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Amati
Amati (, ) is the last name of a family of Italian violin makers who lived at Cremona from about 1538 to 1740. Their importance is considered equal to those of the Bergonzi, Guarneri, and Stradivari families. Today, violins created by Nicolò Amati are valued at around $600,000. Because of their age and rarity, Amati instruments are mostly kept in museum or private collections and are seldom played in public. Family members Andrea Amati Andrea Amati (December 20, 1577) designed and created the violin, viola and cello known as the "violin family". Based in Cremona, Italy, he standardized the basic form, shape, size, materials and method of construction. Makers from nearby Brescia experimented, such as Gasparo da Salò, Micheli, Zanetto and Pellegrino, but it was Andrea Amati who gave the modern violin family their definitive profile. A claim that Andrea Amati received the first order for a violin from Lorenzo de' Medici in 1555 is invalid as Lorenzo de' Medici died in 1492. A ...
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Antonio Stradivari
Antonio Stradivari (, also , ; – 18 December 1737) was an Italian luthier and a craftsman of string instruments such as violins, cellos, guitars, violas and harps. The Latinized form of his surname, ''Stradivarius'', as well as the colloquial ''Strad'' are terms often used to refer to his instruments. It is estimated that Stradivari produced 1,116 instruments, of which 960 were violins. Around 650 instruments survive, including 450 to 512 violins. His instruments are considered some of the finest ever made, and are extremely valuable collector's items. Biography Family and early life Antonio Stradivari's birthdate, presumably between 1644 and 1649, has been debated amongst historians due to the numerous inconsistencies in the evidence of the latter. The 1668 and 1678 censuses report him actually growing younger, a fact explained by the probable loss of statistics from 1647 to 1649, when renewed belligerency between France's Modenese and Spain's Milanese proxies led ...
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Andrea Guarneri
Andrea Guarneri (1626; 1698, in Cremona) was an Italian luthier, musician and founder of the Casa Guarneri. He is the most important student of Nicola Amati and grandfather of one of the best luthiers, Bartolomeo Giuseppe Guarneri, del Gesù. Biography Thought to be born in 1626 to Bartolomo Guarneri in the parish of Cremona, Italy, very little is known about Andrea Guarneri's ancestors. There are records of a wood-carver by the name of Giovanni Battista Guerine, which may have been an alternative spelling of Guarneri, who lived near the residence of Nicolò Amati in Cremona in 1632, and it is possible that Andrea Guarneri was a relation of Guerine. By 1641 the young Andrea was living with Nicolò Amati and being instructed in the art of violin making, probably working alongside Francesco Ruggieri and Antonio Stradivari who were also apprentices at the same time. In 1652, while still living in the Amati household, Andrea married Anna Maria Orcelli, daughter of Orazio Orcelli. The ...
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Girolamo Amati
Girolamo Amati (1561–1630) was an Italian luthier, active from 1580 to 1630. Biography Born in Cremona, Girolamo was the youngest son of Andrea Amati and brother of Antonio Amati. Girolamo worked, probably from 1575, with his brother, in his father's workshop. With the latter, he refined his construction technique and style. For about ten years, they co-signed their works with their Latinized names: "Antonius & Hieronymus Amati". Girolamo slightly increased the size of his instruments, compared to those of his father. His son, Nicolò Amati (1596-1684), whom he trained in the workshop, was the master of Andrea Guarneri and possibly of Antonio Stradivari and Francesco Rugeri Francesco Rugeri (Cremona, 1628; 28 October 1698), also known as Ruger, Rugier, Rugeri, Ruggeri, Ruggieri, Ruggerius, was the first of an important family of luthiers, the Casa Rugeri in Cremona, Italy. His instruments are masterfully constructe .... References Sources Price History Girolamo I ...
