|
Althea Thauberger
Althea Thauberger is a Canadian visual artist, film maker and educator. Her work engages relational practices rooted in sustained collaborations with groups or communities through social, theatrical and textual processes that often operate outside the studio/gallery environment. Her varied research-centric projects have taken her to military base, remote societies and institutional spaces that result in performances, films, videos, audio recordings and books, and involve provocative reflections of social, political, institutional and aesthetic power relations. Her recent projects involve an extended engagement with the sites of their production in order to trace broader social and ideological histories. Biography Althea Thauberger was born in Saskatoon, Saskatchewan, in 1970. She currently lives and works in Vancouver, where she is an assistant professor in the Department of Art History, Visual Art and Theory at the University of British Columbia. Thauberger obtained her Bach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its theme (arts), themes, stock characters, and plot elements. Theatre art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yugoslavia
Yugoslavia (; sh-Latn-Cyrl, separator=" / ", Jugoslavija, Југославија ; sl, Jugoslavija ; mk, Југославија ;; rup, Iugoslavia; hu, Jugoszlávia; rue, label= Pannonian Rusyn, Югославия, translit=Juhoslavija; sk, Juhoslávia; ro, Iugoslavia; cs, Jugoslávie; it, Iugoslavia; tr, Yugoslavya; bg, Югославия, Yugoslaviya ) was a country in Southeast Europe and Central Europe for most of the 20th century. It came into existence after World War I in 1918 under the name of the '' Kingdom of Serbs, Croats and Slovenes'' by the merger of the provisional State of Slovenes, Croats and Serbs (which was formed from territories of the former Austria-Hungary) with the Kingdom of Serbia, and constituted the first union of the South Slavic people as a sovereign state, following centuries in which the region had been part of the Ottoman Empire and Austria-Hungary. Peter I of Serbia was its first sovereign. The kingdom gained international ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery Of Canada
The National Gallery of Canada (french: Musée des beaux-arts du Canada), located in the capital city of Ottawa, Ontario, is Canada's national art museum. The museum's building takes up , with of space used for exhibiting art. It is one of the largest art museums in North America by exhibition space. The institution was established in 1880 at the Second Supreme Court of Canada building, and moved to the Victoria Memorial Museum building in 1911. In 1913, the Government of Canada passed the ''National Gallery Act'', formally outlining the institution's mandate as a national art museum. The museum was moved to the Lorne building in 1960. In 1988, the museum was relocated to a new building designed for this purpose. The National Gallery of Canada is situated in a glass and granite building on Sussex Drive, with a notable view of the Canadian Parliament buildings on Parliament Hill. The building was designed by Israeli architect Moshe Safdie and opened in 1988. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biennale Of Sydney
The Biennale of Sydney is an international festival of contemporary art, held every two years in Sydney, Australia. It is a large and well-attended contemporary visual arts event in the country. Alongside the Venice and São Paulo biennales and Documenta, it is one of the longest running exhibitions of its kind and was the first biennale to be established in the Asia-Pacific region. History In 1973 the Biennale of Sydney held its first exhibition of 37 artists in the exhibition hall of the then newly opened Sydney Opera House. *1973, ''The Biennale of Sydney'', Coordinator: Anthony Wintherbotham *1976, ''Recent International Forms in Art'', Artistic Director: Thomas G. McCullough *1979, ''European Dialogue'', Artistic Director: Nick Waterlow *1982, ''Vision in Disbelief'', Artistic Director: William Wright *1984, ''Private Symbol: Social Metaphor'', Artistic Director: Leon Paroissien *1986, ''Origins, Originality + Beyond'', Artistic Director: Nick Waterlow *1988, ''From t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marat/Sade
''The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade'' (german: Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade), usually shortened to ''Marat/Sade'' (), is a 1963 play by Peter Weiss. The work was first published in German. Incorporating dramatic elements characteristic of both Antonin Artaud and Bertolt Brecht, it is a depiction of class struggle and human suffering that asks whether true revolution comes from changing society or changing oneself. Plot Set in the historical Charenton Asylum, ''Marat/Sade'' is almost entirely a "play within a play". The main story takes place on 13 July 1808; the play directed by the Marquis de Sade within the story takes place fifteen years earlier, during the French Revolution, culminating in the assassination (13 July 1793) of Jean-Paul Marat, then q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Weiss
Peter Ulrich Weiss (8 November 1916 – 10 May 1982) was a German writer, painter, graphic artist, and experimental filmmaker of adopted Swedish nationality. He is particularly known for his plays '' Marat/Sade'' and '' The Investigation'' and his novel ''The Aesthetics of Resistance''. Peter Weiss earned his reputation in the post-war German literary world as the proponent of an avant-garde, meticulously descriptive writing, as an exponent of autobiographical prose, and also as a politically engaged dramatist. He gained international success with ''Marat/Sade'', the American production of which was awarded a Tony Award and its subsequent film adaptation directed by Peter Brook. His "Auschwitz Oratorium," '' The Investigation'', served to broaden the debates over the so-called "Aufarbeitung der Vergangenheit" (or formerly) "Vergangenheitsbewältigung" or " politics of history." Weiss's magnum opus was ''The Aesthetics of Resistance'', called the "most important German-language ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Czech Republic
