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Giacomo Rossi
Giacomo Rossi was an Italian poet, translator and librettist who settled in London early in the 18th century and wrote librettos for George Frideric Handel, between 1710 and 1729. According to Rossi ''Rinaldo'' was written by Handel in a fortnight. Aaron Hill seems to have given his sketch to Rossi to translate. The libretto is according to Winton Dean confusing. Rossi probably worked on ''Il pastor fido'' and ''Silla''. Handel emerges from the enterprise with scarcely more credit than Rossi. Rossi's name is also mentioned with for the libretto of ''Amadigi di Gaula'', or assisting in '' Poro re dell'Indie'' and ''Lotario''. The result of this latter work is unusually concise and easily understandable for a baroque opera. Rossi not only shortened the recitatives for Handel, but improved the text by shortening, rearranging and rewriting it. Almost half of the text was new.http://www.oehmsclassics.de/cd.php?formatid=175&sprache=eng In 1729 Paolo Antonio Rolli Paolo Antonio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Antonio Rolli
Paolo Antonio Rolli (13 June 1687 – 20 March 1765) was an Italian librettist, poet and translator. Biography Paolo Rolli was born in Rome, Italy and like Metastasio was trained by Gian Vincenzo Gravina. The earl of Burlington brought him to England, which he commemorates in the dedication of his opera of “Astarte” to his noble patron, who attached him to the court as master of the Tuscan language to the princesses. He was Italian tutor to Caroline of Ansbach and then undertook the same role in London from 1715 to 1744 for her children Frederick, Amelia and Caroline. During this period, he wrote librettos for numerous Italian operas including Handel's '' Floridante'' (1721), ''Muzio Scevola'' (1722), '' Riccardo Primo'' (1927) and '' Deidamia'' (1741) and Nicola Porpora's '' La festa d'Imeneo'' (1736) and Orfeo' (1736).R. A. Streatfeild, 'Handel, Rolli, and Italian Opera in London in the Eighteenth Century', ''The Musical Quarterly'', Vol. 3, No. 3 (Jul., 1917), pp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Year Of Death Missing
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Year Of Birth Missing
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Expatriates In England
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Opera Librettists
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Francesco Haym
Nicola Francesco Haym (6 July 1678 – 31 July 1729) was an Italian opera librettist, composer, theatre manager and performer, literary editor and numismatist. He is best remembered for adapting texts into libretti for the London operas of George Frideric Handel and Giovanni Bononcini. Libretti that he provided for Handel included those for ''Giulio Cesare'', ''Ottone'', ''Flavio'', ''Tamerlano'', '' Rodelinda'', and several others; for Bononcini, he produced two, ''Calfurnia'' and ''Astianatte''. Compositions Haym was born in Rome. His career began as a cellist in Italy, and he arrived in London in 1701: he swiftly became master of the 2nd Duke of Bedford's chamber music. He wrote the libretto for Bononcini's '' Camilla'', a seminal work of enormous success that did much to establish Italian opera in London. Later, when operas in London came to be performed entirely in Italian, rather than in a bilingual blend of English and Italian, Haym spent much time adapting both librett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attilio Ariosti
Attilio Malachia Ariosti (or Frate Ottavio) (5 November 1666 – 1729) was a Servite Friar and Italian composer in the Baroque style, born in Bologna. He produced more than 30 operas and oratorios, numerous cantatas and instrumental works. Life Ariosti was born into the middle class. He became a monk in 1688 at age 22, but he soon obtained permission to leave the order and become a composer in the court of the Duke of Mantua and Monferrato. He became a deacon in 1692, the same year he achieved the post of organist at Santa Maria dei Servi in Bologna. In 1697, he went to Berlin at the request of Sophia Charlotte of Hanover, Queen of Prussia, a great-granddaughter of James I of England and daughter of the Electress Sophia of Hanover, an enlightened patroness of the arts with a keen interest in music. After enjoying the favor of the Queen, Ariosti wrote and collaborated in the writing of a number of stage works performed for the court in Berlin. He resided in Berlin as the court ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lotario
''Lotario'' ("Lothair", HWV 26) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was adapted from Antonio Salvi's ''Adelaide''.The opera was first given at the King's Theatre in London on 2 December 1729. The story of the opera is a fictionalisation of some events in the life of Holy Roman Empress Adelaide of Italy. Performance history Paolo Rolli commented in a letter at the time to Giuseppe Riva that "everyone thinks (''Lotario'') a very bad opera". There were 10 performances, but it was not repeated. Handel reused pieces in later operas. As with all Baroque opera seria, ''Lotario'' went unperformed for many years, but with the revival of interest in Baroque music and historically informed musical performance since the 1960s, ''Lotario'', like all Handel operas, receives performances at festivals and opera houses today. Among other performances, ''Lotario'' was staged at the London Handel Festival in 1999, by the Handel Festival, Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rinaldo (opera)
''Rinaldo'' ( HWV 7) is an opera by George Frideric Handel, composed in 1711, and was the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill, and the work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, war and redemption, set at the time of the First Crusade, is loosely based on Torquato Tasso's epic poem ''Gerusalemme liberata'' ("Jerusalem Delivered"), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the contemporary trend towards Italian entertainment in English theatres. Handel composed ''Rinaldo'' quickly, borrowing and adapting music from operas and other works that he had composed during a long stay in Italy in the years 1706–10, during which he established a considerable reputation. In the years followi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poro Re Dell'Indie
''Poro, re dell'Indie'' ("Porus, King of the Indians", HWV 28) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was adapted from ''Alessandro nell'Indie'' by Metastasio, and based on Alexander the Great's encounter with Porus in 326 BC. The libretto had already been set to music by Leonardo Vinci in 1729 and was used as the text for more than sixty operas throughout the 18th century. Graham Cummings has examined in detail the composition history of ''Poro'' in the context of Handel's work on his London operas during the 1730s, and has postulated the principal time of Handel's composing from September 1730 to 16 January 1731, with small revisions prior to the 2 February premiere. The opera shifted the story's emphasis from Alessandro to Poro and Cleofide, and their relationship. Performance history The opera was first given at the King's Theatre in London on 2 February 1731 and on 15 further occasions. A run of 16 performances was a mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amadigi Di Gaula
''Amadigi di Gaula'' ( HWV 11) is a "magic" opera in three acts, with music by George Frideric Handel. It was the fifth Italian opera that Handel wrote for an English theatre and the second he wrote for Richard Boyle, 3rd Earl of Burlington in 1715. The opera about a damsel in distress is based on ''Amadis de Grèce'', a French tragédie-lyrique by André Cardinal Destouches and Antoine Houdar de la Motte. ''Amadigi'' was written for a small cast, employing four high voices. Handel made prominent use of wind instruments, so the score is unusually colorful, comparable to his ''Water Music''. The opera received its first performance in London at the King's Theatre in the Haymarket on 25 May 1715, in a lavish successful production. Charles Burney maintained near the end of the eighteenth century: Amadigi contained "...more invention, variety and good composition, than in any one of the musical dramas of Handel which I have yet carefully and critically examined".Richard B. Beams"H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
