Alle Psallite Cum Luya
''Alle Psallite Cum Luya'' is an anonymous three-part Latin motet from the late 13th or early 14th century. It is recorded in the Montpellier Codex and is thought to have originated in France. The text is based on the word ''Alleluia Alleluia (derived from the Hebrew ''Hallelujah'', meaning "Praise Yahweh") is a Latin phrase in Christianity used to give praise to God. In Christian worship, Alleluia is used as a liturgical chant in which that word is combined with verses of ...'', which is repeated throughout in the tenor voice while the duplum and triplum voices sing lines with successively longer tropes inserted between ''alle'' and ''luya'', as follows: Alle psallite cum luya Alle concrepando psallite cum luya Alle corde voto Deo toto, psallite cum luya Alleluya The troped text consists of a series of enthusiastic affirmations, giving the piece a celebratory tone. References External linksSheet music for Alle Psallite cum Luya [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Montpellier Codex
The ''Montpellier Codex'' (''Montpellier, Bibliothèque Inter-Universitaire, Section Médecine, H196'') is an important source of 13th-century France, French polyphony. The ''Codex'' contains 336 polyphonic works probably composed c. 1250–1300, and was likely compiled c. 1300. It is believed to originate from Paris. It was discovered by musicologist Edmond de Coussemaker in c. 1852. Format and contents The ''Montpellier Codex'' can be roughly divided into 8 fascicle (book), fascicles, each of which contain discrete musical genre, genres of music. The format of the ''Codex ''is as follows: * 1. Liturgy, Liturgical polyphony (ff. 1r-22r) * 2. French triple motets, consisting of a ''cantus firmus'' with three counterpoint, contrapuntal lines above it (ff. 23v-61r) * 3. Macaronic language, Macaronic double motets, consisting of a ''cantus firmus'' with two contrapuntal lines above it (ff. 63v-86v) * 4. Latin double motets (ff. 87v-111r) * 5. French double motets (ff. 111v-227r) * ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alleluia
Alleluia (derived from the Hebrew ''Hallelujah'', meaning "Praise Yahweh") is a Latin phrase in Christianity used to give praise to God. In Christian worship, Alleluia is used as a liturgical chant in which that word is combined with verses of scripture, usually from the Psalms. This chant is commonly used before the proclamation of the Gospel. In Western Christianity, congregations commonly cease using the word "Alleluia" during the period of Lent but restore it into their services at Easter. The form of praise "Alleluia" is used by Christians to thank and glorify God; it finds itself present in many prayers and hymns, especially those related to Eastertide, such as ''Jesus Christ Is Risen Today''. History The Hebrew word ''Hallelujah'' as an expression of praise to God was preserved, untranslated, by the Early Christians as a superlative expression of thanksgiving, joy, and triumph. Thus it appears in the ancient Greek Liturgy of St. James, which is still used to this day b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Trope (music)
A trope or tropus may refer to a variety of different concepts in medieval, 20th-, and 21st-century music. The term ''trope'' derives from the Greek (''tropos''), "a turn, a change", related to the root of the verb (''trepein''), "to turn, to direct, to alter, to change". The Latinised form of the word is ''tropus''. In music, a trope is adding another section, or trope to a plainchant or section of plainchant, thus making it appropriate to a particular occasion or festival. Medieval music From the 9th century onward, trope refers to additions of new music to pre-existing chants in use in the Western Christian Church. Three types of addition are found in music manuscripts: # new melismas without text (mostly unlabelled or called "trope" in manuscripts) # addition of a new text to a pre-existing melisma (more often called ''prosula'', ''prosa'', ''verba'' or ''versus'') # new verse or verses, consisting of both text and music (mostly called trope, but also ''laudes'' or ' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Anonymous Musical Compositions
Anonymous may refer to: * Anonymity, the state of an individual's identity, or personally identifiable information, being publicly unknown ** Anonymous work, a work of art or literature that has an unnamed or unknown creator or author * Anonymity (social choice), a property of a voting rule, saying that it does not discriminate apriori between voters Organizations * Anonymous (hacker group), the collective name of loosely affiliated individuals who participate in hacktivism Film and television * "Anonymous" (''Australian Playhouse''), an Australian television play * ''Anonymous'' (2011 film), a 2011 film * ''Anonymous'' (TV series), a 2006 Irish television show * "Anonymous" (''CSI''), a 2000 episode of ''CSI: Crime Scene Investigation'' * "Anonymous" (''NCIS: Los Angeles''), a 2010 episode of ''NCIS: Los Angeles'' Music * Anonymous (band), an Andorran band * ''Anonymous'' (Blackbear album) (2019) * ''Anonymous'' (Stray from the Path album) (2013) * ''Anonymo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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13th Century In Music
12th century in music – 13th century in music – 1300s in music Events *c.1206 – A Minnesang contest, the ''Sängerkrieg auf der Wartburg'', is held in Eisenach. Competitors included Walther von der Vogelweide, Heinrich von Ofterdingen, Reinmar von Zweter, and . *1221 – the Vienna city laws (renewed in 1244) declared itinerant minstrels to have no legal rights, while minstrels resident in a parish were exempted and therefore were able to develop organizations within the framework of municipal law. *1254 – Alfonso X of Castile establishes a chair of music at the University of Salamanca. *1259 – An organ is installed in the Cathedral of Worms. Bands formed *1212. The Thomanerchor is founded in Leipzig. Treatises *1271 – Amerus, ''Practica artis musicae''. *1274 – Elias Salomo, ''Scientia artis musicae''. *1279 – Anonymous of St Emmeram, ''De musica mensurata'' (Munich, Bayerische Staatsbibliothek, Cod. Lat. Mon. im.14523), one of the two main treatises on the t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |