. 352 Europe. Germany American Artists' Club, Munich Herbert E. Martin President Ernest Dean Treasurer Bennet S. Linder Vice-Pres. E. Martin Hennings Secretary Organized January, 1914, to assist American students of the fine arts in Munich. Membership is ...
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Munich
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by population, third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the List of cities in the European Union by population within city limits, 11th-largest city in the European Union. The Munich Metropolitan Region, city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Northern Limestone Alps, Bavarian Alps, Munich is the seat of the Bavarian Regierungsbezirk, administrative region of Upper Bavaria, while being the population density, most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialects, Bavarian dialect area, ...
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Louis Grell
Louis may refer to: * Louis (coin) * Louis (given name), origin and several individuals with this name * Louis (surname) * Louis (singer), Serbian singer * HMS ''Louis'', two ships of the Royal Navy See also Derived or associated terms * Lewis (other) * Louie (other) * Luis (other) * Louise (other) * Louisville (other) * Louis Cruise Lines * Louis dressing, for salad * Louis Quinze, design style Associated names * * Chlodwig, the origin of the name Ludwig, which is translated to English as "Louis" * Ladislav and László - names sometimes erroneously associated with "Louis" * Ludovic, Ludwig, Ludwick, Ludwik Ludwik () is a Polish given name. Notable people with the name include: * Ludwik Czyżewski, Polish WWII general * Ludwik Fleck (1896–1961), Polish medical doctor and biologist * Ludwik Gintel (1899–1973), Polish-Israeli Olympic soccer player ...
, names sometimes translated to English as "Louis" {{disambiguation ...
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Frank Duveneck
Frank Duveneck (né Decker; October 9, 1848 – January 3, 1919) was an American figure and portrait painter. Early life Duveneck was born in Covington, Kentucky, the son of German immigrant Bernhard Decker. Decker died in a cholera epidemic when Frank was only a year old, and his widow remarried Joseph "Squire" Duveneck. By the age of 15, Frank had begun the study of art under the tutelage of a local painter, Johann Schmitt, and had been apprenticed to a German firm of church decorators. While having grown up in Covington, Duveneck was a part of the German community in Cincinnati, Ohio, just across the Ohio River. Due to his Catholic beliefs and German heritage, though, he was an outsider as far as the artistic community of Cincinnati was concerned. Career In 1869, he went abroad to study with Wilhelm von Diez and Wilhelm Leibl at the Royal Academy of Munich, where he learned a dark, realistic, and direct style of painting. He subsequently became one of the young American paint ...
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Carl Hoeckner
Carl Hoeckner (1883-1972) is an American artist active in Chicago during the Great Depression. Biography Hoeckner was born in 1883 in Munich, Germany. In 1910 he immigrated to Chicago. His first job in the United states was as an illustrator in the advertising department of Armour and Company, a meatpacking company in Chicago. He went on to work in the advertising department of Marshall Field's department store. Hoeckner was active in the Chicago art scene. He was a member of the Palette and Chisel Club and the American Artists' Congress. He was associated with fellow artists Ramon Shiva, Rudolph Weisenborn, and Beatrice S. Levy. In 1921 he helped organize a showing of about 300 works at the A. M. Rothschild & Company Store. In 1922 he helped found the Chicago No-Jury Society of Artists. In the 1930s he worked for the graphics division for the Works Progress Administration Illinois Art Project. From 1929 to 1943 he taught at the School of the Art Institute of Chicago. Hoe ...
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Art Institute Of Chicago
The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 million people annually. Its collection, stewarded by 11 curatorial departments, is encyclopedic, and includes iconic works such as Georges Seurat's ''A Sunday on La Grande Jatte'', Pablo Picasso's ''The Old Guitarist'', Edward Hopper's '' Nighthawks'', and Grant Wood's '' American Gothic''. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present cutting-edge curatorial and scientific research. As a research institution, the Art Institute also has a conservation and conservation science department, five conservation laboratories, and one of the largest art history and architecture libraries in the country—the Ryerson and B ...
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Walter Ufer
Walter Ufer (July 22, 1876 – August 2, 1936) was an American artist based in Taos, New Mexico. His most notable work focuses on scenes of Native American life, particularly of the Pueblo Indians. Life and career Ufer was born in Germany and moved with his family to Louisville, Kentucky in 1880, where Ufer grew up. After an apprenticeship as a lithographer, he went to Europe where he was a traveling journeyman. Like many of his fellow artists with ties to Indianapolis's German-American community, he went to Germany to study; he trained in Hamburg and Dresden. When he returned to America, he worked as a printer in Chicago and taught school, and later took classes in fine arts. After a brief time in Chicago, he returned to Munich in 1911 for further study as an artist. Upon his return to the US, he traveled to Taos in 1914. There he became one of the "Taos Ten", and associated with the Taos Society of Artists. In 1917 Ufer served as president of Chicago's Palette and Chis ...
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Victor Higgins
William Victor Higgins (June 28, 1884 – August 23, 1949) was an American painter and teacher, born in Shelbyville, Indiana. At the age of fifteen, he moved to Chicago, where he studied at the Art Institute in Chicago and at the Chicago Academy of Fine Arts. In Paris he was a pupil of Robert Henri, René Menard and Lucien Simon, and when he was in Munich he studied with Hans von Hayek. He was an associate of the National Academy of Design. Higgins moved to Taos, New Mexico in 1913 and joined the Taos Society of Artists (alongside E. Irving Couse, Joseph Henry Sharp, Oscar E. Berninghaus and others) in 1917. In 1923 he was on the founding board of the Harwood Foundation with Elizabeth (Lucy) Harwood and Bert Phillips. Personal He married Sara Parsons, daughter of Santa Fe painter, Sheldon Parsons, and they had a daughter, Joan. He was later briefly married to Marion Koogler McNay of San Antonio, Texas. Artwork While living in New Mexico, he often painted portraits of N ...
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Taos Society Of Artists
The Taos Society of Artists was an organization of visual arts founded in Taos, New Mexico. Established in 1915, it was disbanded in 1927. The Society was essentially a commercial cooperative, as opposed to a stylistic collective, and its foundation contributed to the development of the tiny Taos art colony into an international art center. Beginning Joseph Henry Sharp, who made paintings of Native Americans throughout his life, visited Taos on a trip through New Mexico in 1893. While there he became interested in the people of the Taos Pueblo and the landscape,James (1920), p. 373 an interest he shared with Ernest Blumenschein when they were studying art in Paris. Having heard of the degree to which Sharp was interested in painting the western United States, and the Indian pueblo of Taos in particular, Blumenschein came to Taos with fellow artist Bert Phillips in 1898. Planning only to visit Taos, they became so enamored by the Taos Valley and its people that they decided to stay ...
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