The Czech Republic, or simply Czechia, is a landlocked country in Central Europe. Historically known as Bohemia, it is bordered by Austria to the south, Germany to the west, Poland to the northeast, and Slovakia to the southeast. The Czech Republic has a hilly landscape that covers an area of with a mostly temperate continental and oceanic climate. The capital and largest city is Prague; other major cities and urban areas include Brno, Ostrava, Plzeň and Liberec. The Duchy of Bohemia was founded in the late 9th century under Great Moravia. It was formally recognized as an Imperial State of the Holy Roman Empire in 1002 and became a kingdom in 1198. Following the Battle of Mohács in 1526, the whole Crown of Bohemia was gradually integrated into the Habsburg monarchy. The Protestant Bohemian Revolt led to the Thirty Years' War. After the Battle of White Mountain, the Habsburgs consolidated their rule. With the dissolution of the Holy Empire in 1806, the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prague
Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and largest city in the Czech Republic, and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 million people. The city has a temperate oceanic climate, with relatively warm summers and chilly winters. Prague is a political, cultural, and economic hub of central Europe, with a rich history and Romanesque, Gothic, Renaissance and Baroque architectures. It was the capital of the Kingdom of Bohemia and residence of several Holy Roman Emperors, most notably Charles IV (r. 1346–1378). It was an important city to the Habsburg monarchy and Austro-Hungarian Empire. The city played major roles in the Bohemian and the Protestant Reformations, the Thirty Years' War and in 20th-century history as the capital of Czechoslovakia between the World Wars and the post-war Communist era. Prague is home to a number of well-known cultural attractions, many of which survived ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of The Oppressed
The Theatre of the Oppressed (TO) describes theatrical forms that the Brazilian theatre practitioner Augusto Boal first elaborated in the 1970s, initially in Brazil and later in Europe. Boal was influenced by the work of the educator and theorist Paulo Freire and his book ''Pedagogy of the Oppressed''. Boal's techniques use theatre as means of promoting social and political change in alignment originally with radical-left politics and later with centre-left ideology. In the Theatre of the Oppressed, the audience becomes active, such that as "spect-actors" they explore, show, analyse and transform the reality in which they are living. History Although it was first officially adopted in the 1970s, Theatre of the Oppressed, a term coined by Augusto Boal, is a series of theatrical analyses and critiques was first developed in the 1950s. Boal was an avid supporter of using interactive techniques, especially in the context of theatre. Many of his ideas are considered as "a new media pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augusto Boal
Augusto Boal (16 March 1931 – 2 May 2009) was a Brazilian theatre practitioner, drama theorist, and political activist. He was the founder of Theatre of the Oppressed, a theatrical form originally used in radical left popular education movements. Boal served one term as a ''Vereador'' (the Brazilian equivalent of a city councillor) in Rio de Janeiro from 1993 to 1997, where he developed legislative theatre.Paterson, Doug.A Brief Biography of Augusto Boal ptoweb.or Biography Early life Augusto Boal studied at Columbia University in New York with the critic John Gassner. Gassner introduced Boal to the techniques of both Bertolt Brecht and Konstantin Stanislavski, and encouraged Boal to form links with theatre groups like the Black Experimental Theatre. In 1955 Boal staged productions of two of his own plays, ''The Horse and the Saint'' and ''The House Across the Street''.Eckersley, M. (1995). "A Matter of Style – The Theatre of Augusto Boal". ''Mask Magazine''. Vol. 18 No. 3 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lehrstücke
The (; singular ) are a radical and experimental form of modernist theatre developed by Bertolt Brecht and his collaborators from the 1920s to the late 1930s. The ''Lehrstücke'' stem from Brecht's epic theatre techniques but as a core principle explore the possibilities of learning through acting, playing roles, adopting postures and attitudes etc. and hence no longer divide between actors and audience. Brecht himself translated the term as ''learning-play'', emphasizing the aspect of learning through participation, whereas the German term could be understood as ''teaching-play''. Reiner Steinweg goes so far as to suggest adopting a term coined by the Brazilian avant garde theatre director Zé Celso, ''Theatre of Discovery'', as being even clearer.Steinweg, ReinerTwo Chapters from "Learning Play and Epic Theatre"/ref> Definition Although the texts have a highly formal, rigorous structure, this is designed to facilitate insertions or deletions (according to the exigencies of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote '' The Threepenny Opera'' with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic '' Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_1988%2C_MiNr_Block_091.jpg "Click for more on -> Bertolt Brecht")