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Amadigi Di Gaula
''Amadigi di Gaula'' ( HWV 11) is a "magic" opera in three acts, with music by George Frideric Handel. It was the fifth Italian opera that Handel wrote for an English theatre and the second he wrote for Richard Boyle, 3rd Earl of Burlington in 1715. The opera about a damsel in distress is based on ''Amadis de Grèce'', a French tragédie-lyrique by André Cardinal Destouches and Antoine Houdar de la Motte. ''Amadigi'' was written for a small cast, employing four high voices. Handel made prominent use of wind instruments, so the score is unusually colorful, comparable to his ''Water Music''. The opera received its first performance in London at the King's Theatre in the Haymarket on 25 May 1715, in a lavish successful production. Charles Burney maintained near the end of the eighteenth century: Amadigi contained "...more invention, variety and good composition, than in any one of the musical dramas of Handel which I have yet carefully and critically examined".Richard B. Beams"H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Rossi
Giacomo Rossi was an Italian poet, translator and librettist who settled in London early in the 18th century and wrote librettos for George Frideric Handel, between 1710 and 1729. According to Rossi ''Rinaldo'' was written by Handel in a fortnight. Aaron Hill seems to have given his sketch to Rossi to translate. The libretto is according to Winton Dean confusing. Rossi probably worked on ''Il pastor fido'' and ''Silla''. Handel emerges from the enterprise with scarcely more credit than Rossi. Rossi's name is also mentioned with for the libretto of ''Amadigi di Gaula'', or assisting in '' Poro re dell'Indie'' and ''Lotario''. The result of this latter work is unusually concise and easily understandable for a baroque opera. Rossi not only shortened the recitatives for Handel, but improved the text by shortening, rearranging and rewriting it. Almost half of the text was new.http://www.oehmsclassics.de/cd.php?formatid=175&sprache=eng In 1729 Paolo Antonio Rolli Paolo Antonio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abingdon Abbey
Abingdon Abbey ( '' " St Mary's Abbey " '' ) was a Benedictine monastery located in the centre of Abingdon-on-Thames beside the River Thames. The abbey was founded c.675 AD in honour of The Virgin Mary. The Domesday Book of 1086 informs us that the abbey was a wealthy and powerful landowner : * There is nothing to see today of the abbey church. The existing buildings include : * Checker Hall ( Unicorn Theatre ). * The Checker. * The Long Gallery. * The Lower Hall. * Thames Street, the Mill and the Mill stream. Extant buildings There is nothing to see today of the abbey church. Apparent ruins in the Abbey Gardens are Trendell's Folly, built in the nineteenth century. Some of the stones may come from St Helen's Church. Associated monastic buildings do, however, survive, including the Abbey Exchequer, the timber-framed Long Gallery, the Abbey bakehouse, (all in the care of the Friends of Abingdon Civic Society) the Abbey gateway, St John's hospitium ( pilg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osnabrück
Osnabrück (; wep, Ossenbrügge; archaic ''Osnaburg'') is a city in the German state of Lower Saxony. It is situated on the river Hase in a valley penned between the Wiehen Hills and the northern tip of the Teutoburg Forest. With a population of 168,145 Osnabrück is one of the four largest cities in Lower Saxony. The city is the centrepoint of the Osnabrück Land region as well as the District of Osnabrück.Osnabrück: Lebendiges Zentrum im Osnabrücker Land www.osnabruecker-land.de The founding of Osnabrück was linked to its positioning on important European trading routes. |
Teseo
''Teseo'' ("Theseus", HWV 9; ) is an opera seria with music by George Frideric Handel, the only Handel opera that is in five acts. The Italian-language libretto was by Nicola Francesco Haym, after Philippe Quinault's ''Thésée''. It was Handel's third London opera, intended to follow the success of ''Rinaldo'' after the unpopular ''Il pastor fido''. First performed on 10 January 1713,''Teseo'' featured "magical" effects such as flying dragons, transformation scenes and apparitions and had a cast of notable Italian opera singers. It was a success with London audiences, receiving thirteen performances even though the stage machinery for the "magical" effects broke down, and would have received more performances had not one of the theatre's managers run away with the box office receipts. Performance history The opera was premiered at the Queen's Theatre in the Haymarket on 10 January 1713. It received an additional 12 performances through 16 May 1713, a mark of success at thos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rinaldo (opera)