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Antonio Amati
Antonio Amati ( – 1607) was an Italian luthier, active from 1560 to 1605. Biography Born in Cremona, Andrea Amati's son and Girolamo Amati's brother, Antonio worked first with his father, then with his brother, in the same workshop. With the latter, he refined his construction technique and style. For about ten years, they co-signed their works with their Latinized names: "Antonius & Hieronymus Amati" Instruments The instruments with the common label of Antonio and Girolamo can hardly be assigned to the individual brothers, even for experts. They worked extraordinarily cleanly and experimented on the construction of the violin, especially on the contours, vaults and f-holes. Characteristic is a recessed gorge, which is responsible for the warm tone of their exhibits. See also * Giuseppe Guarneri * Antonio Stradivari Bibliography * William Henley's '' Universal Dictionary of Violin & Bow Makers'', Brighton, Amati, 1973. * Cacciatori, Fausto: ''Il DNA degli Amati'', ...
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Hieronymus II Double Bass
The double bass made by Hieronymus II AMATI in 1680 in Cremona, Italy, is known as the only remaining double bass from the early Cremonese school. The double bass bears an original label "Nicolaus . Filei Hieronymi Filius An' (drea) Amatus" "Cremonensis Faciebat Anno 1680", the type of label Hieronymus II (also known as Girolomo II) used while still under the guidance and working with his father Nicòlo. This Amati double bass was most lately restored bBarnabás Rácz Hungary, in 2006. In the same year it was subjected to a dendro-chronological examination b England, which dates the latest year-rings from 1659 and proves a perfect cross-match with wood used by contemporaries Sanctus Serafin and Antonio Stradivari. In 2010 the instrument was certified bPeter Biddulph He writes; "this double bass is in a very fine state of preservation. It is an exceptionally rare and important instrument, fully characteristic of the work of Hieronymus II Amati in the workshop of his father, Nic ...
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Royal Academy Of Music Museum
The Royal Academy of Music Museum (previously known as the York Gate Collections) is a museum of musical instruments and artefacts and research centre of the Royal Academy of Music in London. The building The building was designed in 1822 as part of the main entrance to Regent's Park, and was an important feature in John Nash’s architectural designs for Regency London. The interior of York Gate was largely destroyed by bomb damage in the 1940s, but the Nash exterior has Grade 1 listed building status. The Royal Academy of Music moved to Marylebone Road in 1911, and held a lease on part of York Gate during the 1920s and 1930s. A grant from the Heritage Lottery Fund enabled the Academy to acquire and refurbish the building to house studios and practice rooms and a museum. The galleries The Museum has three permanent galleries, alongside regularly changing displays and exhibitions. Together they cover an array of eras, instruments and subjects, including stringed instruments from ...
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Guarneri
The Guarneri (, , ), often referred to in the Latinized form Guarnerius, is the family name of a group of distinguished luthiers from Cremona in Italy in the 17th and 18th centuries, whose standing is considered comparable to those of the Amati and Stradivari families. Family members * Andrea Guarneri ( 1626 – 7 December 1698) was an apprentice in the workshop of Nicolò Amati from 1641 to 1646 and returned to make violins for Amati from 1650 to 1654. His early instruments are generally based on the "Grand Amati" pattern but struggled to achieve the sophistication of Amati's own instruments. Andrea Guarneri produced some fine violas. The ex-Primrose Viola, which was played by William Primrose, bears Andrea's label but may have been made by his son Giuseppe. Two of Andrea's sons continued the father's traditions: * Pietro Giovanni Guarneri (''Pietro da Mantova'') (18 February 1655 – 26 March 1720) worked in his father's workshop from around 1670 until his marriage in 1677. He ...
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Cremona, Italy
Cremona (, also ; ; lmo, label= Cremunés, Cremùna; egl, Carmona) is a city and ''comune'' in northern Italy, situated in Lombardy, on the left bank of the Po river in the middle of the ''Pianura Padana'' ( Po Valley). It is the capital of the province of Cremona and the seat of the local city and province governments. The city of Cremona is especially noted for its musical history and traditions, including some of the earliest and most renowned luthiers, such as Giuseppe Guarneri, Antonio Stradivari, Francesco Rugeri, Vincenzo Rugeri, and several members of the Amati family. History Ancient Celtic origin Cremona is first mentioned in history as a settlement of the Cenomani, a Gallic ( Celtic) tribe that arrived in the Po valley around 400 BC. However, the name Cremona most likely dates back to earlier settlers and puzzled the ancients, who gave many fanciful interpretations. Roman military outpost In 218 BC the Romans established on that spot their first military out ...
