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Allegory Of Prudence
The ''Allegory of Prudence'' () is an oil-on-canvas painting attributed to the Italian artist Titian and his assistants. The painting portrays three human heads, each facing in a different direction, above three animal heads (from left to right, a wolf, a lion and a dog). It is in the National Gallery, London. The painting is usually interpreted as operating on a number of levels. At the first level, the different ages of the three human heads represent the three ages of man (from left to right: old age, maturity and youth), a subject that Titian had depicted 50 years earlier in his '' The Three Ages of Man''. The different directions in which they are facing reflect a second, wider concept of time itself as having a past, present and future. This theme is repeated in the animal heads: an animal with three heads (wolf, lion, dog) to represent the passage of time (past, present, future) is associated with Serapis in Macrobius's '' Saturnalia'', and associated with Apollo by Petrarc ...
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Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ...
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Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ...
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Lions In Art
The lion (''Panthera leo'') is a large cat of the genus ''Panthera'' native to Africa and India. It has a muscular, broad-chested body; short, rounded head; round ears; and a hairy tuft at the end of its tail. It is sexually dimorphic; adult male lions are larger than females and have a prominent mane. It is a social species, forming groups called ''prides''. A lion's pride consists of a few adult males, related females, and cubs. Groups of female lions usually hunt together, preying mostly on large ungulates. The lion is an apex and keystone predator; although some lions scavenge when opportunities occur and have been known to hunt humans, lions typically don't actively seek out and prey on humans. The lion inhabits grasslands, savannas and shrublands. It is usually more diurnal than other wild cats, but when persecuted, it adapts to being active at night and at twilight. During the Neolithic period, the lion ranged throughout Africa and Eurasia from Southeast Europe to In ...
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Allegorical Paintings By Italian Artists
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ...
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16th-century Allegorical Paintings
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion of ...
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Paintings By Titian In The National Gallery, London
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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1560s Paintings
Year 156 ( CLVI) was a leap year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Silvanus and Augurinus (or, less frequently, year 909 '' Ab urbe condita''). The denomination 156 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place America * The La Mojarra Stela 1 is produced in Mesoamerica. By topic Religion * The heresiarch Montanus first appears in Ardaban (Mysia). Births * Dong Zhao, Chinese official and minister (d. 236) * Ling of Han, Chinese emperor of the Han Dynasty (d. 189) * Pontianus of Spoleto, Christian martyr and saint (d. 175) * Zhang Zhao, Chinese general and politician (d. 236) * Zhu Zhi, Chinese general and politician (d. 224) Deaths * Marcus Gavius Maximus, Roman praetorian prefect * Zhang Daoling, Chinese Taoist master (b. AD 34 ...
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The Burlington Magazine
''The Burlington Magazine'' is a monthly publication that covers the fine and decorative arts of all periods. Established in 1903, it is the longest running art journal in the English language. It has been published by a charitable organisation since 1986. History The magazine was established in 1903 by a group of art historians and connoisseurs which included Roger Fry, Herbert Horne, Bernard Berenson, and Charles Holmes. Its most esteemed editors have been Roger Fry (1909–1919), Herbert Read (1933–1939), and Benedict Nicolson (1948–1978). The journal's structure was loosely based on its contemporary British publication '' The Connoisseur'', which was mainly aimed at collectors and had firm connections with the art trade. ''The Burlington Magazine'', however, added to this late Victorian tradition of market-based criticism new elements of historical research inspired by the leading academic German periodicals and thus created a formula that has remained almost intact to ...
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David Koetser
David (; , "beloved one") (traditional spelling), , ''Dāwūd''; grc-koi, Δαυΐδ, Dauíd; la, Davidus, David; gez , ዳዊት, ''Dawit''; xcl, Դաւիթ, ''Dawitʿ''; cu, Давíдъ, ''Davidŭ''; possibly meaning "beloved one". was, according to the Hebrew Bible, the third king of the United Kingdom of Israel. In the Books of Samuel, he is described as a young shepherd and harpist who gains fame by slaying Goliath, a champion of the Philistines, in southern Canaan. David becomes a favourite of Saul, the first king of Israel; he also forges a notably close friendship with Jonathan, a son of Saul. However, under the paranoia that David is seeking to usurp the throne, Saul attempts to kill David, forcing the latter to go into hiding and effectively operate as a fugitive for several years. After Saul and Jonathan are both killed in battle against the Philistines, a 30-year-old David is anointed king over all of Israel and Judah. Following his rise to power, Davi ...
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Nicholas Penny
Sir Nicholas Beaver Penny (born 21 December 1949) is a British art historian. From 2008 to 2015 he was director of the National Gallery in London. Early life Penny was educated at Shrewsbury School before he studied English at St Catharine's College, Cambridge. He then studied for a doctorate at The Courtauld Institute of Art in London, where he was taught by Michael Kitson. While a student at the Courtauld, Penny contributed photographs to the Art & Architecture section of the Conway Library collection. Career Penny's academic career began with a research fellowship at Clare Hall, Cambridge, after which he went on to teach art history at Manchester University. While still in his early thirties, Penny was appointed to the Slade Professorship at Oxford University and to a senior research fellowship at King's College, Cambridge. He was the co-author, with Francis Haskell, of ''Taste and the Antique'', a study of the formation of the canon of classical sculpture published in ...
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Erwin Panofsky
Erwin Panofsky (March 30, 1892 in Hannover – March 14, 1968 in Princeton, New Jersey) was a German-Jewish art historian, whose academic career was pursued mostly in the U.S. after the rise of the Nazi regime. Panofsky's work represents a high point in the modern academic study of iconography, which he used in hugely influentialShone, Richard and Stonard, John-Paul, eds. ''The Books that Shaped Art History'', chapter 7. London: Thames & Hudson, 2013. works like his "little book" ''Renaissance and Renascences in Western Art'' and his masterpiece, '' Early Netherlandish Painting''. Many of his works are still in print, including ''Studies in Iconology: Humanist Themes in the Art of the Renaissance'' (1939), ''Meaning in the Visual Arts'' (1955), and his 1943 study ''The Life and Art of Albrecht Dürer''. Panofsky's ideas were also highly influential in intellectual history in general,Chartier, Roger. ''Cultural History'', pp. 23–24 (from "Intellectual History and the Histor ...
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Marco Vecellio
ceiling San Zanipolo Marco Vecellio (1545–1611) was an Italian painter of the Renaissance period. He was also called Marco di Tiziano, since he was Titian's nephew. He was born and active mainly in Venice. He accompanied his distinguished uncle in the journeys to Rome and Germany. He was the favorite pupil of Titian, and approached nearer to his style than any other member of the family. There are several pictures by him in the Doge's palace, among the best an allegory in the ante-chamber to the Sala del Gran Consiglio. Another good example is a picture in the Sala della Bussola, ''Doge Leonardo Donato before the Virgin and Infant Christ''. He also painted for churches at Venice, Treviso, and in the Friuli Friuli ( fur, Friûl, sl, Furlanija, german: Friaul) is an area of Northeast Italy with its own particular cultural and historical identity containing 1,000,000 Friulians. It comprises the major part of the autonomous region Friuli Venezia Giuli ..., among other things a ...
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