''Rinaldo'' ( HWV 7) is an opera by George Frideric Handel, composed in 1711, and was the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill, and the work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, war and redemption, set at the time of the First Crusade, is loosely based on Torquato Tasso's epic poem ''Gerusalemme liberata'' ("Jerusalem Delivered"), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the contemporary trend towards Italian entertainment in English theatres. Handel composed ''Rinaldo'' quickly, borrowing and adapting music from operas and other works that he had composed during a long stay in Italy in the years 1706–10, during which he established a considerable reputation. In the years followi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabetta Pilotti-Schiavonetti
Elisabetta Pilotti-Schiavonetti ( – 5 May 1742) was an Italian operatic soprano who was associated with the House of Hanover. She was one of the leading prima donnas at the Queen's Theatre in the Haymarket (it later became the "King's Theatre" after King George I's accession in 1714) from 1710 to 1717. She is best remembered today for creating roles in at least four operas by George Frideric Handel, possibly five. Three of the roles that Handel wrote specifically for her were sorceresses, and the demands of those roles indicate that she possessed an exceptional voice capable of both dramatic power and technical agility.Dean, page 382 She is said to have had a bitter rivalry with the Queen's other leading soprano, Isabella Girardeau. Life and career Pilotti-Schiavonetti was born in Italy sometime during the last quarter of the 17th century. She was married to the Venetian oboist, cellist, and harpsichordist Giovanni Schiavonetti. Prior to their careers in England, the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coup De Théâtre , when information is unexpectedly and dramatically introduced In court proceedings
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Coup de Theatre may refer to: * ''Coup de théâtre'', a literary term for an unexpected event in a play or a theatrical trick * ''Coup de Theatre'' (album), by Haiku d'Etat, 2004 * "Coup de théâtre", a 2015 TV episode of '' Les Mystères de l'amour'' * "Coup De Théâtre", a track on the 2005 album ''Soleil 12'' by Forgas Band Phenomena See also * Perry Mason moment In court proceedings in the United States, a Perry Mason moment is said to have occurred whenever information is unexpectedly (to most present), and often dramatically, introduced into the record that changes the perception of the proceedings grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavatina
Cavatina is a musical term, originally meaning a short song of simple character, without a second strain or any repetition of the air. It is now frequently applied to any simple, melodious air, as distinguished from brilliant arias or recitatives, many of which are part of a larger movement or scena in oratorio or opera. One famous piece that bears the name, although without words, is the 5th movement of Beethoven's String Quartet in B-flat major, Opus 130. "Ecco, ridente in cielo" from Gioachino Rossini's opera ''The Barber of Seville'', "Porgi amor" and "Se vuol ballare" from Mozart's ''The Marriage of Figaro'' are also well-known cavatinas. Ralph Vaughan Williams gave the title of "Cavatina" to the 3rd movement of his Symphony no. 8. In opera, the term has been described as: a musical form appearing in operas and occasionally in cantatas and instrumental music....In opera the cavatina is an aria, generally of brilliant character, sung in one or two sections without repeats ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anastasia Robinson
Anastasia Robinson ( – April 1755), later known as Anastasia, Countess of Peterborough, was an English soprano, later contralto, of the Baroque era. She is best remembered for her association with the composer George Frideric Handel, in whose operas she sang. Early life and initial career Robinson was the eldest daughter of Thomas Robinson, a portrait painter who worked for a time in Italy (where she is thought to have been born). Initially her musical talent was privately trained, and her first performances were at private society concerts at Golden Square, where her father owned a property. At these concerts she both sang and accompanied herself on the harpsichord. In the early 1710s her father's eyesight began to fail and Robinson, forced to earn a living for herself and her family, turned professional. Dean, Winton, "Robinson, Anastasia", Grove Music Online', ed L. Macy, accessed 2 October 2009 Professional career Her association with Handel can be dated to 1714, when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bärenreiter
Bärenreiter (Bärenreiter-Verlag) is a German classical music publishing house based in Kassel. The firm was founded by Karl Vötterle (1903–1975) in Augsburg in 1923, and moved to Kassel in 1927, where it still has its headquarters; it also has offices in Basel, London, New York and Prague. The company is currently managed by Barbara Scheuch-Vötterle and Leonhard Scheuch. Since 1951, the company's focus has been on the New Complete Editions series for various composers. These are urtext editions, and cover the entire work of the selected composer. Series include: J. S. Bach (the ''Neue Bach-Ausgabe'', a joint project with the Deutscher Verlag für Musik), Berlioz, Fauré, Gluck, Handel, Janáček, Mozart (Neue Mozart-Ausgabe), Rossini, Saint-Saëns, Schubert (New Schubert Edition), Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