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Cremona
Cremona (, also ; ; lmo, label= Cremunés, Cremùna; egl, Carmona) is a city and ''comune'' in northern Italy, situated in Lombardy, on the left bank of the Po river in the middle of the ''Pianura Padana'' ( Po Valley). It is the capital of the province of Cremona and the seat of the local city and province governments. The city of Cremona is especially noted for its musical history and traditions, including some of the earliest and most renowned luthiers, such as Giuseppe Guarneri, Antonio Stradivari, Francesco Rugeri, Vincenzo Rugeri, and several members of the Amati family. History Ancient Celtic origin Cremona is first mentioned in history as a settlement of the Cenomani, a Gallic ( Celtic) tribe that arrived in the Po valley around 400 BC. However, the name Cremona most likely dates back to earlier settlers and puzzled the ancients, who gave many fanciful interpretations. Roman military outpost In 218 BC the Romans established on that spot their first military outpo ...
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Stradivarius
A Stradivarius is one of the violins, violas, cellos and other string instruments built by members of the Italian family Stradivari, particularly Antonio Stradivari (Latin: Antonius Stradivarius), during the 17th and 18th centuries. They are considered some of the finest instruments ever made, and are extremely valuable collector's items. According to their reputation, the quality of their sound has defied attempts to explain or equal it, though this belief is disputed. The many blind experiments from 1817 to as recently as 2014 have found no difference in sound between Stradivari's violins and high-quality violins in comparable style of other makers and periods, nor has acoustic analysis. The fame of Stradivarius instruments is widespread, appearing in numerous works of fiction. Construction Stradivari made his instruments using an inner form, unlike the French copyists, such as Jean-Baptiste Vuillaume, Vuillaume, who employed an outer form. It is clear from the number of f ...
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Carlo Bergonzi (luthier)
Carlo Bergonzi (21 December 1683 – 9 February 1747) was an Italian luthier and is the first and most prominent member of the Bergonzi family, a distinguished group of luthiers from Cremona, Italy, a city with a rich tradition of stringed instrument makers. Today his instruments are highly valued for their workmanship and tone. Although he was historically assumed to have first apprenticed with Hieronymus Amati or Antonio Stradivari, he is now known to have been the student of Vincenzo Rugeri. Early life and career Carlo Bergonzi and his family lived close to the workshop in Cremona of Vincenzo Rugeri and would have been the most obvious place for apprenticeship for Carlo given the social and financial connections between the two families. When comparing the work of Bergonzi with Vincenzo Rugeri, their similarity of work is obvious in the treatment of the scrolls and the working technique of scarfing the linings into the corner blocks at an angle instead of square. The early ...
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Tullie House Museum And Art Gallery
Tullie House Museum and Art Gallery is a museum in Carlisle, England. Opened by the Carlisle Corporation in 1893, the original building is a converted Jacobean mansion, with extensions added when it was converted. At first the building contained the museum and also a library, an art school and a technical school. The building, including the extensions, is a Grade I listed building, and the wall, gates and railings in front of the house are separately Grade I listed. The two schools were moved in the 1950s and the library in 1986. The museum expanded into the city Guildhall in 1980 and with new space available from 1986 it underwent an extensive redevelopment over 1989–90 and again in 2000–01. Since May 2011 the museum has been an independent charitable trust, the Tullie House Museum and Art Gallery Trust. It is one of the three members of the Cumbria Museum Consortium, along with Lakeland Arts and the Wordsworth Trust. In 2012–15 and 2015–18 this con ...
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